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Fire & Blood (HBO Tie-in Edition)

300 Years Before A Game of Thrones

Illustrated by Doug Wheatley
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Paperback
6.04"W x 9.05"H x 1.69"D   | 27 oz | 16 per carton
On sale Jul 12, 2022 | 752 Pages | 9780593598009
FOC Jun 13, 2022 | Catalog May 2022
Movie Tie-In Edition
#1 NEW YORK TIMES BESTSELLERThe thrilling history of the Targaryens comes to life in this masterly work, the inspiration for HBO’s Game of Thrones prequel series House of the Dragon

“The thrill of Fire & Blood is the thrill of all Martin’s fantasy work: familiar myths debunked, the whole trope table flipped.”—Entertainment Weekly

Centuries before the events of A Game of Thrones, House Targaryen—the only family of dragonlords to survive the Doom of Valyria—took up residence on Dragonstone. Fire & Blood begins their tale with the legendary Aegon the Conqueror, creator of the Iron Throne, and goes on to recount the generations of Targaryens who fought to hold that iconic seat, all the way up to the civil war that nearly tore their dynasty apart.

What really happened during the Dance of the Dragons? Why was it so deadly to visit Valyria after the Doom? What were Maegor the Cruel’s worst crimes? What was it like in Westeros when dragons ruled the skies? These are but a few of the questions answered in this essential chronicle, as related by a learned maester of the Citadel and featuring more than eighty-five black-and-white illustrations by artist Doug Wheatley—including five illustrations exclusive to the trade paperback edition. Readers have glimpsed small parts of this narrative in such volumes as The World of Ice & Fire, but now, for the first time, the full tapestry of Targaryen history is revealed.

With all the scope and grandeur of Gibbon’s The History of the Decline and Fall of the Roman Empire, Fire & Blood is the first volume of the definitive two-part history of the Targaryens, giving readers a whole new appreciation for the dynamic, often bloody, and always fascinating history of Westeros.

Praise for Fire & Blood

“A masterpiece of popular historical fiction.”The Sunday Times

“The saga is a rich and dark one, full of both the title’s promised elements. . . . It’s hard not to thrill to the descriptions of dragons engaging in airborne combat, or the dilemma of whether defeated rulers should ‘bend the knee,’ ‘take the black’ and join the Night’s Watch, or simply meet an inventive and horrible end.”The Guardian
© Kate Russell
George R. R. Martin is the #1 New York Times bestselling author of many novels, including those of the acclaimed series A Song of Ice and Fire—A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, and A Dance with Dragons—as well as Tuf Voyaging, Fevre Dream, The Armageddon Rag, Dying of the Light, Windhaven (with Lisa Tuttle), and Dreamsongs Volumes I and II. He is also the creator of The Lands of Ice and Fire, a collection of maps featuring original artwork from illustrator and cartographer Jonathan Roberts, The World of Ice & Fire (with Elio M. García, Jr., and Linda Antonsson), and Fire & Blood, the first volume of the definitive two-part history of the Targaryens in Westeros, with illustrations by Doug Wheatley. As a writer-producer, he has worked on The Twilight Zone, Beauty and the Beast, and various feature films and pilots that were never made. He lives with the lovely Parris in Santa Fe, New Mexico. View titles by George R. R. Martin
Doug Wheatley is a comic book artist, concept designer, and illustrator who has worked on such properties and characters as Star Wars, Aliens, Superman, The Incredible Hulk, and Conan the Barbarian to name just a few. Wheatley was the artist on the comic book adaptation of the film Star Wars: Episode III: Revenge of the Sith and contributed illustrations to The World of Ice & Fire. View titles by Doug Wheatley
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Several years had passed since the king had last made a progress, so plans were laid in 58 AC for Jaehaerys and Alysanne to make their first visit to Winterfell and the North. Their dragons would be with them, of course, but beyond the Neck the distances were great and the roads poor, and the king had grown tired of flying ahead and waiting for his escort to catch up. This time, he decreed, his Kingsguard, servants, and retainers would go ahead of him, to make things ready for his arrival. And thus it was that three ships set sail from King’s Landing for White Harbor, where he and the queen were to make their first stop.

The gods and the Free Cities had other plans, however. Even as the king’s ships were beating their way north, envoys from Pentos and Tyrosh called upon His Grace in the Red Keep. The two cities had been at war for three years and were now desirous of making peace, but could not agree on where they might meet to discuss terms. The conflict had caused serious disruption to trade upon the narrow sea, to the extent that King Jaehaerys had offered both cities his help in ending their hostilities. After long discussion, the Archon of Tyrosh and the Prince of Pentos had agreed to meet in King’s Landing to settle their differences, provided that Jaehaerys would act as an intermediary between them, and guarantee the terms of any resulting treaty.

It was a proposal that neither the king nor his council felt he could refuse, but it would mean postponing His Grace’s planned progress to the North, and there was concern that the notoriously prickly Lord of Winterfell might take that for a slight. Queen Alysanne provided the solution. She would go ahead as planned, alone, whilst the king played host to the Prince and Archon. Jaehaerys could join her at Winterfell as soon as the peace had been concluded. And so it was agreed.

Queen Alysanne’s travels began in the city of White Harbor, where tens of thousands of northerners turned out to cheer her and gape at Silverwing with awe, and a bit of terror. It was the first time any of them had seen a dragon. The size of the crowds surprised even their lord. “I had not known there were so many smallfolk in the city,” Theomore Manderly is reported to have said. “Where did they all come from?”

The Manderlys were unique amongst the great houses of the North. Having originated in the Reach centuries before, they had found refuge near the mouth of the White Knife when rivals drove them from their rich lands along the Mander. Though fiercely loyal to the Starks of Winterfell, they had brought their own gods with them from the south, and still worshipped the Seven and kept the traditions of knighthood. Alysanne Targaryen, ever desirous of binding the Seven Kingdoms closer together, saw an opportunity in Lord Theomore’s famously large family, and promptly set about arranging marriages. By the time she took her leave, two of her ladies-in-waiting had been betrothed to his lordship’s younger sons and a third to a nephew; his eldest daughter and three nieces, meanwhile, had been added to the queen’s own party, with the understanding that they would travel south with her and there be pledged to suitable lords and knights of the king’s court.

Lord Manderly entertained the queen lavishly. At the welcoming feast an entire aurochs was roasted, and his lordship’s daughter Jessamyn acted as the queen’s cupbearer, filling her tankard with a strong northern ale that Her Grace pronounced finer than any wine she had ever tasted. Manderly also staged a small tourney in the queen’s honor, to show the prowess of his knights. One of the fighters (though no knight) was revealed to be a woman, a wildling girl who had been captured by rangers north of the Wall and given to one of Lord Manderly’s household knights to foster. Delighted by the girl’s daring, Alysanne summoned her own sworn shield, Jonquil Darke, and the wildling and the Scarlet Shadow dueled spear against sword whilst the northmen roared in approval.

A few days later, the queen convened her women’s court in Lord Manderly’s own hall, a thing hitherto unheard of in the North, and more than two hundred women and girls gathered to share their thoughts, concerns, and grievances with Her Grace.

After taking leave of White Harbor, the queen’s retinue sailed up the White Knife to its rapids, then proceeded overland to Winterfell, whilst Alysanne herself flew ahead on Silverwing. The warmth of her reception at White Harbor was not to be duplicated at the ancient seat of the Kings in the North, where Alaric Stark and his sons alone emerged to greet her when her dragon landed before his castle gates. Lord Alaric had a flinty reputation; a hard man, people said, stern and unforgiving, tight-fisted almost to the point of being niggardly, humorless, joyless, cold. Even Theomore Manderly, who was his bannerman, had not disagreed; Stark was well respected in the North, he said, but not loved. Lord Manderly’s fool had put it elsewise. “Methinks Lord Alaric has not moved his bowels since he was twelve.”

Her reception at Winterfell did nothing to disabuse the queen’s fears as to what she might expect from House Stark. Even before dismounting to bend the knee, Lord Alaric looked askance at Her Grace’s clothing and said, “I hope you brought something warmer than that.” He then proceeded to declare that he did not want her dragon inside his walls. “I’ve not seen Harrenhal, but I know what happened there.” Her knights and ladies he would receive when they got here, “and the king too, if he can find the way,” but they should not overstay their welcome. “This is the North, and winter is coming. We cannot feed a thousand men for long.” When the queen assured him that only a tenth that number would be coming, Lord Alaric grunted and said, “That’s good. Fewer would be even better.” As had been feared, he was plainly unhappy that King Jaehaerys had not deigned to accompany her, and confessed to being uncertain how to entertain a queen. “If you are expecting balls and masques and dances, you have come to the wrong place.”

Lord Alaric had lost his wife three years earlier. When the queen expressed regret that she had never had the pleasure of meeting Lady Stark, the northman said, “She was a Mormont of Bear Isle, and no lady by your lights, but she took an axe to a pack of wolves when she was twelve, killed two of them, and sewed a cloak from their skins. She gave me two strong sons as well, and a daughter as sweet to look upon as any of your southron ladies.”

When Her Grace suggested that she would be pleased to help arrange marriages for his sons to the daughters of great southern lords, Lord Stark refused brusquely. “We keep the old gods in the North,” he told the queen. “When my boys take a wife, they will wed before a heart tree, not in some southron sept.”

Alysanne Targaryen did not yield easily, however. The lords of the south honored the old gods as well as the new, she told Lord Alaric; most every castle that she knew had a godswood as well as a sept. And there were still certain houses that had never accepted the Seven, no more than the northmen had, the Blackwoods in the riverlands chief amongst them, and mayhaps as many as a dozen more. Even a lord as stern and flinty as Alaric Stark found himself helpless before Queen Alysanne’s stubborn charm. He allowed that he would think on what she said, and raise the matter with his sons.

The longer the queen stayed, the more Lord Alaric warmed to her, and in time Alysanne came to realize that not everything that was said of him was true. He was careful with his coin, but not niggardly; he was not humorless at all, though his humor had an edge to it, sharp as a knife; his sons and daughter and the people of Winterfell seemed to love him well enough. Once the initial frost had thawed, his lordship took the queen hunting after elk and wild boar in the wolfswood, showed her the bones of a giant, and allowed her to rummage as she pleased through his modest castle library. He even deigned to approach Silverwing, though warily. The women of Winterfell were taken by the queen’s charms as well, once they grew to know her; Her Grace became particularly close with Lord Alaric’s daughter, Alarra. When the rest of the queen’s party finally turned up at the castle gates, after struggling through trackless bogs and summer snows, the meat and mead flowed freely, despite the king’s absence.

Things were not going as well at King’s Landing, meanwhile. The peace talks dragged on far longer than anticipated, for the acrimony between the two Free Cities ran deeper than Jaehaerys had known. When His Grace attempted to strike a balance, both sides accused him of favoring the other. Whilst the Prince and the Archon dickered, fights began to break out between their men across the city, in inns, brothels, and wine sinks. A Pentoshi guardsman was set upon and killed, and three nights later the Archon’s own galley was set afire where she was docked. The king’s departure was delayed and delayed again.

In the North, Queen Alysanne grew restless with waiting, and decided to take her leave of Winterfell for a time and visit the men of the Night’s Watch at Castle Black. The distance was not negligible, even flying; Her Grace landed at the Last Hearth and several smaller keeps and holdfasts on her way, to the surprise and delight of their lords, whilst a portion of her tail scrambled after her (the rest remained at Winterfell).
“I love it so much. Fire & Blood is Martin Unbound . . . and I couldn’t put it down. . . . There’s an addictive quality to the prose that’s outright gossipy. . . . The obvious comparison here is J.R.R. Tolkien’s The Silmarillion. . . . Writing centuries after the events he’s describing, the Gyldayn voice complicates this game of thrones with a clash of perspectives and a storm of debatable facts. . . . Heavy stuff, but Fire & Blood flies.”Entertainment Weekly

“A brilliant book . . . vivid, memorable and personal.”The Times

“Lean and efficient and slyly seductive and instructive . . . The text is filled with such a wealth of incident and so many colorful characters.”Locus

“The overall narrative of the book is wonderfully fluid. . . . Fire & Blood was a great surprise to me. I found myself becoming deeply emotionally invested in the Targaryens, thrilling when they achieved great victories and lamenting when they succumbed to their more idiotic desires. (And they have a lot of idiotic desires.) This book feels like A Song of Ice and Fire. And you know how I know? Because I want the next book right away.” Tordotcom

“An absolutely irresistible, dragon-filled delight.”Bustle

“[There are] treasures hidden in this new Targaryen history.”Vanity Fair

“The world of ice and fire only gets more fascinating the more we learn about it.”Mashable

“Martin is still a powerfully gifted, inventive writer. . . . [Fire & Blood] has hundreds of fascinating anecdotes, ranging from the cruel fate of a jester named Tom Turnip to a dragon that, tellingly, refuses to venture beyond the Wall. . . . Fire & Blood is a lavish object, with charts, family trees, and stunning illustrations by comic book artist Doug Wheatley. . . . In this sense it fits into a venerable tradition, from J.R.R. Tolkien in his Silmarillion to Diana Gabaldon in her companion to the Outlander series.”USA Today

“[Fire & Blood] explores the dragon-fueled secrets upon which the current saga is built.”The Hollywood Reporter

“Martin has done it again. . . . [Fire & Blood is] a beautiful weaving of the wars, marriages, deaths, dragons, and politics that shape the world Martin has created, leaving the reader feeling like this is a true history rather than a piece of fantasy. This is a masterpiece of world-building. . . . Beyond Martin’s legions of fans, anyone with a taste for richly, even obsessively detailed historical fiction or fantasy about royalty will enjoy this extraordinary work.”Booklist (starred review)

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What I'm Reading: George R. R. Martin

In conversation: George R. R. Martin with John Hodgman FULL EVENT

About

#1 NEW YORK TIMES BESTSELLERThe thrilling history of the Targaryens comes to life in this masterly work, the inspiration for HBO’s Game of Thrones prequel series House of the Dragon

“The thrill of Fire & Blood is the thrill of all Martin’s fantasy work: familiar myths debunked, the whole trope table flipped.”—Entertainment Weekly

Centuries before the events of A Game of Thrones, House Targaryen—the only family of dragonlords to survive the Doom of Valyria—took up residence on Dragonstone. Fire & Blood begins their tale with the legendary Aegon the Conqueror, creator of the Iron Throne, and goes on to recount the generations of Targaryens who fought to hold that iconic seat, all the way up to the civil war that nearly tore their dynasty apart.

What really happened during the Dance of the Dragons? Why was it so deadly to visit Valyria after the Doom? What were Maegor the Cruel’s worst crimes? What was it like in Westeros when dragons ruled the skies? These are but a few of the questions answered in this essential chronicle, as related by a learned maester of the Citadel and featuring more than eighty-five black-and-white illustrations by artist Doug Wheatley—including five illustrations exclusive to the trade paperback edition. Readers have glimpsed small parts of this narrative in such volumes as The World of Ice & Fire, but now, for the first time, the full tapestry of Targaryen history is revealed.

With all the scope and grandeur of Gibbon’s The History of the Decline and Fall of the Roman Empire, Fire & Blood is the first volume of the definitive two-part history of the Targaryens, giving readers a whole new appreciation for the dynamic, often bloody, and always fascinating history of Westeros.

Praise for Fire & Blood

“A masterpiece of popular historical fiction.”The Sunday Times

“The saga is a rich and dark one, full of both the title’s promised elements. . . . It’s hard not to thrill to the descriptions of dragons engaging in airborne combat, or the dilemma of whether defeated rulers should ‘bend the knee,’ ‘take the black’ and join the Night’s Watch, or simply meet an inventive and horrible end.”The Guardian

Creators

© Kate Russell
George R. R. Martin is the #1 New York Times bestselling author of many novels, including those of the acclaimed series A Song of Ice and Fire—A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, and A Dance with Dragons—as well as Tuf Voyaging, Fevre Dream, The Armageddon Rag, Dying of the Light, Windhaven (with Lisa Tuttle), and Dreamsongs Volumes I and II. He is also the creator of The Lands of Ice and Fire, a collection of maps featuring original artwork from illustrator and cartographer Jonathan Roberts, The World of Ice & Fire (with Elio M. García, Jr., and Linda Antonsson), and Fire & Blood, the first volume of the definitive two-part history of the Targaryens in Westeros, with illustrations by Doug Wheatley. As a writer-producer, he has worked on The Twilight Zone, Beauty and the Beast, and various feature films and pilots that were never made. He lives with the lovely Parris in Santa Fe, New Mexico. View titles by George R. R. Martin
Doug Wheatley is a comic book artist, concept designer, and illustrator who has worked on such properties and characters as Star Wars, Aliens, Superman, The Incredible Hulk, and Conan the Barbarian to name just a few. Wheatley was the artist on the comic book adaptation of the film Star Wars: Episode III: Revenge of the Sith and contributed illustrations to The World of Ice & Fire. View titles by Doug Wheatley

Excerpt

Several years had passed since the king had last made a progress, so plans were laid in 58 AC for Jaehaerys and Alysanne to make their first visit to Winterfell and the North. Their dragons would be with them, of course, but beyond the Neck the distances were great and the roads poor, and the king had grown tired of flying ahead and waiting for his escort to catch up. This time, he decreed, his Kingsguard, servants, and retainers would go ahead of him, to make things ready for his arrival. And thus it was that three ships set sail from King’s Landing for White Harbor, where he and the queen were to make their first stop.

The gods and the Free Cities had other plans, however. Even as the king’s ships were beating their way north, envoys from Pentos and Tyrosh called upon His Grace in the Red Keep. The two cities had been at war for three years and were now desirous of making peace, but could not agree on where they might meet to discuss terms. The conflict had caused serious disruption to trade upon the narrow sea, to the extent that King Jaehaerys had offered both cities his help in ending their hostilities. After long discussion, the Archon of Tyrosh and the Prince of Pentos had agreed to meet in King’s Landing to settle their differences, provided that Jaehaerys would act as an intermediary between them, and guarantee the terms of any resulting treaty.

It was a proposal that neither the king nor his council felt he could refuse, but it would mean postponing His Grace’s planned progress to the North, and there was concern that the notoriously prickly Lord of Winterfell might take that for a slight. Queen Alysanne provided the solution. She would go ahead as planned, alone, whilst the king played host to the Prince and Archon. Jaehaerys could join her at Winterfell as soon as the peace had been concluded. And so it was agreed.

Queen Alysanne’s travels began in the city of White Harbor, where tens of thousands of northerners turned out to cheer her and gape at Silverwing with awe, and a bit of terror. It was the first time any of them had seen a dragon. The size of the crowds surprised even their lord. “I had not known there were so many smallfolk in the city,” Theomore Manderly is reported to have said. “Where did they all come from?”

The Manderlys were unique amongst the great houses of the North. Having originated in the Reach centuries before, they had found refuge near the mouth of the White Knife when rivals drove them from their rich lands along the Mander. Though fiercely loyal to the Starks of Winterfell, they had brought their own gods with them from the south, and still worshipped the Seven and kept the traditions of knighthood. Alysanne Targaryen, ever desirous of binding the Seven Kingdoms closer together, saw an opportunity in Lord Theomore’s famously large family, and promptly set about arranging marriages. By the time she took her leave, two of her ladies-in-waiting had been betrothed to his lordship’s younger sons and a third to a nephew; his eldest daughter and three nieces, meanwhile, had been added to the queen’s own party, with the understanding that they would travel south with her and there be pledged to suitable lords and knights of the king’s court.

Lord Manderly entertained the queen lavishly. At the welcoming feast an entire aurochs was roasted, and his lordship’s daughter Jessamyn acted as the queen’s cupbearer, filling her tankard with a strong northern ale that Her Grace pronounced finer than any wine she had ever tasted. Manderly also staged a small tourney in the queen’s honor, to show the prowess of his knights. One of the fighters (though no knight) was revealed to be a woman, a wildling girl who had been captured by rangers north of the Wall and given to one of Lord Manderly’s household knights to foster. Delighted by the girl’s daring, Alysanne summoned her own sworn shield, Jonquil Darke, and the wildling and the Scarlet Shadow dueled spear against sword whilst the northmen roared in approval.

A few days later, the queen convened her women’s court in Lord Manderly’s own hall, a thing hitherto unheard of in the North, and more than two hundred women and girls gathered to share their thoughts, concerns, and grievances with Her Grace.

After taking leave of White Harbor, the queen’s retinue sailed up the White Knife to its rapids, then proceeded overland to Winterfell, whilst Alysanne herself flew ahead on Silverwing. The warmth of her reception at White Harbor was not to be duplicated at the ancient seat of the Kings in the North, where Alaric Stark and his sons alone emerged to greet her when her dragon landed before his castle gates. Lord Alaric had a flinty reputation; a hard man, people said, stern and unforgiving, tight-fisted almost to the point of being niggardly, humorless, joyless, cold. Even Theomore Manderly, who was his bannerman, had not disagreed; Stark was well respected in the North, he said, but not loved. Lord Manderly’s fool had put it elsewise. “Methinks Lord Alaric has not moved his bowels since he was twelve.”

Her reception at Winterfell did nothing to disabuse the queen’s fears as to what she might expect from House Stark. Even before dismounting to bend the knee, Lord Alaric looked askance at Her Grace’s clothing and said, “I hope you brought something warmer than that.” He then proceeded to declare that he did not want her dragon inside his walls. “I’ve not seen Harrenhal, but I know what happened there.” Her knights and ladies he would receive when they got here, “and the king too, if he can find the way,” but they should not overstay their welcome. “This is the North, and winter is coming. We cannot feed a thousand men for long.” When the queen assured him that only a tenth that number would be coming, Lord Alaric grunted and said, “That’s good. Fewer would be even better.” As had been feared, he was plainly unhappy that King Jaehaerys had not deigned to accompany her, and confessed to being uncertain how to entertain a queen. “If you are expecting balls and masques and dances, you have come to the wrong place.”

Lord Alaric had lost his wife three years earlier. When the queen expressed regret that she had never had the pleasure of meeting Lady Stark, the northman said, “She was a Mormont of Bear Isle, and no lady by your lights, but she took an axe to a pack of wolves when she was twelve, killed two of them, and sewed a cloak from their skins. She gave me two strong sons as well, and a daughter as sweet to look upon as any of your southron ladies.”

When Her Grace suggested that she would be pleased to help arrange marriages for his sons to the daughters of great southern lords, Lord Stark refused brusquely. “We keep the old gods in the North,” he told the queen. “When my boys take a wife, they will wed before a heart tree, not in some southron sept.”

Alysanne Targaryen did not yield easily, however. The lords of the south honored the old gods as well as the new, she told Lord Alaric; most every castle that she knew had a godswood as well as a sept. And there were still certain houses that had never accepted the Seven, no more than the northmen had, the Blackwoods in the riverlands chief amongst them, and mayhaps as many as a dozen more. Even a lord as stern and flinty as Alaric Stark found himself helpless before Queen Alysanne’s stubborn charm. He allowed that he would think on what she said, and raise the matter with his sons.

The longer the queen stayed, the more Lord Alaric warmed to her, and in time Alysanne came to realize that not everything that was said of him was true. He was careful with his coin, but not niggardly; he was not humorless at all, though his humor had an edge to it, sharp as a knife; his sons and daughter and the people of Winterfell seemed to love him well enough. Once the initial frost had thawed, his lordship took the queen hunting after elk and wild boar in the wolfswood, showed her the bones of a giant, and allowed her to rummage as she pleased through his modest castle library. He even deigned to approach Silverwing, though warily. The women of Winterfell were taken by the queen’s charms as well, once they grew to know her; Her Grace became particularly close with Lord Alaric’s daughter, Alarra. When the rest of the queen’s party finally turned up at the castle gates, after struggling through trackless bogs and summer snows, the meat and mead flowed freely, despite the king’s absence.

Things were not going as well at King’s Landing, meanwhile. The peace talks dragged on far longer than anticipated, for the acrimony between the two Free Cities ran deeper than Jaehaerys had known. When His Grace attempted to strike a balance, both sides accused him of favoring the other. Whilst the Prince and the Archon dickered, fights began to break out between their men across the city, in inns, brothels, and wine sinks. A Pentoshi guardsman was set upon and killed, and three nights later the Archon’s own galley was set afire where she was docked. The king’s departure was delayed and delayed again.

In the North, Queen Alysanne grew restless with waiting, and decided to take her leave of Winterfell for a time and visit the men of the Night’s Watch at Castle Black. The distance was not negligible, even flying; Her Grace landed at the Last Hearth and several smaller keeps and holdfasts on her way, to the surprise and delight of their lords, whilst a portion of her tail scrambled after her (the rest remained at Winterfell).

Praise

“I love it so much. Fire & Blood is Martin Unbound . . . and I couldn’t put it down. . . . There’s an addictive quality to the prose that’s outright gossipy. . . . The obvious comparison here is J.R.R. Tolkien’s The Silmarillion. . . . Writing centuries after the events he’s describing, the Gyldayn voice complicates this game of thrones with a clash of perspectives and a storm of debatable facts. . . . Heavy stuff, but Fire & Blood flies.”Entertainment Weekly

“A brilliant book . . . vivid, memorable and personal.”The Times

“Lean and efficient and slyly seductive and instructive . . . The text is filled with such a wealth of incident and so many colorful characters.”Locus

“The overall narrative of the book is wonderfully fluid. . . . Fire & Blood was a great surprise to me. I found myself becoming deeply emotionally invested in the Targaryens, thrilling when they achieved great victories and lamenting when they succumbed to their more idiotic desires. (And they have a lot of idiotic desires.) This book feels like A Song of Ice and Fire. And you know how I know? Because I want the next book right away.” Tordotcom

“An absolutely irresistible, dragon-filled delight.”Bustle

“[There are] treasures hidden in this new Targaryen history.”Vanity Fair

“The world of ice and fire only gets more fascinating the more we learn about it.”Mashable

“Martin is still a powerfully gifted, inventive writer. . . . [Fire & Blood] has hundreds of fascinating anecdotes, ranging from the cruel fate of a jester named Tom Turnip to a dragon that, tellingly, refuses to venture beyond the Wall. . . . Fire & Blood is a lavish object, with charts, family trees, and stunning illustrations by comic book artist Doug Wheatley. . . . In this sense it fits into a venerable tradition, from J.R.R. Tolkien in his Silmarillion to Diana Gabaldon in her companion to the Outlander series.”USA Today

“[Fire & Blood] explores the dragon-fueled secrets upon which the current saga is built.”The Hollywood Reporter

“Martin has done it again. . . . [Fire & Blood is] a beautiful weaving of the wars, marriages, deaths, dragons, and politics that shape the world Martin has created, leaving the reader feeling like this is a true history rather than a piece of fantasy. This is a masterpiece of world-building. . . . Beyond Martin’s legions of fans, anyone with a taste for richly, even obsessively detailed historical fiction or fantasy about royalty will enjoy this extraordinary work.”Booklist (starred review)

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