“Hothead is the backlash to the backlash.” —Alison Bechdel
Hothead Paisan, a murderous icon of the ’90s lesbian comics scene, comes roaring back into print in this fresh edition (including a new interview and supplemental materials) of one of the funniest, sharpest, and most unexpectedly warm comics of the late twentieth century, still as shocking today as it was more than two decades ago.
Hothead Paisan is an icon of the ’90s lesbian DIY scene, a patron saint of those who wonder if going off the deep end is the only sane response to life in modern America.
Diane DiMassa’s Hothead starts out in a murderous frenzy—taking out a variety of chauvinists and creeps—but soon deepens into a reflection on oppression, self-destruction, and living it up outside the conservative norms of the ’90s. Hothead’s rage is sometimes tempered with the help of Personality #2, her defensive inner demon; Roz, her friend who offers Zen wisdom and tough love; and Chicken, her cat and constant companion.
At long last, the most thoughtful homicidal maniac is back in print.
Diane DiMassa is an American artist best known for her contributions to the alternative, feminist comic book sphere. She is the creator of the comic-zine Hothead Paisan: Homicidal Lesbian Terrorist, and has illustrated books such as Kathy Acker’s Pussycat Fever, Kate Bornstein’s My Gender Workbook, and Anne Fausto-Sterling’s Sexing the Body: Gender Politics and the Construction of Sexuality. She lives in Bridgeport, Connecticut and San Francisco, California.
Sarah Schulman is a writer, activist, and historian. A recipient of both the Bill Whitehead Award and the Lambda Literary Award, she has published nearly a dozen works of fiction and several books of nonfiction, most recently the oral history Let the Record Show: A Political History of ACT UP New York, 1987–1993. She lives in New York City.
Jay Graham is a writer living in Brooklyn, New York.
“The radical lesbians of the early 1970s who declared that ‘a lesbian is the rage of all women condensed to the point of explosion’ were speaking figuratively. But when Hothead Paisan hit the scene twenty years later, the blast was literal and resounding. Lobbing grenades, toting an assault rifle, and swinging her redemptive ax, this dyke was done with the patriarchy—whether it was organized religion or a random man-spreader on the bus. Diane DiMassa’s endearing Homicidal Lesbian Terrorist claimed space for herself and brought the rest of us along for the cathartic ride. Thank god these comics are back in print because we need Hothead now more than ever.” —Alison Bechdel, creator of Dykes to Watch Out For
“As a brand-new baby trans woman in the early 1990s, I looked everywhere to find out how to be a proper lesbian. And I almost succeeded, when happily and just in time, Hothead Paisan helped me find my inner badass dyke. Chicken rules!” —Kate Bornstein
“Diane DiMassa can thrill the female soul ... fulfilling an untold number of rush-hour fantasies.” —The New York Times “Hothead is a one-woman revolution ... a far-out, hilarious reminder of how your own rage could drive you insane.” —Out Magazine
“The bible of man-hating ball busters driven over the edge of insanity.” —Sarah Schulman
“[DiMassa's] cartooning style is electric.” —Howard Cruse
“Hothead is the backlash to the backlash.” —Alison Bechdel
Hothead Paisan, a murderous icon of the ’90s lesbian comics scene, comes roaring back into print in this fresh edition (including a new interview and supplemental materials) of one of the funniest, sharpest, and most unexpectedly warm comics of the late twentieth century, still as shocking today as it was more than two decades ago.
Hothead Paisan is an icon of the ’90s lesbian DIY scene, a patron saint of those who wonder if going off the deep end is the only sane response to life in modern America.
Diane DiMassa’s Hothead starts out in a murderous frenzy—taking out a variety of chauvinists and creeps—but soon deepens into a reflection on oppression, self-destruction, and living it up outside the conservative norms of the ’90s. Hothead’s rage is sometimes tempered with the help of Personality #2, her defensive inner demon; Roz, her friend who offers Zen wisdom and tough love; and Chicken, her cat and constant companion.
At long last, the most thoughtful homicidal maniac is back in print.
Creators
Diane DiMassa is an American artist best known for her contributions to the alternative, feminist comic book sphere. She is the creator of the comic-zine Hothead Paisan: Homicidal Lesbian Terrorist, and has illustrated books such as Kathy Acker’s Pussycat Fever, Kate Bornstein’s My Gender Workbook, and Anne Fausto-Sterling’s Sexing the Body: Gender Politics and the Construction of Sexuality. She lives in Bridgeport, Connecticut and San Francisco, California.
Sarah Schulman is a writer, activist, and historian. A recipient of both the Bill Whitehead Award and the Lambda Literary Award, she has published nearly a dozen works of fiction and several books of nonfiction, most recently the oral history Let the Record Show: A Political History of ACT UP New York, 1987–1993. She lives in New York City.
Jay Graham is a writer living in Brooklyn, New York.
“The radical lesbians of the early 1970s who declared that ‘a lesbian is the rage of all women condensed to the point of explosion’ were speaking figuratively. But when Hothead Paisan hit the scene twenty years later, the blast was literal and resounding. Lobbing grenades, toting an assault rifle, and swinging her redemptive ax, this dyke was done with the patriarchy—whether it was organized religion or a random man-spreader on the bus. Diane DiMassa’s endearing Homicidal Lesbian Terrorist claimed space for herself and brought the rest of us along for the cathartic ride. Thank god these comics are back in print because we need Hothead now more than ever.” —Alison Bechdel, creator of Dykes to Watch Out For
“As a brand-new baby trans woman in the early 1990s, I looked everywhere to find out how to be a proper lesbian. And I almost succeeded, when happily and just in time, Hothead Paisan helped me find my inner badass dyke. Chicken rules!” —Kate Bornstein
“Diane DiMassa can thrill the female soul ... fulfilling an untold number of rush-hour fantasies.” —The New York Times “Hothead is a one-woman revolution ... a far-out, hilarious reminder of how your own rage could drive you insane.” —Out Magazine
“The bible of man-hating ball busters driven over the edge of insanity.” —Sarah Schulman
“[DiMassa's] cartooning style is electric.” —Howard Cruse
