Eleven short masterworks from this great American writer of catastrophe fiction, in which lives are upended as much by broken hearts as by collapsing dams, vainglorious wars, gargantuan wildfires, and shipwrecks
"Built on twin foundations of nostalgia for the never-was, and of that millennial American optimism that is indistinguishable from despair." —Michael Chabon on Jim Shepard's short stories
"A deft, audacious artist." —Norman Rush, Pulitzer Prize-winning author of Whites
Across centuries and wildly diverse locations, Shepard holds us in his grip. We witness the devastating 1935 Labor Day hurricane in Florida from multiple points of view, read the 1864 letters between Lucy in Boone, NC (“Three privates are currently sleeping soundly on our porch in their muddy blankets”) and her great love William, on the march in Tennessee (“I can’t write much for it seems we are looking for a fight every minute”), and in the title story, meet the stubborn Constance, who had “no gift for flirtation” with men, preferring Minna, her best friend and “queen of bad influences” as their devotion unfolds in part on the doomed liner Lusitania.
With irony, compassion, and withering humor, these stories evoke the terrible ease with which catastrophe, human-engineered or otherwise, can sweep away all we find most precious and expose those limitations we’ve refused to address. At the same time, Shepard raises up what is best in us: the love and friendships that sustain, and the consolations and sacrifices we provide one another on a beleaguered planet.
JIM SHEPARD is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You'd Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper's Magazine, McSweeney's, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches at Williams College.
View titles by Jim Shepard
Eleven short masterworks from this great American writer of catastrophe fiction, in which lives are upended as much by broken hearts as by collapsing dams, vainglorious wars, gargantuan wildfires, and shipwrecks
"Built on twin foundations of nostalgia for the never-was, and of that millennial American optimism that is indistinguishable from despair." —Michael Chabon on Jim Shepard's short stories
"A deft, audacious artist." —Norman Rush, Pulitzer Prize-winning author of Whites
Across centuries and wildly diverse locations, Shepard holds us in his grip. We witness the devastating 1935 Labor Day hurricane in Florida from multiple points of view, read the 1864 letters between Lucy in Boone, NC (“Three privates are currently sleeping soundly on our porch in their muddy blankets”) and her great love William, on the march in Tennessee (“I can’t write much for it seems we are looking for a fight every minute”), and in the title story, meet the stubborn Constance, who had “no gift for flirtation” with men, preferring Minna, her best friend and “queen of bad influences” as their devotion unfolds in part on the doomed liner Lusitania.
With irony, compassion, and withering humor, these stories evoke the terrible ease with which catastrophe, human-engineered or otherwise, can sweep away all we find most precious and expose those limitations we’ve refused to address. At the same time, Shepard raises up what is best in us: the love and friendships that sustain, and the consolations and sacrifices we provide one another on a beleaguered planet.
JIM SHEPARD is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You'd Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper's Magazine, McSweeney's, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches at Williams College.
View titles by Jim Shepard
