A Stand of Cottonwood
 I'm glad to be here, amid these cottonwood trees,
 Feeling the wind from the lake on my face,
 Sniffing the marsh smells and lake smells
 As I listen to the calls of unseen shorebirds.
 And I'm glad as well to acknowledge my civic coordinates:
 To be standing fifty yards from the Coast Guard station
 Barely half a mile from downtown Buffalo,
 At the western edge of the Empire State,
 Which might have taken more care of its shoreline
 Had it been ruled, now and then, by an emperor.
 Self-seeding cottonwood that began to root
 Some forty years back, I've read in a pamphlet,
 After the beach shacks were torn down and dredges
 Stopped dumping the sludge from the channel here.
 Trees that like their feet to stay wet while I
 Am thankful for the boardwalk path
 Lifted a yard above the cattails.
 Of the dozen birds named on the sign
 Beside their outlines, I can barely claim to know one
 By sight or sound. But that doesn't mean
 I'm too old to learn. Already I can distinguish
 Their calls from the traffic noise blowing in,
 Now and then, from the Skyway, and the ship horns,
 And the lunchtime bells from the Cathedral.
 Maybe when I learn to listen, I'll hear
 The tree toads scratching, or the tree roots
 Gripping the stone-rich soil and drinking,
 Or the termites tunneling in the logs-
 All oblivious to how close they are
 To what used to be numbered among the top three
 Grain ports of the Western world.
 So what if the grain is stored elsewhere now.
 It's time to focus on the life at hand,
 Which explains why I've donned my safari hat
 And brought my binoculars:
 Because it's now or never if I want to become
 Familiar with the residents of my neighborhood,
 Including these pioneer cottonwood
 Rising above the boardwalk
 And the birds unseen at rest in the canopy.
 And why not include the three fellow pedestrians
 Now approaching at a leisurely pace,
 Who nod when I nod, as if they knew me
 Or knew my kind. "Look, here's another
 Late-blooming, cottonwood-loving creature
 With a northerly range." Or, "Here's another
 Self-appointed surveyor of urban wetlands
 Who hopes to learn on the job
 All he needs to know."
 Fast Food
 I'd like to believe that the middle-aged woman
 Eating her dinner alone at the picnic table
 Provided by Ernie's Red Hots, just off Route 5,
 Between Woodlawn and Silver Creek,
 Hasn't made a wrong turn in life that's deprived her
 Of friends and family. I'd like to believe that the words
 She was writing a moment ago weren't part of a letter
 Accusing someone of betrayal or indifference
 But were notes to herself, perhaps for an article
 She's been asked to write by the magazine she works for
 On fast-food providers on the eastern shore of Lake Erie.
 Which of them take pride in their work-that's the question
 She may have committed herself to investigate.
 Here's a woman who's always found work in an office
 Too confining, who loves exploring the hinterlands.
 Thirty years ago she might have joined her brother
 In the study of law if lawyers still rode circuits
 As they did in the era of her father's granddad.
 How sad to her the thought of being stuck forever
 Inside one courthouse, though she'd like to believe
 That some of the clerks at work in her brother's office
 May find, as they browse a magazine on their break,
 The very article she's now doing the research for
 And be gladdened to learn they needn't be rich
 To afford a meal that will leave them feeling
 They've received, for once, far more than they expected.
 The rolls at Ernie's, they'll learn, whether white
 Or whole grain, are fresh, and the mustard
 Offers an artful blend of piquant spices.
 Before she gathers her notes and goes,
 She may copy Ernie's address from her place mat
 So she can send her review when it's published.
 His own conviction of being true to his standards,
 She realizes, may be all that matters. Still,
 It's also true that a stranger's endorsement
 May prove of use when he asks himself
 If he's doing the work he was meant to do,
 Or some of the work, at least, if not all.
 Bad Days, Good Days
 On good days as well as bad the odds
 Against my birth seem overwhelming.
 But on my bad days they imply that my claim
 To existence is tenuous, barely more real
 Than the claim of the billions of others
 Who missed the cut, while on my good days
 My presence seems like a miracle.
 It hurts my pride on my bad days to recall
 The story my mother told about her parents:
 How they wouldn't have met if the train
 That carried her father to the ship waiting at Hamburg
 Hadn't broken down in a field near Brest-Litovsk
 So he had to leave for America seven days later
 On the ship that carried my grandma-to-be.
 It hurts my pride to feel my destiny
 Bound up with a broken axle or gasket,
 But on my good days the wonder I feel
 Is a smaller version of the wonder
 Felt by cosmologists when they consider
 How close the cosmos itself came to missing
 The boat into being, to losing its chance
 For passengers, ports, and oceans,
 For stars as plentiful as grains of beach sand.
 The difference between my wonder and theirs
 Is that mine is infused, on my good days,
 With gratitude. Of course, they're pleased
 That everything managed to clamber aboard
 In the nick of time, but the alternative,
 Nothing at all, is too wispy for them to grasp,
 Whereas for me the story of Grandpa's train
 Grinding to a halt on a snowy plateau
 Is a gift I never grow tired of opening.
 What a privilege it is for me to join him
 While he paces beside the track as night comes on.
 What a privilege to share his brooding
 On the difference between his life
 If he makes his ship and his life if he doesn't.
 On my bad days choice seems denied him.
 He's no more free than the train is free to stop
 Or start when it pleases, or to leave the track.
 On my good days he's free to interpret the accident
 As one last chance to cancel his plan to emigrate
 And return to his friends and family, who want him to stay.
 And now I conceive him as free to set the question
 Aside awhile to note that the scene before him
 Would merit a painter's close attention.
 There he is, letting the lantern light absorb him
 As it falls on the workmen kneeling in the shadows
 Beside the engine while the snowy fields
 Stretch away behind them into the framing dark.
 And now above them a display of stars
 Appears to be just in time, after a journey
 Of many eons, to complete a picture
 He isn't likely to see again.
 Know Yourself
 Know yourself, says the oracle at Delphi,
 Confirming my doubts about oracles,
 Their assumption the self is a book
 Waiting for someone like me to read it,
 Not a coat I stitch together each day
 From dreams and wishes, habits and moods.
 If you know, says the oracle, that the portion
 Of courage you've been allotted is small,
 Better avoid a career in fighting fires.
 If you know that you're short on patience,
 Think twice about a career in teaching.
 But who's to say you couldn't acquire the courage
 To enter a burning house if you served a long
 Apprenticeship in dousing porch fires?
 Who's to say you couldn't learn patience
 By waiting a minute longer each day
 For a student to follow the steps of your argument?
 Not long ago I would fret when waiting in line
 On the day of a concert to buy a ticket,
 Thinking about the music I could be hearing
 At home on the stereo, though I knew the concert
 Might make me feel part of a ritual
 That ushered beauty into the world.
 But now I welcome the urge to join the audience.
 Yesterday I would have felt extra lucky
 To learn, when I reached the window,
 That my ticket was the last one available.
 But today I feel sorry that the woman behind me,
 Who's been willing to chat with me
 For close to an hour, will miss the music.
 Am I really disturbed by the thought
 She deserves to go far more than I do,
 Having bought her ticket weeks back
 Just to be sure she'd have one
 Only to lose it yesterday evening
 When she left her purse untended for just a moment?
 Who will I be today, I wonder: a person willing
 To right a wrong by offering her my ticket,
 Or a person content with hoping she's found
 Our talk so agreeable she's glad the last seat
 Has gone to someone who seems a kindred spirit,
 Not just to anyone?
 Joseph's Work
 He's done his work well for many decades,
 Overseeing the produce at the market
 His brothers own, where I've had a chance
 To benefit from his careful diligence
 In maintaining quality in the bins,
 The same virtue displayed on a larger scale
 By the Joseph his parents were thinking of
 In naming him, the favorite son of Jacob,
 Who ended up as the overseer
 Of all the Egyptian granaries.
 Like the brothers of Joseph in the Bible,
 His brothers, he's implied in a few asides
 Over the years, haven't behaved as brothers should,
 Though they never threw him into a pit,
 Angry their father loved him the most.
 It was more a case of everyday bullying
 That his father noticed but didn't stop.
 As for forgiving them all as Jacob's son
 Forgives his brothers-weeping with joy
 When they come from Canaan in a time of famine
 To buy grain-there the Joseph I know
 Admits that he's fallen short,
 Though he's tried to resist resentment
 By avoiding their company evenings and weekends.
 And now and then on Sunday, when the weather's good,
 I've passed him as he's sat on a bench
 In our local graveyard. Maybe it eases him
 To wonder how many of the dead around him
 Might have been happier if they'd managed
 To put away thoughts of blame,
 How many, if they couldn't manage to wish
 Their brothers well, managed at least
 Not to wish them ill.
 And the next day he's back at work,
 Making distinctions between plums
 Fit to be served at a banquet and plums
 Fit to be served at a potluck supper at home,
 Marked by more than the usual lumps and bruises
 But still to be savored, not too tart or sweet.
 Blind Guest
 I want to believe in him, the blind man
 Who makes the other guests at the dinner table
 Forget his blindness as he launches himself
 Into the talk around him. I want to believe
 He's moved by the lively exchange of opinions,
 Not by the fear he won't be asked to dinner
 Again if he sits all evening in silence
 And the silence is read as suggesting
 That luck alone has spared the others his hardship,
 That by rights his days should be sunny too.
 If I can believe he isn't looking for sympathy,
 That he doesn't expect me to share his burden,
 I'll feel so grateful that I may be willing
 To do what I can to share it. Though I can't
 Loan him my eyes once a week
 For an hour or two, I can try to dwell
 On the good it might do him to escape
 The pervading dark for even a moment,
 To visit the world only light reveals.
 And I can try to picture how reluctant he'd be
 To return the loan when the hour was out,
 How unfair it would seem to him that I
 Would be the lender always and he the borrower.
 Two Lives
 In my other life the B-17 my father is piloting
 Is shot down over Normandy
 And my mother raises her sons alone
 On her widow's pension and on what she earns
 As a nurse at the local hospital, a sum
 That pays for a third-floor walk-up
 In a neighborhood that's seen better days.
 I play stickball after school in the lot
 Behind the laundry. I come home bruised
 From fistfights and snowball fights
 With boys who live in the tenement on the corner.
 Not once do I play with the boy I am
 In this life, whose father, too old for the draft,
 Starts a paint company in a rented basement
 That almost goes under after a year
 And then is saved, as the war continues,
 By a steady flow of government contracts
 That allows my mother to retire from nursing
 And devote herself to work with the poor.
 I find our quiet neighborhood of handsome houses
 And shady streets crushingly uneventful.
 No surprise I spend hours each day turning the pages
 Of stories about trolls, wizards, giants,
 Wandering knights, and captive princesses.
 In my other life, I have to leave high school
 To bolster the family income as lab boy
 In the building attached to the factory that in this life
 My father owns. I clean test tubes and beakers,
 With a break for stacking cans on the loading dock
 Or driving the truck to make deliveries.
 In this life it takes only one summer of work
 At my father's office, addressing announcements
 Of a coating tougher than any made by competitors,
 To decide that the real world, so called,
 Is overrated, compared to the world of novels,
 Where every incident is freighted with implications
 For distinguishing apparent success from actual.
 No wonder I'm leaning toward a profession
 Where people can earn a living by talking
 In class about books they love. Meanwhile,
 In my other life, after helping to bring the union
 To a non-union shop, I rise in the ranks
 To become shop steward, and then,
 Helped by a union scholarship,
 I earn a degree in labor law.
 I bring home casebooks on weekends
 To the very block where I happen to live
 Ensconced in this life, here in a gray-green house
 With dark-brown trim. If I don't answer the bell
 On weekends in summer, I'm in the garden,
 Strolling the shady path beneath the maples,
 Musing on the difference between a life
 Deficient in incident and a life uncluttered.
 Seated at my patio table, I write a letter
 Asking a friend what book has he read
 In the last few months that has opened his eyes
 On a subject that's likely to interest me.
 Meanwhile, across the street, in the garden
 Of my other life, I can often be found
 Hoeing the rutabaga and beans and cabbage
 I plan to share with neighbors in the hope they're moved
 To consider planting a garden where many								
									 Copyright © 2018 by Carl Dennis. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.