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Into the Unbeing Volume 2

Paperback
6-5/8"W x 10-3/16"H | 13 oz | 24 per carton
On sale Sep 23, 2025 | 104 Pages | 9781506742816
Rated T

Find yourself in its innards.

From critically acclaimed writer Zac Thompson and visionary artist Hayden Sherman comes part two of the S.I.N.E.W expedition’s ill-fated journey into a Lovecraftian labyrinth.


 For centuries, The UnBeing, a seemingly malevolent corpse, has swallowed all who dare tread near its sprawling mass. Now, the last survivors of a climate science team are trapped inside with only a mysterious humanoid known as The Stranger to guide them out. This incomprehensible Stranger claims to be a 19th Century British explorer. It claims to know the way back to the surface. It claims a new world is on its way. Perhaps if you listen closely, you can hear it breathing. But what is the cost of this new world? And who will be left to live in it?

Picking up directly after the events of Part One, the remaining survivors form a distrustful and desperate team. Together they must journey across impossible landscapes and contend with their own changing biology in order to find their way back home. As their journey into the Unbeing deepens, the series’ most disturbing questions are answered…but the answers offer little comfort.  

Into the Unbeing is an adventure into the sublime from the critically acclaimed writer Zac Thompson (Cemetery Kids Don't Die, Alien: Romulus) and visionary artist Hayden Sherman (Batman: Dark Patterns, Absolute Wonder Woman).
Zac Thompson cut his teeth at Marvel working on titles such as X-men, Cable, and Yondu. In the past few years, he has moved on to creating some of the most exciting horror titles published outside Dark Horse including I Breathed a Body, Lonely Reciever, and No Ones Rose among others. The Body Trade, Blow Away, Cemetery Kids Don't Die are the most recent. Also currently writing for DC in BATMAN: THE BRAVE AND THE BOLD #19.

Hayden Sherman has worked on several licensed books including Halo. They have co-created a handful of independent titles such as The Few, Cold War, Thumbs, and Wasted Space and more. They recently worked on Detective Comics’ #1081. Hayden has two highly anticipated series that just dropped: Batman: Dark Patterns with Dan Watters, and Absolute Wonder Woman with Kelly Thompson. That is to say – they’re a BIG DEAL!
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"Frankly, it’s a good thing this is “Part One” because I’d read 100 issues of this book if I could. Into The Unbeing: Part One is one of the most unique and terrifying horror comics of this century."—AIPT

"One look at Sherman’s cover makes this title a must-read, and after this opening issue, I’ll definitely be coming back for more. There’s so much to this story, and exploring this world and these characters seems like it will be quite the journey."—Fanbase Press

"One of the most striking aspects of Sherman's work is how it conveys emotion. Through the use of lighting, shadows, and the characters' body language, he brings to life the fear and tension that Thompson's script hints at. The panel layouts are dynamic and creative, guiding the reader through the story in a way that feels natural yet disorienting—perfectly fitting for a narrative that thrives on the bizarre and the unknown."—The Geekly Grind

"We have no idea where Into the Unbeing is going, but it's off to such a strong start that we almost don't want to see what the future holds, in case it isn't as effective as the debut issue. Still, even if future chapters don't match the heights of this premiere, it'll still likely be one of the most compelling genre comics of 2024. "—Comicbook.com

"Into the Unbeing is a unique blend of cosmic horror and an all-too close to home climate crisis that takes us on a thrilling and intriguing journey across a post-apocalyptic landscape...The story feels both relevant and otherworldly while teasing a supernatural element. This combination made for fresh take on real-world issue in an excellent and unique way. "—Capes & Tights

"Overall, Into The Unbeing has me locked in and starving for more. The use of real science with physical anomalies and unnatural environments make everything feel grounded and familiar while also alien and almost supernatural. The characters also feel real, tangible, and relatable. There is something so much bigger brewing underneath all of this and it’s going to be a pleasure to watch the layers being peeled back to reveal it all."—Nerd Initiative

"If you're looking for an adventure comic that'll wow you and tickle your amygdala, give Into the Unbeing Part One a shot. It blends eerie visuals in an absorbing story that just might make you think about our own doomed planet a bit more carefully."—AIPT Comics

"Into the Unbeing is a beautiful comic. It manages to stretch the Moebius-esque starkness of a large open desert with bright colors and unfamiliar (but somehow still eerily family) topologies. The narrative consistency, which passes through a voice over from the captain, to dialogue, and then into a personal journal from the captain, drives home the lost and sometimes forewarning perspective of our guidepost through the story."—Comics Beat

"With a frighteningly relatable setting, compelling characters, and gripping artwork, Into the Unbeing has successfully lured me into the deep, dark cavern of its narrative. Thompson and Sherman have crafted a story that not only entertains but also provokes thought about the dire consequences of our current environmental trajectory."—Geekly Grind

About

Find yourself in its innards.

From critically acclaimed writer Zac Thompson and visionary artist Hayden Sherman comes part two of the S.I.N.E.W expedition’s ill-fated journey into a Lovecraftian labyrinth.


 For centuries, The UnBeing, a seemingly malevolent corpse, has swallowed all who dare tread near its sprawling mass. Now, the last survivors of a climate science team are trapped inside with only a mysterious humanoid known as The Stranger to guide them out. This incomprehensible Stranger claims to be a 19th Century British explorer. It claims to know the way back to the surface. It claims a new world is on its way. Perhaps if you listen closely, you can hear it breathing. But what is the cost of this new world? And who will be left to live in it?

Picking up directly after the events of Part One, the remaining survivors form a distrustful and desperate team. Together they must journey across impossible landscapes and contend with their own changing biology in order to find their way back home. As their journey into the Unbeing deepens, the series’ most disturbing questions are answered…but the answers offer little comfort.  

Into the Unbeing is an adventure into the sublime from the critically acclaimed writer Zac Thompson (Cemetery Kids Don't Die, Alien: Romulus) and visionary artist Hayden Sherman (Batman: Dark Patterns, Absolute Wonder Woman).

Creators

Zac Thompson cut his teeth at Marvel working on titles such as X-men, Cable, and Yondu. In the past few years, he has moved on to creating some of the most exciting horror titles published outside Dark Horse including I Breathed a Body, Lonely Reciever, and No Ones Rose among others. The Body Trade, Blow Away, Cemetery Kids Don't Die are the most recent. Also currently writing for DC in BATMAN: THE BRAVE AND THE BOLD #19.

Hayden Sherman has worked on several licensed books including Halo. They have co-created a handful of independent titles such as The Few, Cold War, Thumbs, and Wasted Space and more. They recently worked on Detective Comics’ #1081. Hayden has two highly anticipated series that just dropped: Batman: Dark Patterns with Dan Watters, and Absolute Wonder Woman with Kelly Thompson. That is to say – they’re a BIG DEAL!

Praise

"Frankly, it’s a good thing this is “Part One” because I’d read 100 issues of this book if I could. Into The Unbeing: Part One is one of the most unique and terrifying horror comics of this century."—AIPT

"One look at Sherman’s cover makes this title a must-read, and after this opening issue, I’ll definitely be coming back for more. There’s so much to this story, and exploring this world and these characters seems like it will be quite the journey."—Fanbase Press

"One of the most striking aspects of Sherman's work is how it conveys emotion. Through the use of lighting, shadows, and the characters' body language, he brings to life the fear and tension that Thompson's script hints at. The panel layouts are dynamic and creative, guiding the reader through the story in a way that feels natural yet disorienting—perfectly fitting for a narrative that thrives on the bizarre and the unknown."—The Geekly Grind

"We have no idea where Into the Unbeing is going, but it's off to such a strong start that we almost don't want to see what the future holds, in case it isn't as effective as the debut issue. Still, even if future chapters don't match the heights of this premiere, it'll still likely be one of the most compelling genre comics of 2024. "—Comicbook.com

"Into the Unbeing is a unique blend of cosmic horror and an all-too close to home climate crisis that takes us on a thrilling and intriguing journey across a post-apocalyptic landscape...The story feels both relevant and otherworldly while teasing a supernatural element. This combination made for fresh take on real-world issue in an excellent and unique way. "—Capes & Tights

"Overall, Into The Unbeing has me locked in and starving for more. The use of real science with physical anomalies and unnatural environments make everything feel grounded and familiar while also alien and almost supernatural. The characters also feel real, tangible, and relatable. There is something so much bigger brewing underneath all of this and it’s going to be a pleasure to watch the layers being peeled back to reveal it all."—Nerd Initiative

"If you're looking for an adventure comic that'll wow you and tickle your amygdala, give Into the Unbeing Part One a shot. It blends eerie visuals in an absorbing story that just might make you think about our own doomed planet a bit more carefully."—AIPT Comics

"Into the Unbeing is a beautiful comic. It manages to stretch the Moebius-esque starkness of a large open desert with bright colors and unfamiliar (but somehow still eerily family) topologies. The narrative consistency, which passes through a voice over from the captain, to dialogue, and then into a personal journal from the captain, drives home the lost and sometimes forewarning perspective of our guidepost through the story."—Comics Beat

"With a frighteningly relatable setting, compelling characters, and gripping artwork, Into the Unbeing has successfully lured me into the deep, dark cavern of its narrative. Thompson and Sherman have crafted a story that not only entertains but also provokes thought about the dire consequences of our current environmental trajectory."—Geekly Grind
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