In Volume 24 of Stephen McCranie’s Space Boy, we discover there’s power and strength to be gained in asking for help.
The explosive interruption to Director Langley’s interrogations attracts more than just the attention of the security team—it also catches the terrifying eye of the Wanderer. Amy learns that she can lean on her friends when things get overwhelming, and the Wanderer begins his own horrifying brand of investigation into the FCP mole.
Stephen McCranie is the writer and illustrator of the all-ages graphic novel series Space Boy and Mal and Chad. Stephen grew up drawing comics from an early age, and eventually earned a Fine Arts degree at the University of New Mexico. His stated goal as an artist is to make "Comics that Nourish."
“One of the best pieces of sequential art to come out in this or any other format in the past decade.”—Emertainment Monthly
"The story excels at mixing these complicated emotions together without getting overly sappy or too stuck in Amy's own mind and this makes it truly one of the most thoughtful examples I've ever seen of a teenaged girl in fiction."—Narrative Investigations
In Volume 24 of Stephen McCranie’s Space Boy, we discover there’s power and strength to be gained in asking for help.
The explosive interruption to Director Langley’s interrogations attracts more than just the attention of the security team—it also catches the terrifying eye of the Wanderer. Amy learns that she can lean on her friends when things get overwhelming, and the Wanderer begins his own horrifying brand of investigation into the FCP mole.
Creators
Stephen McCranie is the writer and illustrator of the all-ages graphic novel series Space Boy and Mal and Chad. Stephen grew up drawing comics from an early age, and eventually earned a Fine Arts degree at the University of New Mexico. His stated goal as an artist is to make "Comics that Nourish."
“One of the best pieces of sequential art to come out in this or any other format in the past decade.”—Emertainment Monthly
"The story excels at mixing these complicated emotions together without getting overly sappy or too stuck in Amy's own mind and this makes it truly one of the most thoughtful examples I've ever seen of a teenaged girl in fiction."—Narrative Investigations
