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Alphamaniacs

Builders of 26 Wonders of the Word

Illustrated by Melissa Sweet
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Hardcover
7.44"W x 9.31"H x 0.72"D   | 24 oz | 20 per carton
On sale Apr 14, 2020 | 160 Pages | 9780763690663
Age 12 and up
Reading Level: Lexile 890L
Are you a word person? A curiosity seeker? An explorer? Take a look at these twenty-six extraordinary individuals for whom love of language is an extreme sport.

Step right up and read the genuine stories of writers so intoxicated by the shapes and sound of language that they collected, dissected, and constructed verbal wonders of the most extraordinary kind. Jean-Dominique Bauby wrote his memoirs by blinking his left eyelid, unable to move the rest of his body. Frederic Cassidy was obsessed with the language of place, and after posing hundreds of questions to folks all over the United States, amassed (among other things) 176 words for dust bunnies. Georges Perec wrote a novel without using the letter e (so well that at least one reviewer didn’t notice its absence), then followed with a novella in which e was the only vowel. A love letter to all those who love words, language, writing, writers, and stories, Alphamaniacs is a stunningly illustrated collection of mini-biographies about the most daring and peculiar of writers and their audacious, courageous, temerarious way with words.
Paul Fleischman is the author of many books for children, including the Newbery Medal–winning Joyful Noise: Poems for Two Voices. With Candlewick Press, he is the author of Weslandia, The Dunderheads, The Matchbox Diary, and Eyes Wide Open. He lives in Monterey, California.

Melissa Sweet has illustrated nearly one hundred books for children, including the Caldecott Honor books The Right Word: Roget and His Thesaurus and A River of Words: The Story of William Carlos Williams. With Candlewick, she is the illustrator of Baabwaa and Wooliam and Firefly July: A Year of Very Short Poems. Melissa Sweet lives in Rockport, Maine.
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Take a seat, remove your hats, and discard as well your fear of the outrageous, the brain-baffling, the bizarre. Prepare to behold a pageant without equal. Perhaps you’ve seen fire-eaters and contortionists. But who among you has looked upon a lipogram? A mondegreen? Zaum?
For most of us, a tree is a tree. But some — the imaginers, the tinkerers — turn trees into canoes and their leaves into sails. Those you’re about to meet are of this ilk. Their voyages? Extraordinary. Their persistence? Superhuman. The realm they explored? Not the physical one, but the airy land of letters.
You and I may barely notice the words flitting around us. But these men and women? Intoxicated by their shapes and sounds! Seeing music and mathematics where we see simply information! Collecting, dissecting, constructing verbal wonders as colossal and rarely glimpsed as the overgrown pyramids of the Mayans! Each of their tales is more astounding than the last. And every one of them true!
We take pride in our progress from caves to condominiums, but is that the whole story of humanity? If so, how to explain our elaborate pursuits that don’t improve the roofs over our heads or add a cent to our bank accounts? Could it be that we live not on bread alone but also on curiosity, challenge, beauty, and play?
Ponder the figures I’ll now introduce. Let the parade begin!
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The ebullient charms both of Fleischman's breezy accounts and of the work of those profiled are considerable...for anyone who enjoys words, or books themselves, there's much to love here in the catalog of serious and silly ways in which language and letters have been deployed, reworked, analyzed, and improved on. The backmatter includes source notes and a list of resources for "Further Entertainment." Marvelously diverting.
—Kirkus Reviews (starred review)

Thoughtful design elements extend into the back matter, where stylish alphabet blocks set off sources and bibliographic notes. Roaming today’s school hallways are tomorrow’s philologists, and the Alphamaniacs may be just the Dream Team to inspire them.
—Bulletin of the Center for Children's Books (starred review)

Each individual is given a brief chapter recounting their word-related exploits, interleaved with colorful, collaged illustrations by Sweet that look like stray pages from an artist’s overstuffed sketchbook, incorporating relevant quotes and amplifying Fleischman’s themes of abundance and possibility. A unique amalgam, one that will charm many.
—Publishers Weekly

The stories...are told in a playful, conversational style, supplemented by Sweet’s gorgeous mixed- media illustrations that, along with an attractive layout and high-quality paper, result in a beautiful object of a book...an alluring gift for dedicated word nerds.
—Booklist

It’s a quirky little gift to word lovers...The book is colorful and lavish with drawings, paintings, and prints. The wit and joy that went into the creation of this title is evident.
—School Library Connection

In an age driven by images, this book is an anomaly. Its audience is language lovers. Even though Fleischman’s gushing writing style gets in the way of his own love for the subject, the book has unusual appeal and is beautifully produced.
—School Library Journal

About

Are you a word person? A curiosity seeker? An explorer? Take a look at these twenty-six extraordinary individuals for whom love of language is an extreme sport.

Step right up and read the genuine stories of writers so intoxicated by the shapes and sound of language that they collected, dissected, and constructed verbal wonders of the most extraordinary kind. Jean-Dominique Bauby wrote his memoirs by blinking his left eyelid, unable to move the rest of his body. Frederic Cassidy was obsessed with the language of place, and after posing hundreds of questions to folks all over the United States, amassed (among other things) 176 words for dust bunnies. Georges Perec wrote a novel without using the letter e (so well that at least one reviewer didn’t notice its absence), then followed with a novella in which e was the only vowel. A love letter to all those who love words, language, writing, writers, and stories, Alphamaniacs is a stunningly illustrated collection of mini-biographies about the most daring and peculiar of writers and their audacious, courageous, temerarious way with words.

Creators

Paul Fleischman is the author of many books for children, including the Newbery Medal–winning Joyful Noise: Poems for Two Voices. With Candlewick Press, he is the author of Weslandia, The Dunderheads, The Matchbox Diary, and Eyes Wide Open. He lives in Monterey, California.

Melissa Sweet has illustrated nearly one hundred books for children, including the Caldecott Honor books The Right Word: Roget and His Thesaurus and A River of Words: The Story of William Carlos Williams. With Candlewick, she is the illustrator of Baabwaa and Wooliam and Firefly July: A Year of Very Short Poems. Melissa Sweet lives in Rockport, Maine.

Excerpt

Take a seat, remove your hats, and discard as well your fear of the outrageous, the brain-baffling, the bizarre. Prepare to behold a pageant without equal. Perhaps you’ve seen fire-eaters and contortionists. But who among you has looked upon a lipogram? A mondegreen? Zaum?
For most of us, a tree is a tree. But some — the imaginers, the tinkerers — turn trees into canoes and their leaves into sails. Those you’re about to meet are of this ilk. Their voyages? Extraordinary. Their persistence? Superhuman. The realm they explored? Not the physical one, but the airy land of letters.
You and I may barely notice the words flitting around us. But these men and women? Intoxicated by their shapes and sounds! Seeing music and mathematics where we see simply information! Collecting, dissecting, constructing verbal wonders as colossal and rarely glimpsed as the overgrown pyramids of the Mayans! Each of their tales is more astounding than the last. And every one of them true!
We take pride in our progress from caves to condominiums, but is that the whole story of humanity? If so, how to explain our elaborate pursuits that don’t improve the roofs over our heads or add a cent to our bank accounts? Could it be that we live not on bread alone but also on curiosity, challenge, beauty, and play?
Ponder the figures I’ll now introduce. Let the parade begin!

Photos

additional book photo
additional book photo
additional book photo
additional book photo
additional book photo

Praise

The ebullient charms both of Fleischman's breezy accounts and of the work of those profiled are considerable...for anyone who enjoys words, or books themselves, there's much to love here in the catalog of serious and silly ways in which language and letters have been deployed, reworked, analyzed, and improved on. The backmatter includes source notes and a list of resources for "Further Entertainment." Marvelously diverting.
—Kirkus Reviews (starred review)

Thoughtful design elements extend into the back matter, where stylish alphabet blocks set off sources and bibliographic notes. Roaming today’s school hallways are tomorrow’s philologists, and the Alphamaniacs may be just the Dream Team to inspire them.
—Bulletin of the Center for Children's Books (starred review)

Each individual is given a brief chapter recounting their word-related exploits, interleaved with colorful, collaged illustrations by Sweet that look like stray pages from an artist’s overstuffed sketchbook, incorporating relevant quotes and amplifying Fleischman’s themes of abundance and possibility. A unique amalgam, one that will charm many.
—Publishers Weekly

The stories...are told in a playful, conversational style, supplemented by Sweet’s gorgeous mixed- media illustrations that, along with an attractive layout and high-quality paper, result in a beautiful object of a book...an alluring gift for dedicated word nerds.
—Booklist

It’s a quirky little gift to word lovers...The book is colorful and lavish with drawings, paintings, and prints. The wit and joy that went into the creation of this title is evident.
—School Library Connection

In an age driven by images, this book is an anomaly. Its audience is language lovers. Even though Fleischman’s gushing writing style gets in the way of his own love for the subject, the book has unusual appeal and is beautifully produced.
—School Library Journal
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