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Robert B. Parker's Buckskin

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On sale Apr 07, 2020 | 432 Pages | 9780735218291
Lawmen Virgil Cole and Everett Hitch must prevent all-out war between rival factions in the latest adventure in the New York Times-bestselling series.

When gold is discovered in the foothills just outside of Appaloosa, it sets off a fight between two shrewd local business operations as their hired gun hands square off over the claim. First a young miner disappears, then another. And then one of the businessmen himself is killed, right on his front doorstep.

Meanwhile, as Cole and Hitch try to put a stop to the escalating violence, another killer is making his way toward town in pursuit of a long-lost dream, and a mission of vengeance. Cole and Hitch will have their work cut out for them to keep the peace, especially when all these ruffians converge at the huge Appaloosa Days festival, where hundreds of innocent souls might get caught in the crossfire . . .
© Corby Griesenbeck

Robert B. Parker was the author of seventy books, including the legendary Spenser detective series, the novels featuring Police Chief Jesse Stone, and the acclaimed Virgil Cole and Everett Hitch westerns, as well as the Sunny Randall novels. Winner of the Mystery Writers of America Grand Master Award and long considered the undisputed dean of American crime fiction, he died in January 2010. 
 
Robert Knott is an actor, writer, and producer, as well as the author of the New York Times bestsellers Robert B. Parker’s The Bridge, Robert B. Parker’s Bull River, and Robert B. Parker’s Ironhorse. His extensive list of stage, television, and film credits include the feature film Appaloosa, based on the Robert B. Parker novel, which he adapted and produced with actor and producer Ed Harris.

View titles by Robert Knott
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1

 

An all-day celebration had been taking place. The sounds of music, dancing, people talking and laughing echoed inside the jailhouse. The blue-eyed kid with a busted lip and bruised face sat on his cell bunk sharpening a spoon handle to a point. He wore a huge sombrero and a short-waisted Mexican jacket. He favored the Mexican culture over the American way of living, but he was no Mexican.

 

Ever since he was on his own, he'd spent most of his time drifting from town to town along the border. He preferred the Mexican people. Especially the se–oritas, and the se–oritas took a liking to him as well. He was fond of the Mexicans' food and Mexicans' drinks, too-mescal was his favorite. And he spoke the Spanish language well, or well enough to get what he wanted.

 

When he was in one place long enough and feeling generous, he would wire or write a letter to the old man. The old man was the only person the kid had any tether to on the earth. The kid was never sure how he ended up with the old man, who the old man even was, or where he came from. The kid had a vague memory of moving from one family to another as a child. Until one day, when the kid could put on his own breeches, an old man came and took him away. The old man took him to the mountains and put him to work.

 

The whistling sound of fireworks interrupted the waltz that played in the plaza. The kid sprang up and stood atop his bunk. He could see through the bars of the cell window the tail end of the skyward firework, then it exploded and brightened the night sky.

 

"Hot damn," he said. "Hot damn."

 

Another one launched and exploded.

 

"Damn. I was sure looking forward to this here celebration. I sure was."

 

"I told you to shut up before I come in there and shut you up for good," the jailer said. "Shut your mouth."

 

The kid laughed.

 

"Like to see you try. Like to see you try. I no more than get to town here yesterday, and what happens? You lock me up and for no reason. No reason at all. Two big'ens like you and your soldier-blue buddy slapping me around. You should be ashamed. 'Sides, I was leaving tomorrow. I got to be someplace soon. I told you that. Didn't I? I have someplace to be, ya see?"

 

More fireworks lit up the sky, one after another after another. A large pinwheel was lit, spewing sparks that cast a bright glow on the kid's boyish face. He beamed like a child, watching in awe.

 

"You oughta see this. Boy, oh, boy."

 

He watched, wishing he was part of the fireworks and festivities taking place on the town's plaza. The band ended the slow waltz and started up with a lively tune that brought hoots and hollers from the crowd.

 

"I should be out there among 'em. Not in here, out there. How about letting me out? I should be out there."

 

"I told you to shut your mouth."

 

"I should."

 

He watched for a minute, then said, "Lands alive, food smells good out there. Don't it? I'm hungry as a bear. If you won't let me out, why don't you go out? You should go out, dance and have some fun. Get something to eat and bring me back something, too. No reason to sit in here with lil' ol' me. Hell, what am I gonna do? Nothing. That is damn sure plain to see. Nothing."

 

The jailer was fuming but didn't glance up from the newspaper he was reading as the kid continued.

 

"You know as well as me that it doesn't make good sense, me being in here and all. Hell, I was doing nothing. I was minding my own business yesterday. I was passing through. I'm heading up north. I got business up north. Important business."

 

The jailer continued to ignore the kid, who'd been talking nonstop since he got locked up.

 

"I could have danced right off, ya know. I should have, but I didn't. Know why?"

 

The jailer spoke without looking up from the newspaper.

 

"'Cause you was riding the dead man's horse?"

 

"I won that horse fair and square. Wasn't my fault that drunk put his pony on the table 'cause he had no money."

 

The jailer lowered his newspaper. Then tipped back in his chair so he could see the kid eye to eye, but said nothing as he stared at him.

 

"I won that pony, even got a bill of sale."

 

He pulled a piece of paper from his pocket, jumped down from the bunk, and moved to the bars. He held out the paper, waving it at the jailer.

 

"Take a look-see, why don't you? I tried to show you and that other brass-buttoned bastard this, but you wouldn't look at it. I didn't do nothing wrong. Nothing at all. Here, take a look. I didn't have nothing to do with shooting that fella. Got this telegram, too." He removed a telegram from his pocket. "Requesting I come as soon as possible."

 

"Shut up, kid."

 

"I didn't. I was nowhere near that cantina where he got shot. I mean, yeah, I had been there earlier, like I said, when I won the pony, but was nowhere near there when it happened."

 

"Save that crap for the judge."

 

"You don't know nothing . . . You're a dumb shit is all."

 

"What'd you say, boy?"

 

"You heard me."

 

"Don't you push me, boy. I've had enough of your yapping."

 

"Or what? What you gonna do?"

 

The jailer stared at the kid. And the kid could tell he was getting to him.

 

The kid smiled.

 

"You're just one of those dumb-shit soldier boys. One of those that follow orders 'cause you can't think for yourself. I should have just danced, just danced right off."

 

"Keep it up and I will come in there and dance your ass around till you quit breathing, save the court money."

 

"Fuck you, dumb shit."

 

The jailer slammed down his newspaper. He lifted out of his chair, snatched the keys from the desk, and marched to the cell.

 

The kid moved away from the bars as the jailer fumbled with the keys, trying to unlock the cell.

 

"No need to get all worked up," the kid said.

 

The kid was small, not tall at all and one hundred thirty pounds soaking wet. He backed away as the cell door opened and the burly jailer charged him. He slapped the kid so hard blood flew from the kid's mouth and splattered on the wall. He hit him a second time, sending another stream of blood flying in the opposite direction. The next strike came from the kid. It was swift and to the jailer's throat, and it was the sharp spoon handle that burrowed into the man's neck. The jailer felt his neck where blood was flowing. He reached for the kid, but the kid was swift and moved out of his grasp. Then the kid kicked the jailer hard in the groin and stabbed him again, another blow to the jailer's neck. The jailer stumbled, hurt and bleeding. He dropped on the bunk and the kid stabbed him again and again. Then the kid held up the stabbing tool. He showed the spoon knife to the jailer. The jailer was now weak, and blood flowed from the many wounds to his neck.

 

"This here spoon was from that lousy plum pudding your asshole buddy gave me yesterday. That was all I had to eat. You realize that?"

 

The jailer stared at the kid and blood poured out of his neck and bloomed out across the front of his shirt.

 

"You dumb fuck," the kid said. "You and him didn't have smarts enough to make sure you got the pudding spoon back, did you? I was up all night working on this. While you and that Yankee friend of yours were playing checkers with each other like little children. Telling each other lie after lie. About how you did this or how he did that, I was working on this. I told you I had business to attend to, didn't I? Didn't I? Now look at you. All you had to do was go out like I said and have some fun, bring me something to eat, and this might not have happened. But it's happened now, ain't it? Ain't it?"

 

2

 

Two coyotes stood on the road, staring at us as we approached. They were bleached white by long days of harsh sun. It'd been hot and bone-dry all summer. And like most critters enduring the continuing drought, the coyotes were suffering. They were skinny, parched, and hungry-looking. When we got closer, they moved off the road and into the short brush. The smaller of the two stopped and stared at us as we passed.

 

Virgil and I were riding out of Appaloosa to pay one of two competing mining camps a visit. There'd been ongoing friction between the two outfits. Ever since the first day they found gold in the jagged hills north of town, there'd been nothing but trouble.

 

Half of the gold discovery was on land owned by a consortium: a group of Appaloosa businessmen known as the Baptiste Group. The other half belonged to two Irishmen, ranchers, the McCormick brothers.

 

The McCormicks purchased the land from the Baptiste Group a year prior to the discovery. The transaction turned out to be a misstep that prompted Henri Baptiste to regret the sale. So much so, he hired gun hands to intimidate the Irishmen. But the move only made the McCormicks hire their own gunmen in case tough talk turned to triggers pulled.

 

The two groups had camps on opposite sides of the discovery, but they had to share the same road coming or going. Virgil and I had not encountered any of these men. We'd heard about them and about reports of skirmishes on the road, but that was it, only reports. We figured it'd be a matter of time before we had the pleasure of making their acquaintance.

 

And sure enough, now, on this sweltering day in mid-August, Virgil and I were riding out to get our introduction.

 

Two days previously we moved some convicted felons down to Yuma. When we returned and stepped off the train in Appaloosa, Deputy Book was waiting there to meet us. He let us know one of McCormick's men had been missing for three days. Book informed us that the missing man was not one of the hired gunmen but rather one of the miners.

 

The McCormicks, of course, suspected the Baptiste outfit and threatened retaliation.

 

Virgil and I had paid a visit earlier to Baptiste's office and the hotel where he resided in Appaloosa, but we did not locate him. Nor did we find any of his business partners, so we took the short ride out to the mines to see what we could find out.

 

When we arrived at the Baptiste location, the foreman, Frank Maxie, walked out of the office to greet us as we neared. He was a grizzled old-timer Virgil and I had known for years. Frank was a retired man of means who knew the gold-mining trade likely better than anyone in Appaloosa.

 

Before taking a position with the Baptiste Group, he'd made a considerable amount of money. He'd worked for decades operating his own strike in Laverne that played out a few years ago.

 

He stepped off the porch and shook his head as we came to a stop.

 

"Well, well, well, if it's not Virgil Cole and Everett Hitch. I'd ask you what I did to deserve the pleasure of being visited by you marshals of this here territory, but I won't, because I know why you are here."

 

"You do?" Virgil said.

 

"Not dumb," Frank said, squinting up at Virgil.

 

"No?" Virgil said.

 

Frank smiled.

 

"Henri Baptiste here?" I said.

 

"No, too dusty out here for Henri . . . Now and again he comes, but not much."

 

"Know where he is?" Virgil said.

 

He shook his head.

 

"No. I'd offer you some coffee if it weren't hotter than a well digger's ass."

 

"So, what can you tell us?" I said.

 

"Come down, let's go inside."

 

When we entered the office Frank moved around a small table covered with maps and papers. He poured Virgil and me a glass of water. We sat across from him as he dropped his big frame into a swivel chair.

 

"I come up here to show these nincompoops how the cow ate the cabbage," he said. "I know my veins."

 

"And?" Virgil said.

 

"And that's it. That is the extent of my business here. I don't know a damn thing about what happened."

 

"What did happen?" Virgil said.

 

Frank took off his hat and dropped it on the table. He leaned toward the rear wall in his chair then put his big hands on top of his bald head. He grinned as he looked back and forth between Virgil and me.

 

"Look, I told him, the Frenchman, not to hire no gun hands. I told him. I'm not saying they had anything to do with the McCormicks missing a hand. But I warned Baptiste and them other dumbasses working with him to not go and get greedy."

 

"Meaning?" I said.

 

"Meaning, let the McCormicks work their side and we work ours. I don't have to tell you boys gold makes people crazy. It just does. Like giving an Apache corn liquor, they can't handle it, can't handle the rush. Don't forget I started on the big one, in California back in the day, and I know what gold does to a man's soul. It eats it up."

 

"How did you know about the McCormick hand that was missing?"

 

"I heard about it from one of my miners. He said he was drinking beer at the Rabbit Inn and he heard about it from some of the other fellas. Shit happens, people talk."

 

"What do you know about these men Baptiste hired?" I said.

 

"Very damn little."

 

"What little do you know?"

 

"They don't come around here, really."

 

"But they've been here," Virgil said. "You've met them?"

 

"Met? No. Been here? Yes. They come and go."

 

"More than once," I said.

 

"Yes, more than once. They make themselves known, then go."

 

"How many are there?"

 

"For sure there are seven of them. As far as I know . . . Just talk to Henri Baptiste. He'll tell you . . . Well, maybe."

 

"Oh, we will," Virgil said.

 

"Like I said. I told Baptiste and the others to leave well enough alone. But that's gold for ya."

 

"Know where these seven gun hires live?" Virgil said.

"Knott ups his game with every entry he contributes to the Cole-Hitch series. The dialogue is sharper, the plotting more complex, and Knott is mastering Parker’s spare style. Very entertaining reading for western fans."—Booklist

About

Lawmen Virgil Cole and Everett Hitch must prevent all-out war between rival factions in the latest adventure in the New York Times-bestselling series.

When gold is discovered in the foothills just outside of Appaloosa, it sets off a fight between two shrewd local business operations as their hired gun hands square off over the claim. First a young miner disappears, then another. And then one of the businessmen himself is killed, right on his front doorstep.

Meanwhile, as Cole and Hitch try to put a stop to the escalating violence, another killer is making his way toward town in pursuit of a long-lost dream, and a mission of vengeance. Cole and Hitch will have their work cut out for them to keep the peace, especially when all these ruffians converge at the huge Appaloosa Days festival, where hundreds of innocent souls might get caught in the crossfire . . .

Creators

© Corby Griesenbeck

Robert B. Parker was the author of seventy books, including the legendary Spenser detective series, the novels featuring Police Chief Jesse Stone, and the acclaimed Virgil Cole and Everett Hitch westerns, as well as the Sunny Randall novels. Winner of the Mystery Writers of America Grand Master Award and long considered the undisputed dean of American crime fiction, he died in January 2010. 
 
Robert Knott is an actor, writer, and producer, as well as the author of the New York Times bestsellers Robert B. Parker’s The Bridge, Robert B. Parker’s Bull River, and Robert B. Parker’s Ironhorse. His extensive list of stage, television, and film credits include the feature film Appaloosa, based on the Robert B. Parker novel, which he adapted and produced with actor and producer Ed Harris.

View titles by Robert Knott

Excerpt

1

 

An all-day celebration had been taking place. The sounds of music, dancing, people talking and laughing echoed inside the jailhouse. The blue-eyed kid with a busted lip and bruised face sat on his cell bunk sharpening a spoon handle to a point. He wore a huge sombrero and a short-waisted Mexican jacket. He favored the Mexican culture over the American way of living, but he was no Mexican.

 

Ever since he was on his own, he'd spent most of his time drifting from town to town along the border. He preferred the Mexican people. Especially the se–oritas, and the se–oritas took a liking to him as well. He was fond of the Mexicans' food and Mexicans' drinks, too-mescal was his favorite. And he spoke the Spanish language well, or well enough to get what he wanted.

 

When he was in one place long enough and feeling generous, he would wire or write a letter to the old man. The old man was the only person the kid had any tether to on the earth. The kid was never sure how he ended up with the old man, who the old man even was, or where he came from. The kid had a vague memory of moving from one family to another as a child. Until one day, when the kid could put on his own breeches, an old man came and took him away. The old man took him to the mountains and put him to work.

 

The whistling sound of fireworks interrupted the waltz that played in the plaza. The kid sprang up and stood atop his bunk. He could see through the bars of the cell window the tail end of the skyward firework, then it exploded and brightened the night sky.

 

"Hot damn," he said. "Hot damn."

 

Another one launched and exploded.

 

"Damn. I was sure looking forward to this here celebration. I sure was."

 

"I told you to shut up before I come in there and shut you up for good," the jailer said. "Shut your mouth."

 

The kid laughed.

 

"Like to see you try. Like to see you try. I no more than get to town here yesterday, and what happens? You lock me up and for no reason. No reason at all. Two big'ens like you and your soldier-blue buddy slapping me around. You should be ashamed. 'Sides, I was leaving tomorrow. I got to be someplace soon. I told you that. Didn't I? I have someplace to be, ya see?"

 

More fireworks lit up the sky, one after another after another. A large pinwheel was lit, spewing sparks that cast a bright glow on the kid's boyish face. He beamed like a child, watching in awe.

 

"You oughta see this. Boy, oh, boy."

 

He watched, wishing he was part of the fireworks and festivities taking place on the town's plaza. The band ended the slow waltz and started up with a lively tune that brought hoots and hollers from the crowd.

 

"I should be out there among 'em. Not in here, out there. How about letting me out? I should be out there."

 

"I told you to shut your mouth."

 

"I should."

 

He watched for a minute, then said, "Lands alive, food smells good out there. Don't it? I'm hungry as a bear. If you won't let me out, why don't you go out? You should go out, dance and have some fun. Get something to eat and bring me back something, too. No reason to sit in here with lil' ol' me. Hell, what am I gonna do? Nothing. That is damn sure plain to see. Nothing."

 

The jailer was fuming but didn't glance up from the newspaper he was reading as the kid continued.

 

"You know as well as me that it doesn't make good sense, me being in here and all. Hell, I was doing nothing. I was minding my own business yesterday. I was passing through. I'm heading up north. I got business up north. Important business."

 

The jailer continued to ignore the kid, who'd been talking nonstop since he got locked up.

 

"I could have danced right off, ya know. I should have, but I didn't. Know why?"

 

The jailer spoke without looking up from the newspaper.

 

"'Cause you was riding the dead man's horse?"

 

"I won that horse fair and square. Wasn't my fault that drunk put his pony on the table 'cause he had no money."

 

The jailer lowered his newspaper. Then tipped back in his chair so he could see the kid eye to eye, but said nothing as he stared at him.

 

"I won that pony, even got a bill of sale."

 

He pulled a piece of paper from his pocket, jumped down from the bunk, and moved to the bars. He held out the paper, waving it at the jailer.

 

"Take a look-see, why don't you? I tried to show you and that other brass-buttoned bastard this, but you wouldn't look at it. I didn't do nothing wrong. Nothing at all. Here, take a look. I didn't have nothing to do with shooting that fella. Got this telegram, too." He removed a telegram from his pocket. "Requesting I come as soon as possible."

 

"Shut up, kid."

 

"I didn't. I was nowhere near that cantina where he got shot. I mean, yeah, I had been there earlier, like I said, when I won the pony, but was nowhere near there when it happened."

 

"Save that crap for the judge."

 

"You don't know nothing . . . You're a dumb shit is all."

 

"What'd you say, boy?"

 

"You heard me."

 

"Don't you push me, boy. I've had enough of your yapping."

 

"Or what? What you gonna do?"

 

The jailer stared at the kid. And the kid could tell he was getting to him.

 

The kid smiled.

 

"You're just one of those dumb-shit soldier boys. One of those that follow orders 'cause you can't think for yourself. I should have just danced, just danced right off."

 

"Keep it up and I will come in there and dance your ass around till you quit breathing, save the court money."

 

"Fuck you, dumb shit."

 

The jailer slammed down his newspaper. He lifted out of his chair, snatched the keys from the desk, and marched to the cell.

 

The kid moved away from the bars as the jailer fumbled with the keys, trying to unlock the cell.

 

"No need to get all worked up," the kid said.

 

The kid was small, not tall at all and one hundred thirty pounds soaking wet. He backed away as the cell door opened and the burly jailer charged him. He slapped the kid so hard blood flew from the kid's mouth and splattered on the wall. He hit him a second time, sending another stream of blood flying in the opposite direction. The next strike came from the kid. It was swift and to the jailer's throat, and it was the sharp spoon handle that burrowed into the man's neck. The jailer felt his neck where blood was flowing. He reached for the kid, but the kid was swift and moved out of his grasp. Then the kid kicked the jailer hard in the groin and stabbed him again, another blow to the jailer's neck. The jailer stumbled, hurt and bleeding. He dropped on the bunk and the kid stabbed him again and again. Then the kid held up the stabbing tool. He showed the spoon knife to the jailer. The jailer was now weak, and blood flowed from the many wounds to his neck.

 

"This here spoon was from that lousy plum pudding your asshole buddy gave me yesterday. That was all I had to eat. You realize that?"

 

The jailer stared at the kid and blood poured out of his neck and bloomed out across the front of his shirt.

 

"You dumb fuck," the kid said. "You and him didn't have smarts enough to make sure you got the pudding spoon back, did you? I was up all night working on this. While you and that Yankee friend of yours were playing checkers with each other like little children. Telling each other lie after lie. About how you did this or how he did that, I was working on this. I told you I had business to attend to, didn't I? Didn't I? Now look at you. All you had to do was go out like I said and have some fun, bring me something to eat, and this might not have happened. But it's happened now, ain't it? Ain't it?"

 

2

 

Two coyotes stood on the road, staring at us as we approached. They were bleached white by long days of harsh sun. It'd been hot and bone-dry all summer. And like most critters enduring the continuing drought, the coyotes were suffering. They were skinny, parched, and hungry-looking. When we got closer, they moved off the road and into the short brush. The smaller of the two stopped and stared at us as we passed.

 

Virgil and I were riding out of Appaloosa to pay one of two competing mining camps a visit. There'd been ongoing friction between the two outfits. Ever since the first day they found gold in the jagged hills north of town, there'd been nothing but trouble.

 

Half of the gold discovery was on land owned by a consortium: a group of Appaloosa businessmen known as the Baptiste Group. The other half belonged to two Irishmen, ranchers, the McCormick brothers.

 

The McCormicks purchased the land from the Baptiste Group a year prior to the discovery. The transaction turned out to be a misstep that prompted Henri Baptiste to regret the sale. So much so, he hired gun hands to intimidate the Irishmen. But the move only made the McCormicks hire their own gunmen in case tough talk turned to triggers pulled.

 

The two groups had camps on opposite sides of the discovery, but they had to share the same road coming or going. Virgil and I had not encountered any of these men. We'd heard about them and about reports of skirmishes on the road, but that was it, only reports. We figured it'd be a matter of time before we had the pleasure of making their acquaintance.

 

And sure enough, now, on this sweltering day in mid-August, Virgil and I were riding out to get our introduction.

 

Two days previously we moved some convicted felons down to Yuma. When we returned and stepped off the train in Appaloosa, Deputy Book was waiting there to meet us. He let us know one of McCormick's men had been missing for three days. Book informed us that the missing man was not one of the hired gunmen but rather one of the miners.

 

The McCormicks, of course, suspected the Baptiste outfit and threatened retaliation.

 

Virgil and I had paid a visit earlier to Baptiste's office and the hotel where he resided in Appaloosa, but we did not locate him. Nor did we find any of his business partners, so we took the short ride out to the mines to see what we could find out.

 

When we arrived at the Baptiste location, the foreman, Frank Maxie, walked out of the office to greet us as we neared. He was a grizzled old-timer Virgil and I had known for years. Frank was a retired man of means who knew the gold-mining trade likely better than anyone in Appaloosa.

 

Before taking a position with the Baptiste Group, he'd made a considerable amount of money. He'd worked for decades operating his own strike in Laverne that played out a few years ago.

 

He stepped off the porch and shook his head as we came to a stop.

 

"Well, well, well, if it's not Virgil Cole and Everett Hitch. I'd ask you what I did to deserve the pleasure of being visited by you marshals of this here territory, but I won't, because I know why you are here."

 

"You do?" Virgil said.

 

"Not dumb," Frank said, squinting up at Virgil.

 

"No?" Virgil said.

 

Frank smiled.

 

"Henri Baptiste here?" I said.

 

"No, too dusty out here for Henri . . . Now and again he comes, but not much."

 

"Know where he is?" Virgil said.

 

He shook his head.

 

"No. I'd offer you some coffee if it weren't hotter than a well digger's ass."

 

"So, what can you tell us?" I said.

 

"Come down, let's go inside."

 

When we entered the office Frank moved around a small table covered with maps and papers. He poured Virgil and me a glass of water. We sat across from him as he dropped his big frame into a swivel chair.

 

"I come up here to show these nincompoops how the cow ate the cabbage," he said. "I know my veins."

 

"And?" Virgil said.

 

"And that's it. That is the extent of my business here. I don't know a damn thing about what happened."

 

"What did happen?" Virgil said.

 

Frank took off his hat and dropped it on the table. He leaned toward the rear wall in his chair then put his big hands on top of his bald head. He grinned as he looked back and forth between Virgil and me.

 

"Look, I told him, the Frenchman, not to hire no gun hands. I told him. I'm not saying they had anything to do with the McCormicks missing a hand. But I warned Baptiste and them other dumbasses working with him to not go and get greedy."

 

"Meaning?" I said.

 

"Meaning, let the McCormicks work their side and we work ours. I don't have to tell you boys gold makes people crazy. It just does. Like giving an Apache corn liquor, they can't handle it, can't handle the rush. Don't forget I started on the big one, in California back in the day, and I know what gold does to a man's soul. It eats it up."

 

"How did you know about the McCormick hand that was missing?"

 

"I heard about it from one of my miners. He said he was drinking beer at the Rabbit Inn and he heard about it from some of the other fellas. Shit happens, people talk."

 

"What do you know about these men Baptiste hired?" I said.

 

"Very damn little."

 

"What little do you know?"

 

"They don't come around here, really."

 

"But they've been here," Virgil said. "You've met them?"

 

"Met? No. Been here? Yes. They come and go."

 

"More than once," I said.

 

"Yes, more than once. They make themselves known, then go."

 

"How many are there?"

 

"For sure there are seven of them. As far as I know . . . Just talk to Henri Baptiste. He'll tell you . . . Well, maybe."

 

"Oh, we will," Virgil said.

 

"Like I said. I told Baptiste and the others to leave well enough alone. But that's gold for ya."

 

"Know where these seven gun hires live?" Virgil said.

Praise

"Knott ups his game with every entry he contributes to the Cole-Hitch series. The dialogue is sharper, the plotting more complex, and Knott is mastering Parker’s spare style. Very entertaining reading for western fans."—Booklist
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