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Marvel: February 1964 Omnibus

Author Stan Lee, Marvel Various
Illustrated by Jack Kirby, Marvel Various
Cover Design or Artwork by Javier Rodriguez
Hardcover
$100.00 US
Marvel | Marvel Universe
7.59"W x 11.14"H x 1.26"D   | 51 oz | 8 per carton
On sale Feb 06, 2024 | 480 Pages | 9781302954871
Kids to Adults
FOC Aug 28, 2023 | Catalog July 2023
Add to cart Add to list Exam Copies

The House of Ideas is proud to celebrate the 60th anniversary of Daredevil with an Omnibus collecting every Marvel comic released during the month of his debut! DAREDEVIL presented a rougher, grittier take on the super hero concept, with young Matt Murdock growing up on the wrong side of the tracks with a father on the hook with the mob. Stan Lee and Bill Everett crafted a brilliant blend of crime, action and heroics that built the foundation for one of Marvel's greatest characters. But what else was happening that historic month? Marvel boasted a wonderfully engaging mix of romance, teen humor, Westerns and, of course, a growing stable of increasingly interconnected super heroes! Take a trip back to the spinner rack and relive them all! Collecting DAREDEVIL (1964) #1, AMAZING SPIDER-MAN (1963) #12, FANTASTIC FOUR (1961) #26, JOURNEY INTO MYSTERY (1952) #103, KID COLT OUTLAW #116, MILLIE THE MODEL #120, MODELING WITH MILLIE #30, PATSY WALKER #114, STRANGE TALES (1951) #120, TALES OF SUSPENSE (1959) #53, TALES TO ASTONISH (1959) #55, TWO-GUN KID #69, AVENGERS (1963) #5, PATSY AND HEDY #94, RAWHIDE KID (1955) #40, SGT. FURY #7 and X-MEN (1963) #5.
Writer/editor Stan Lee (1922-2018) made comic-book history together with Jack Kirby in 1961 with Fantastic Four #1. The monumental popularity of its new style inspired Lee to develop similarly themed characters — including the Hulk and X-Men with Kirby, Spider-Man and Doctor Strange with Steve Ditko, and Daredevil with Bill Everett. After shepherding his creations through dozens of issues — in some cases a hundred or more — Lee allowed other writers to take over, but he maintained steady editorial control. Eventually, he helped expand Marvel into a multimedia empire. In recent years, his frequent cameo appearances in Marvel’s films established Lee as one of the world’s most famous faces.

An unparalleled talent, Bill Everett created Prince Namor, the Sub-Mariner, comics’ original anti-hero, whose ongoing adventures set the bar for sophisticated comic-book serials. Equally as skilled at illustrating horror and war comics, Everett continued as one of Timely’s top artists until 1957. Once the Marvel Age kicked off, Stan Lee brought Everett back into the fold to co-create Daredevil and return once more to his signature creation, the Sub-Mariner.

Born Jacob Kurtzberg in 1917 to Jewish-Austrian parents on New York’s Lower East Side, Jack Kirby came of age at the birth of the American comic book industry. Beginning his career during the rising tide of Nazism, Kirby and fellow artist Joe Simon created the patriotic hero Captain America. Cap’s exploits on the comic book page entertained millions of American readers at home and inspired U.S. troops fighting the enemy abroad. When World War II ended, the public’s interest in super heroes waned; Kirby turned his artistic talents during the 1950s to other genres, such as monsters, Westerns and crime — as well as the first-of-its-kind Young Romance Comics. In 1961, Kirby returned to super heroes to illustrate what would become the defining issue in Marvel Comics history: Fantastic Four #1. Written by Stan Lee, the team’s debut revolutionized the industry overnight. In contrast to the staid artwork of his predecessors, Kirby’s illustrations seemed to leap off the page with eye-popping action and drama. For the next decade, Kirby and Lee would introduce a mind-boggling array of new characters — including the Avengers, the Hulk, Thor, Iron Man, the Silver Surfer and the X-Men. Taken together, Kirby’s groundbreaking work with Lee formed the foundation of the Marvel Universe. In the early 1970s, Kirby moved to DC Comics, where his boundless creativity continued. He returned to Marvel in 1975, writing and illustrating Captain America and introducing his final major concept, the Eternals. With the explosion of TV animation during the 1980s, Kirby’s talents turned to the small screen. Comic fans quickly recognized his work on such series as Thundarr the Barbarian and Turbo Teen. Kirby died in 1994, but his influence on the comic book industry is as strong as ever. His work has inspired a generation of professional artists and modern writers who continue to explore his vast universe of concepts and characters.

Steve Ditko (1927 - 2018) began his comics career in the anthologies of the 1950s, where his unique style and perspective quickly earned recognition and respect. Recruited to join Stan Lee’s Atlas Comics, later Marvel, in 1958, his nuances contrasted well with Jack Kirby’s bombast. In 1962, in the pages of Amazing Fantasy, Ditko and Lee brought to life Peter Parker, the Amazing Spider-Man, changing the industry forever. Leaving Marvel in 1966, he drew Blue Beetle and Captain Atom for Charlton, Creeper and Shade the Changing Man for DC, and his independent effort Mr. A. Ditko returned to Marvel during the late 1970s and remained for much of the 1980s, co-creating Speedball, Squirrel Girl and other characters who would prove of unexpected importance in Marvel’s later years.
Stan Lee View titles by Stan Lee
Marvel Various View titles by Marvel Various
Jack Kirby View titles by Jack Kirby
Javier Rodriguez View titles by Javier Rodriguez
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About

The House of Ideas is proud to celebrate the 60th anniversary of Daredevil with an Omnibus collecting every Marvel comic released during the month of his debut! DAREDEVIL presented a rougher, grittier take on the super hero concept, with young Matt Murdock growing up on the wrong side of the tracks with a father on the hook with the mob. Stan Lee and Bill Everett crafted a brilliant blend of crime, action and heroics that built the foundation for one of Marvel's greatest characters. But what else was happening that historic month? Marvel boasted a wonderfully engaging mix of romance, teen humor, Westerns and, of course, a growing stable of increasingly interconnected super heroes! Take a trip back to the spinner rack and relive them all! Collecting DAREDEVIL (1964) #1, AMAZING SPIDER-MAN (1963) #12, FANTASTIC FOUR (1961) #26, JOURNEY INTO MYSTERY (1952) #103, KID COLT OUTLAW #116, MILLIE THE MODEL #120, MODELING WITH MILLIE #30, PATSY WALKER #114, STRANGE TALES (1951) #120, TALES OF SUSPENSE (1959) #53, TALES TO ASTONISH (1959) #55, TWO-GUN KID #69, AVENGERS (1963) #5, PATSY AND HEDY #94, RAWHIDE KID (1955) #40, SGT. FURY #7 and X-MEN (1963) #5.

Creators

Writer/editor Stan Lee (1922-2018) made comic-book history together with Jack Kirby in 1961 with Fantastic Four #1. The monumental popularity of its new style inspired Lee to develop similarly themed characters — including the Hulk and X-Men with Kirby, Spider-Man and Doctor Strange with Steve Ditko, and Daredevil with Bill Everett. After shepherding his creations through dozens of issues — in some cases a hundred or more — Lee allowed other writers to take over, but he maintained steady editorial control. Eventually, he helped expand Marvel into a multimedia empire. In recent years, his frequent cameo appearances in Marvel’s films established Lee as one of the world’s most famous faces.

An unparalleled talent, Bill Everett created Prince Namor, the Sub-Mariner, comics’ original anti-hero, whose ongoing adventures set the bar for sophisticated comic-book serials. Equally as skilled at illustrating horror and war comics, Everett continued as one of Timely’s top artists until 1957. Once the Marvel Age kicked off, Stan Lee brought Everett back into the fold to co-create Daredevil and return once more to his signature creation, the Sub-Mariner.

Born Jacob Kurtzberg in 1917 to Jewish-Austrian parents on New York’s Lower East Side, Jack Kirby came of age at the birth of the American comic book industry. Beginning his career during the rising tide of Nazism, Kirby and fellow artist Joe Simon created the patriotic hero Captain America. Cap’s exploits on the comic book page entertained millions of American readers at home and inspired U.S. troops fighting the enemy abroad. When World War II ended, the public’s interest in super heroes waned; Kirby turned his artistic talents during the 1950s to other genres, such as monsters, Westerns and crime — as well as the first-of-its-kind Young Romance Comics. In 1961, Kirby returned to super heroes to illustrate what would become the defining issue in Marvel Comics history: Fantastic Four #1. Written by Stan Lee, the team’s debut revolutionized the industry overnight. In contrast to the staid artwork of his predecessors, Kirby’s illustrations seemed to leap off the page with eye-popping action and drama. For the next decade, Kirby and Lee would introduce a mind-boggling array of new characters — including the Avengers, the Hulk, Thor, Iron Man, the Silver Surfer and the X-Men. Taken together, Kirby’s groundbreaking work with Lee formed the foundation of the Marvel Universe. In the early 1970s, Kirby moved to DC Comics, where his boundless creativity continued. He returned to Marvel in 1975, writing and illustrating Captain America and introducing his final major concept, the Eternals. With the explosion of TV animation during the 1980s, Kirby’s talents turned to the small screen. Comic fans quickly recognized his work on such series as Thundarr the Barbarian and Turbo Teen. Kirby died in 1994, but his influence on the comic book industry is as strong as ever. His work has inspired a generation of professional artists and modern writers who continue to explore his vast universe of concepts and characters.

Steve Ditko (1927 - 2018) began his comics career in the anthologies of the 1950s, where his unique style and perspective quickly earned recognition and respect. Recruited to join Stan Lee’s Atlas Comics, later Marvel, in 1958, his nuances contrasted well with Jack Kirby’s bombast. In 1962, in the pages of Amazing Fantasy, Ditko and Lee brought to life Peter Parker, the Amazing Spider-Man, changing the industry forever. Leaving Marvel in 1966, he drew Blue Beetle and Captain Atom for Charlton, Creeper and Shade the Changing Man for DC, and his independent effort Mr. A. Ditko returned to Marvel during the late 1970s and remained for much of the 1980s, co-creating Speedball, Squirrel Girl and other characters who would prove of unexpected importance in Marvel’s later years.
Stan Lee View titles by Stan Lee
Marvel Various View titles by Marvel Various
Jack Kirby View titles by Jack Kirby
Javier Rodriguez View titles by Javier Rodriguez

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