Charles Baudelaire

A Lyric Poet in the Era of High Capitalism

Translated by Harry Zohn
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On sale Aug 22, 2023 | 192 Pages | 978-1-80429-045-3
A classic account of late nineteenth-century Paris and a study of Baudelaire's life and work

Walter Benjamin, one of the foremost cultural commentators and theorists of this century, is perhaps best known for his analyses of the work of art in the modern age and the philosophy of history.

Yet it was through his study of the social and cultural history of the late nineteenth-century Paris, examined particularly in relation to the figure of the great Parisian lyric poet Charles Baudelaire, that Benjamin tested and enriched some of his core concepts and themes. Contained within these pages are, amongst other insights, his notion of the flaneur, his theory of memory and remembrance, his assessment of the utopian Fourier and his reading of the modernist movement.
Walter Benjamin was a German-Jewish Marxist literary critic, essayist, translator, and philosopher. He was at times associated with the Frankfurt School of critical theory and is the author of Illuminations, The Arcades Project, and The Origin of German Tragic Drama.
Praise for The Storyteller: Tales out of Loneliness by Walter Benjamin

“Benjamin was the interlocutor of all the demons and angels of storytelling. And this is why he knew its endless secrets. Listen to him.”
– John Berger

“This volume collects an extraordinary array of short pieces by Walter Benjamin that lets us see the centrality of stories, dreams, and tales to his own experimental writings. This volume is a marvelous gift that will reorient our reading of Benjamin in startling ways”
– Judith Butler

“Much praise is due to the editors for bringing together a newly translated collection of his short fictions, The Storyteller, in which he shows our iniquitous material world suffused and sabotaged by the uncanny like no one else.”
– Jacqueline Rose

“A circular book to visit again and again, a book one can start reading right in the middle or read backwards, playing with its chapters and sentences wildly and freely, just as the philosopher would have probably wished.”
– Elif Shafak, Financial Times

“An event.”
– Jonathon Sturgeon, Guardian

About

A classic account of late nineteenth-century Paris and a study of Baudelaire's life and work

Walter Benjamin, one of the foremost cultural commentators and theorists of this century, is perhaps best known for his analyses of the work of art in the modern age and the philosophy of history.

Yet it was through his study of the social and cultural history of the late nineteenth-century Paris, examined particularly in relation to the figure of the great Parisian lyric poet Charles Baudelaire, that Benjamin tested and enriched some of his core concepts and themes. Contained within these pages are, amongst other insights, his notion of the flaneur, his theory of memory and remembrance, his assessment of the utopian Fourier and his reading of the modernist movement.

Creators

Walter Benjamin was a German-Jewish Marxist literary critic, essayist, translator, and philosopher. He was at times associated with the Frankfurt School of critical theory and is the author of Illuminations, The Arcades Project, and The Origin of German Tragic Drama.

Praise

Praise for The Storyteller: Tales out of Loneliness by Walter Benjamin

“Benjamin was the interlocutor of all the demons and angels of storytelling. And this is why he knew its endless secrets. Listen to him.”
– John Berger

“This volume collects an extraordinary array of short pieces by Walter Benjamin that lets us see the centrality of stories, dreams, and tales to his own experimental writings. This volume is a marvelous gift that will reorient our reading of Benjamin in startling ways”
– Judith Butler

“Much praise is due to the editors for bringing together a newly translated collection of his short fictions, The Storyteller, in which he shows our iniquitous material world suffused and sabotaged by the uncanny like no one else.”
– Jacqueline Rose

“A circular book to visit again and again, a book one can start reading right in the middle or read backwards, playing with its chapters and sentences wildly and freely, just as the philosopher would have probably wished.”
– Elif Shafak, Financial Times

“An event.”
– Jonathon Sturgeon, Guardian