Selected as a winner of the National Poetry Series by Robert Wrigley
Rose McLarney has won acclaim for image-rich poems that explore her native southern Appalachia and those who love and live and lose on it. Her second collection broadens these investigations in poems that examine the shape-shifting quality of memory, as seen in folktales that have traveled across oceans and through centuries, and in how we form recollections of our own lives. An opening sequence presents contemporary ghost stories: men who gather at dawn in the gas station parking lots of small towns; the mountain lion that paces the edge of a receding tree line. A middle section draws connections between Appalachia and Latin America, places that share qualities of biological and cultural richness—places that are threatened by modernization. A final sequence retells the stories of earlier poems, posing questions about how we construct our landscapes and frame our views.
Rose McLarney’s collections of poems are Colorfast, Forage, and Its Day Being Gone, from Penguin Poets, as well as The Always Broken Plates of Mountains, published by Four Way Books. She is coeditor of A Literary Field Guide to Southern Appalachia, from University of Georgia Press, and the journal Southern Humanities Review. Rose has been awarded fellowships by MacDowell and Bread Loaf and Sewanee Writers’ Conferences; served as Dartmouth Poet in Residence at the Frost Place; and is winner of the National Poetry Series, the Chaffin Award for Achievement in Appalachian Writing, and the Fellowship of Southern Writers’ New Writing Award for Poetry, among other prizes. Her work has appeared in publications including American Poetry Review, The Kenyon Review, The Southern Review, New England Review, Prairie Schooner, Orion, and The Oxford American. Currently, she is professor of creative writing at Auburn University.
View titles by Rose McLarney
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• French Guinea
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• Guinea-Bissau
• Haiti
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• Hong Kong
• Hungary
• Iceland
• India
• Indonesia
• Iran
• Israel
• Italy
• Ivory Coast
• Japan
• Kazakhstan
• Kiribati
• Kuwait
• Kyrgyzstan
• Laos
• Latvia
• Lebanon
• Lesotho
• Liberia
• Libya
• Liechtenstein
• Lithuania
• Luxembourg
• Macau
• Macedonia
• Madagascar
• Malawi
• Malaysia
• Maldives
• Mali
• Malta
• Marshall island
• Mauritania
• Mauritius
• Mayotte
• Mexico
• Micronesia
• Moldavia
• Monaco
• Mongolia
• Montenegro
• Morocco
• Mozambique
• Myanmar
• Nauru
• Nepal
• Netherlands
• New Caledonia
• Nicaragua
• Niger
• Niue
• Norfolk Island
• North Korea
• Norway
• Oman
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• Palau
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• PapuaNewGuinea
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• Pitcairn Islnds
• Poland
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• Qatar
• Reunion Island
• Romania
• Russian Fed.
• Rwanda
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• San Marino
• SaoTome Princip
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• Senegal
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• Seychelles
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• Slovakia
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• Somalia
• South Korea
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• Spain
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• St Barthelemy
• St. Helena
• St.Pier,Miquel.
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• Sudan
• Suriname
• Svalbard
• Swaziland
• Sweden
• Switzerland
• Syria
• Tadschikistan
• Taiwan
• Tanzania
• Thailand
• Timor-Leste
• Togo
• Tokelau Islands
• Tonga
• Tunisia
• Turkey
• Turkmenistan
• Tuvalu
• Uganda
• Ukraine
• Unit.Arab Emir.
• Uruguay
• Uzbekistan
• Vanuatu
• Vatican City
• Venezuela
• Vietnam
• Wallis,Futuna
• West Saharan
• Western Samoa
• Yemen
Not available for sale:
• Anguilla
• Antigua/Barbuda
• Australia
• Bahamas
• Barbados
• Belize
• Brit.Virgin Is.
• Cameroon
• Cayman Islands
• Dominica
• Egypt
• Fiji
• Ghana
• Grenada
• Guernsey
• Guyana
• Iraq
• Ireland
• Isle of Man
• Jamaica
• Jersey
• Jordan
• Kenya
• Martinique
• Montserrat
• Namibia
• New Zealand
• Nigeria
• Sierra Leone
• South Africa
• St. Lucia
• St. Vincent
• St.Chr.,Nevis
• Trinidad,Tobago
• Turks&Caicos Is
• United Kingdom
• Zambia
• Zimbabwe
Praise for Its Day Being Gone:
“A beautiful book, and a haunting one too. McLarney makes things matter. Her poems make you feel very deeply connected – under the skin, in the bone – and therefore more acutely alive.” —Robert Wrigley
“It’s easy to say that McLarney loves the land and the people who live close to it, and though that’s true, her intelligence and feelings are also always subject to reappraisal in the light of her own constantly questioning and enlarging vision. Her important poems sing not just with the ‘the somber percussion / of feed in buckets,’ but also with the lyric wisdom of the best poetry.” —Andrew Hudgins
“In poems that are often both celebration and lament, McLarney speaks with an elemental alertness, with sharp-edged perception of the contemporary as well as the folkloric.” —Robert Morgan
“McLarney is a poet who understands that the beautiful things are difficult, and that we must suffer into truth. . .[her] grim lyricism keeps us rapt, agog, and sometimes frightened.” —Richard Joines, The Rumpus
Selected as a winner of the National Poetry Series by Robert Wrigley
Rose McLarney has won acclaim for image-rich poems that explore her native southern Appalachia and those who love and live and lose on it. Her second collection broadens these investigations in poems that examine the shape-shifting quality of memory, as seen in folktales that have traveled across oceans and through centuries, and in how we form recollections of our own lives. An opening sequence presents contemporary ghost stories: men who gather at dawn in the gas station parking lots of small towns; the mountain lion that paces the edge of a receding tree line. A middle section draws connections between Appalachia and Latin America, places that share qualities of biological and cultural richness—places that are threatened by modernization. A final sequence retells the stories of earlier poems, posing questions about how we construct our landscapes and frame our views.
Rose McLarney’s collections of poems are Colorfast, Forage, and Its Day Being Gone, from Penguin Poets, as well as The Always Broken Plates of Mountains, published by Four Way Books. She is coeditor of A Literary Field Guide to Southern Appalachia, from University of Georgia Press, and the journal Southern Humanities Review. Rose has been awarded fellowships by MacDowell and Bread Loaf and Sewanee Writers’ Conferences; served as Dartmouth Poet in Residence at the Frost Place; and is winner of the National Poetry Series, the Chaffin Award for Achievement in Appalachian Writing, and the Fellowship of Southern Writers’ New Writing Award for Poetry, among other prizes. Her work has appeared in publications including American Poetry Review, The Kenyon Review, The Southern Review, New England Review, Prairie Schooner, Orion, and The Oxford American. Currently, she is professor of creative writing at Auburn University.
View titles by Rose McLarney
Rights
Available for sale exclusive:
• Canada
• Guam
• Minor Outl.Ins.
• North Mariana
• Philippines
• Puerto Rico
• Samoa,American
• US Virgin Is.
• USA
Available for sale non-exclusive:
• Afghanistan
• Aland Islands
• Albania
• Algeria
• Andorra
• Angola
• Antarctica
• Argentina
• Armenia
• Aruba
• Austria
• Azerbaijan
• Bahrain
• Bangladesh
• Belarus
• Belgium
• Benin
• Bermuda
• Bhutan
• Bolivia
• Bonaire, Saba
• Bosnia Herzeg.
• Botswana
• Bouvet Island
• Brazil
• Brit.Ind.Oc.Ter
• Brunei
• Bulgaria
• Burkina Faso
• Burundi
• Cambodia
• Cape Verde
• Centr.Afr.Rep.
• Chad
• Chile
• China
• Christmas Islnd
• Cocos Islands
• Colombia
• Comoro Is.
• Congo
• Cook Islands
• Costa Rica
• Croatia
• Cuba
• Curacao
• Cyprus
• Czech Republic
• Dem. Rep. Congo
• Denmark
• Djibouti
• Dominican Rep.
• Ecuador
• El Salvador
• Equatorial Gui.
• Eritrea
• Estonia
• Ethiopia
• Falkland Islnds
• Faroe Islands
• Finland
• France
• Fren.Polynesia
• French Guinea
• Gabon
• Gambia
• Georgia
• Germany
• Gibraltar
• Greece
• Greenland
• Guadeloupe
• Guatemala
• Guinea Republic
• Guinea-Bissau
• Haiti
• Heard/McDon.Isl
• Honduras
• Hong Kong
• Hungary
• Iceland
• India
• Indonesia
• Iran
• Israel
• Italy
• Ivory Coast
• Japan
• Kazakhstan
• Kiribati
• Kuwait
• Kyrgyzstan
• Laos
• Latvia
• Lebanon
• Lesotho
• Liberia
• Libya
• Liechtenstein
• Lithuania
• Luxembourg
• Macau
• Macedonia
• Madagascar
• Malawi
• Malaysia
• Maldives
• Mali
• Malta
• Marshall island
• Mauritania
• Mauritius
• Mayotte
• Mexico
• Micronesia
• Moldavia
• Monaco
• Mongolia
• Montenegro
• Morocco
• Mozambique
• Myanmar
• Nauru
• Nepal
• Netherlands
• New Caledonia
• Nicaragua
• Niger
• Niue
• Norfolk Island
• North Korea
• Norway
• Oman
• Pakistan
• Palau
• Palestinian Ter
• Panama
• PapuaNewGuinea
• Paraguay
• Peru
• Pitcairn Islnds
• Poland
• Portugal
• Qatar
• Reunion Island
• Romania
• Russian Fed.
• Rwanda
• S. Sandwich Ins
• Saint Martin
• San Marino
• SaoTome Princip
• Saudi Arabia
• Senegal
• Serbia
• Seychelles
• Singapore
• Sint Maarten
• Slovakia
• Slovenia
• Solomon Islands
• Somalia
• South Korea
• South Sudan
• Spain
• Sri Lanka
• St Barthelemy
• St. Helena
• St.Pier,Miquel.
• Sth Terr. Franc
• Sudan
• Suriname
• Svalbard
• Swaziland
• Sweden
• Switzerland
• Syria
• Tadschikistan
• Taiwan
• Tanzania
• Thailand
• Timor-Leste
• Togo
• Tokelau Islands
• Tonga
• Tunisia
• Turkey
• Turkmenistan
• Tuvalu
• Uganda
• Ukraine
• Unit.Arab Emir.
• Uruguay
• Uzbekistan
• Vanuatu
• Vatican City
• Venezuela
• Vietnam
• Wallis,Futuna
• West Saharan
• Western Samoa
• Yemen
Not available for sale:
• Anguilla
• Antigua/Barbuda
• Australia
• Bahamas
• Barbados
• Belize
• Brit.Virgin Is.
• Cameroon
• Cayman Islands
• Dominica
• Egypt
• Fiji
• Ghana
• Grenada
• Guernsey
• Guyana
• Iraq
• Ireland
• Isle of Man
• Jamaica
• Jersey
• Jordan
• Kenya
• Martinique
• Montserrat
• Namibia
• New Zealand
• Nigeria
• Sierra Leone
• South Africa
• St. Lucia
• St. Vincent
• St.Chr.,Nevis
• Trinidad,Tobago
• Turks&Caicos Is
• United Kingdom
• Zambia
• Zimbabwe
Praise
Praise for Its Day Being Gone:
“A beautiful book, and a haunting one too. McLarney makes things matter. Her poems make you feel very deeply connected – under the skin, in the bone – and therefore more acutely alive.” —Robert Wrigley
“It’s easy to say that McLarney loves the land and the people who live close to it, and though that’s true, her intelligence and feelings are also always subject to reappraisal in the light of her own constantly questioning and enlarging vision. Her important poems sing not just with the ‘the somber percussion / of feed in buckets,’ but also with the lyric wisdom of the best poetry.” —Andrew Hudgins
“In poems that are often both celebration and lament, McLarney speaks with an elemental alertness, with sharp-edged perception of the contemporary as well as the folkloric.” —Robert Morgan
“McLarney is a poet who understands that the beautiful things are difficult, and that we must suffer into truth. . .[her] grim lyricism keeps us rapt, agog, and sometimes frightened.” —Richard Joines, The Rumpus
