A poet renowned for her “wit and complexity” (Poetry Foundation) explores the endless evolution and malleability of life on earth in her most curious, inventive collection to date
Aren’t we all shape-shifters? Is any animal, vegetable, or mineral—even a commonplace object—what it seems to be at any given moment? Who isn’t juggling constant transformations, conflicting roles, changing loyalties, loves, perceptions, and selves, all while being pummeled by shifting devotions, emotions, and obsessions? Do even the dead continue to evolve in surprising ways?
Reveling in these questions, Gerstler’s latest protean poetry collection includes loose sonnets, shapely praise of Mae West, the lament of an actor who can’t shed his costume, dramatic monologues, whiffs of gender slippage, a love lyric to the bride of Frankenstein, a lullaby for adults, and a ten-minute play.
Amy Gerstler is a writer of poetry, nonfiction, and journalism who lives in Los Angeles. She is the author of ten previous poetry collections, including Bitter Angel, which won the National Book Critics Circle Award, and Crown of Weeds, which won a California Book Award. Her most recent collection, Scattered at Sea, was a finalist for the Los Angeles Times Book Prize and the Kingsley Tufts Poetry Award. Her poems have appeared in The New Yorker, The Paris Review, The American Poetry Review, and several volumes of Best American Poetry. She teaches in the graduate fine arts department at Art Center, College of Design, in Pasadena, California, and is a member of the core faculty of the Bennington Writing Seminars MFA program at Bennington College in Vermont.
View titles by Amy Gerstler
A poet renowned for her “wit and complexity” (Poetry Foundation) explores the endless evolution and malleability of life on earth in her most curious, inventive collection to date
Aren’t we all shape-shifters? Is any animal, vegetable, or mineral—even a commonplace object—what it seems to be at any given moment? Who isn’t juggling constant transformations, conflicting roles, changing loyalties, loves, perceptions, and selves, all while being pummeled by shifting devotions, emotions, and obsessions? Do even the dead continue to evolve in surprising ways?
Reveling in these questions, Gerstler’s latest protean poetry collection includes loose sonnets, shapely praise of Mae West, the lament of an actor who can’t shed his costume, dramatic monologues, whiffs of gender slippage, a love lyric to the bride of Frankenstein, a lullaby for adults, and a ten-minute play.
Amy Gerstler is a writer of poetry, nonfiction, and journalism who lives in Los Angeles. She is the author of ten previous poetry collections, including Bitter Angel, which won the National Book Critics Circle Award, and Crown of Weeds, which won a California Book Award. Her most recent collection, Scattered at Sea, was a finalist for the Los Angeles Times Book Prize and the Kingsley Tufts Poetry Award. Her poems have appeared in The New Yorker, The Paris Review, The American Poetry Review, and several volumes of Best American Poetry. She teaches in the graduate fine arts department at Art Center, College of Design, in Pasadena, California, and is a member of the core faculty of the Bennington Writing Seminars MFA program at Bennington College in Vermont.
View titles by Amy Gerstler
