An Orthodox Jew encounters his biggest test of faith after moving from Tsarist Russia to New York City in this “pure, perfect” retelling of the Book of Job (Stefan Zweig) Job is the tale of Mendel Singer, a pious, destitute Eastern-European Jew and children’s Torah teacher whose faith is tested at every turn. His youngest son seems to be incurably disabled, one of his older sons joins the Russian Army, the other deserts to America, and his daughter is running around with a Cossack. When he flees with his wife and daughter, further blows of fate await him . . .
In this modern fable based on the biblical story of Job, Mendel Singer witnesses the collapse of his world, experiences unbearable suffering and loss, and ultimately gives up hope and curses God, only to be saved by a miraculous reversal of fortune.
Joseph Roth was born into a Jewish family in the small town of Brody in the former Austro-Hungarian Empire. He studied first in Lemberg and then in Vienna, and served in the Austrian army during World War I. He went on to work as a journalist, travelling widely, staying in hotels and living out of suitcases, while also being a prolific writer of fiction, including the novels Job (1930) and The Radetzky March (1932). Roth left Germany when Hitler came to power in 1933 and settled in Paris, where he died in 1939.
View titles by Joseph Roth
Many years ago there lived in Zuchnow a man named Mendel Singer. He was pious, God-fearing and ordinary, an entirely every- day Jew. He practiced the modest profession of a teacher. In his house, which consisted of only a roomy kitchen, he imparted to children knowledge of the Bible. He taught with genuine enthusiasm and without spectacular success. Hundreds of thousands before him had lived and taught as he did. As insignificant as his nature was his pale face. A full beard of ordinary black framed it completely. His mouth was hidden by the beard. His eyes were large, black, languid and half veiled by heavy lids. On his head sat a cap of black silk rep, a material out of which unfashionable and cheap ties are sometimes made. His body was wrapped in a customary half-long Jewish caftan, the skirts of which fluttered when Mendel Singer rushed through the street, knocking with a hard regular wing beat against the shafts of his high leather boots. Singer seemed to have little time and nothing but pressing goals. Certainly his life was always hard and at times even a torment. He had a wife and three children to clothe and feed. (She was pregnant with a fourth.) God had bestowed fertility on his loins, equanimity on his heart and poverty on his hands. They had no gold to weigh and no banknotes to count. Still, his life ran steadily along like a poor little brook between sparse banks.
Job is perfect. . . . a novel as lyric poem. —Joan Acocella
Galician Jewry achieved another grand figure in Joseph Roth, whose Job is both immensely sorrowful and finally strangely hopeful. —Harold Bloom
Job is more than a novel and legend, it is a pure, perfect poetic work, which is destined to outlast everything that we, his contemporaries, have created and written. In unity of construction, in depth of feeling, in purity, in the musicality of the language, it can scarcely be surpassed. —Stefan Zweig
This life of an everyday man moves us as if someone had written of our lives, our longings, our struggles. Roth’s language has the discipline and rigor of German Classicism. A great and harrowing book that no one can resist. —Ernst Toller
A beautifully written, and in the end uplifting, parable for an era of upheaval . . . Job, opened to any page, offers something of beauty. . . Ross Benjamin's excellent new translation gives us both the realism and the poetry. —The Quarterly Conversation
The totality of Joseph Roth's work is no less than a tragédie humaine achieved in the techniques of modern fiction. —Nadine Gordimer
An Orthodox Jew encounters his biggest test of faith after moving from Tsarist Russia to New York City in this “pure, perfect” retelling of the Book of Job (Stefan Zweig) Job is the tale of Mendel Singer, a pious, destitute Eastern-European Jew and children’s Torah teacher whose faith is tested at every turn. His youngest son seems to be incurably disabled, one of his older sons joins the Russian Army, the other deserts to America, and his daughter is running around with a Cossack. When he flees with his wife and daughter, further blows of fate await him . . .
In this modern fable based on the biblical story of Job, Mendel Singer witnesses the collapse of his world, experiences unbearable suffering and loss, and ultimately gives up hope and curses God, only to be saved by a miraculous reversal of fortune.
Creators
Joseph Roth was born into a Jewish family in the small town of Brody in the former Austro-Hungarian Empire. He studied first in Lemberg and then in Vienna, and served in the Austrian army during World War I. He went on to work as a journalist, travelling widely, staying in hotels and living out of suitcases, while also being a prolific writer of fiction, including the novels Job (1930) and The Radetzky March (1932). Roth left Germany when Hitler came to power in 1933 and settled in Paris, where he died in 1939.
View titles by Joseph Roth
Excerpt
Many years ago there lived in Zuchnow a man named Mendel Singer. He was pious, God-fearing and ordinary, an entirely every- day Jew. He practiced the modest profession of a teacher. In his house, which consisted of only a roomy kitchen, he imparted to children knowledge of the Bible. He taught with genuine enthusiasm and without spectacular success. Hundreds of thousands before him had lived and taught as he did. As insignificant as his nature was his pale face. A full beard of ordinary black framed it completely. His mouth was hidden by the beard. His eyes were large, black, languid and half veiled by heavy lids. On his head sat a cap of black silk rep, a material out of which unfashionable and cheap ties are sometimes made. His body was wrapped in a customary half-long Jewish caftan, the skirts of which fluttered when Mendel Singer rushed through the street, knocking with a hard regular wing beat against the shafts of his high leather boots. Singer seemed to have little time and nothing but pressing goals. Certainly his life was always hard and at times even a torment. He had a wife and three children to clothe and feed. (She was pregnant with a fourth.) God had bestowed fertility on his loins, equanimity on his heart and poverty on his hands. They had no gold to weigh and no banknotes to count. Still, his life ran steadily along like a poor little brook between sparse banks.
Job is perfect. . . . a novel as lyric poem. —Joan Acocella
Galician Jewry achieved another grand figure in Joseph Roth, whose Job is both immensely sorrowful and finally strangely hopeful. —Harold Bloom
Job is more than a novel and legend, it is a pure, perfect poetic work, which is destined to outlast everything that we, his contemporaries, have created and written. In unity of construction, in depth of feeling, in purity, in the musicality of the language, it can scarcely be surpassed. —Stefan Zweig
This life of an everyday man moves us as if someone had written of our lives, our longings, our struggles. Roth’s language has the discipline and rigor of German Classicism. A great and harrowing book that no one can resist. —Ernst Toller
A beautifully written, and in the end uplifting, parable for an era of upheaval . . . Job, opened to any page, offers something of beauty. . . Ross Benjamin's excellent new translation gives us both the realism and the poetry. —The Quarterly Conversation
The totality of Joseph Roth's work is no less than a tragédie humaine achieved in the techniques of modern fiction. —Nadine Gordimer
