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The Very Heart of It

New York Diaries, 1983-1994

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6.4"W x 9.54"H x 1.52"D   | 28 oz | 12 per carton
On sale Jun 03, 2025 | 592 Pages | 9780593801802

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A NEW YORKER BEST BOOK OF THE YEAR • ONE OF NPR’S “BOOKS WE LOVE” • From the renowned novelist and critic, an exquisite collection of journal entries from the 1980s and ’90s, tracking a young, gay author’s literary coming-of-age in New York during the AIDS crisis

In 1983, Thomas Mallon was still unknown. A literature professor at Vassar College, he spent his days traveling from Manhattan to campus, reviewing books to make ends meet and searching the city for his own purpose and fulfillment. The AIDS epidemic was beginning to surge in New York City, the ever-bustling epicenter of literary culture and gay life, alive with parties, art, and sex.

Though he didn’t know it, everything would soon change for Mallon. Riding the success of his debut, A Book of One’s Own, he became a fixture within the city’s literary scene, crossing paths with cultural giants and becoming an editor at GQ. He captured it all in his daily journals. But in some ways it was the worst possible time for a gay coming-of-age in the city. One of his lovers succumbed to AIDS, and the illness of others was both a heartbreaking reality and a constant reminder of his own exposure.

Tracing his own life day by day, Mallon evokes all that those years encompassed: the hookups, intensifying politics, personal tragedies, as well as his own blossoming success and eventual romantic happiness. The Very Heart of It is a brilliant and bewitching look into the daily life of one of our most important literary figures, and a keepsake from a bygone era.
© William Bodenschatz
THOMAS MALLON is the author of twelve novels, including Henry and Clara, Dewey Defeats Truman, Fellow Travelers, Watergate, Landfall, and Up With the Sun. He is a frequent contributor to The New Yorker, The New York Times Book Review, and other publications. In  2011 he received the American Academy of Arts and Letters' Harold D. Vursell Memorial Award for prose style. He has been the literary editor of GQ and the deputy chairman of the National Endowment for the Humanities. He lives in Washington, D.C.



thomasmallon.com View titles by Thomas Mallon
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1983

October 7: Sometime around 6:00 this morning there was an earthquake. I slept through it. You were supposed to be able to feel it from Canada to (yes) Baltimore. Well, Tommy, my rumble [in Poughkeepsie] is your rumble; at [least] we’re tremored together. But a phone call would be too much. Rachel came into my office in the morning (while I was reading more of the Donaldson biography [of F. Scott Fitzgerald]). She tells me that another part of Tom’s conversation last Sunday involved his horror of AIDS. I thought this might have abated by now, but it hasn’t. So he will be hiding in his house. In an awful perverse way does this make me think: ok, at least he isn’t with anyone else? Maybe he’ll come back to me?

. . .

A nice breezy Friday night. Fall is here. It seemed criminal, walking around in the twilight, not to have someone to share it with. O mysterious reader, if 3 months from tonight I am not gone from this town, read no more. There would be no point to it. For nothing will happen between that page and the grave.

October 9: The October 10 issue of New York magazine reports that the vacancy rate below 96th St. is less than 1% and that the whole housing situation is likely to get even worse. I will not let this deter me. I am getting out of this place over Christmas.

October 11: I taught Heaney in the morning; they really don’t know Northern Ireland from northern New Jersey, but they were attentive enough. (They all showed up, all 19, but since that effort is sufficiently heroic some of them reserved the right to shamble in 10 minutes late.)

October 12: Drinks at Ann’s . . . My plans to move to New York came up—and Barbara responded with stony silence. Suspected disloyalty to the old plantation?

October 13: Matthew Bruccoli—the Fitzgerald biographical industry—lectured to a sparse crowd in Rocky 300 at 7:00 . . . He says the real tools of the biographer are jet planes and widows and Xerox machines. If it ain’t published, it ain’t scholarship, he said—responding to charges that he bursts into print too often.

October 17: The October break—which lasts until Wednesday—has begun. The students go off to places like California & London; the faculty may get as far as Vermont. How lonely I feel this time. The sense of emptiness in this apartment is fairly splitting me in two—as if that’s the only way to get somebody else into it. Me and me.

October 17: There was an ad on Friday & Sat. in the NYT for a place on E. 43rd St. (151, #4A) for the absurdly low price of $508 a month. [Went to] the office on 2nd Ave., between 52nd & 53rd. The broker (a very cute boy named Jamie Niblock, whom I’m thinking of asking out for a drink) said I should get down there right away, since other brokers in the firm would be free to send people down too. “I strongly suggest you take a taxi,” he said.

I raced to the street, found a cab, cursed the traffic and arrived at the place just as 2 girls from Barnard did. An agent brought all 3 of us in together. I took a very fast look. It’s small, but it’s livable—and only a block from Grand Central. (It’s between Lexington & 3rd. You look right coming out of it & you see the station. You look left & you see the U.N.) I knew I had to get back to the broker before the girls did, so putting self-interest ahead of gallantry I raced to the street and got a cab back to 2nd & 53rd. I beat them by about a minute and a half.

And now it’s mine . . . My heart raced. Will I be able to manage it? . . . My instincts keep telling me I will. I’ll review books like crazy on the train to help pay the bills. In fact, one of the first things I did was call Newsday and sign on for two more.

October 18: Number 151 is framed by two small yellow door lights—very inviting & O. Henryish. It’s above a Xerox store & there’s a super named Pat McCormack who lives on the premises. It occurs to me that my generation is desperately trying to pay large sums of money to live in the same apartments their parents fled for the suburbs . . .

October 21: I’ve done one of the stupidest things I’ve ever done. My only consolation is that he’s done one of the stupidest things he’s ever done. That may be the only thing that saves me from reaping the whirlwind.

Barbara gave a great boozy bash to celebrate Dixie’s 40th birthday. Among the many present was [HPS ], who was looking handsome and more than relaxed. He was flying a bit. Well, he was drunk and I was drunk & when we sat on the couch he started pouring out his troubles to me. I made the mistake of listening, and before I knew it we were upstairs & sort of groping one another. It didn’t get very far; I was too drunk to worry about it, and I thought it was over. But it was still very much on his mind. He rode me home & I invited him in for a cup of tea because I could see he was still feeling nervous & agitated. He was talking a mile a minute—his position, his past loves, his lover, etc. It didn’t make much sense, but neither did I. In any case, I wound up turning the water off before it boiled . . . It wasn’t much more than a drunken fumble, but when he left he seemed to be alternating between overwhelming regret & apprehension—& the feeling that this might be the start of something big. How he has been interested in me for years, how he could do this a thousand times, etc. I was already deep into oh-my-God-what-have-I-done thoughts, & wondering if I was going to be sick.

October 22: Ann tells me this will all blow over & that if there’s any impropriety it’s more his than mine. But I somehow keep thinking there’s going to be trouble out of it. At least in my head.

October 24: I’m infinitely relieved. I saw [HPS] at about 5:30 in his office. He was so nervous he appeared stricken by some sorcerer for a moment. But we quickly saw it was going to be fine. We tripped over ourselves to say that we’d both been drunk, that there was nothing to be ashamed of, that we weren’t always like this, and that it would of course be wrong to go on with it. We both seemed to exhale at once. And then we wound up wanting to talk college business—to get away from it.

Until he came back to it in a delicate way. He said—all these things almost as asides—that he had “enjoyed it” (not just that there was nothing to be embarrassed about); that I was sweet; that he found me easy to talk to (not that we were both just drunk). He said that there was a quality of innocence on both sides that he liked about it. He lamented how he had no one to talk to here because of his position, and how he wished he could see someone away from here: as it is, whenever he travels it’s always on some sort of college business. (I’d mentioned the New York apartment to him.)

October 25: [Paul Fussell] is a Californian, but you wouldn’t know it. He looks a lot like Russell Baker and even sounds a little like him. His lecture (about a bogus WW2 diary) was clever & well delivered. (Beth sat next to me & drove me creepy-crazy; she was all set to emote over the discovery of another Anne Frank before P.F. got to the kicker.)

. . . At last I settled down to write my letter to Tom. To make it friendly, almost detached, funny. I have no idea whether he’ll respond to it. Enfeebled as he is, he doesn’t need me. And I still need him. I told him that Byron said friendship was love without wings & that that wasn’t such a bad idea.

But there are still better ones.

October 27: I watched Reagan’s speech on Grenada & Lebanon (he had more to talk about than he had time for). More and more the mission is beginning to look as if it was not such an outrageous idea after all. And then there was Jeane Kirkpatrick’s speech to watch—much tougher & more entertaining than Hill Street Blues.

October 29: I’ve started to pack. Some of the picture frames have four years of dust on top. Specks accumulating through . . . the thousands of papers graded; the nearly two thousand risings and sleepings; all the words thought and written in this same place. I’m ready to go.

November 1: Tommy called. And we talked for an hour. Everything so different, so peculiar, in many ways so fine.

He is better. Several weeks ago things were so bad that he was telling his chairman he wasn’t sure he could finish out the semester. Since then he’s been given a pill—some sort of antidepressant he takes 3 times a day while seeing the shrink. The result: he is looking for jobs, writing his book, waking up in the morning amazed he’s not feeling awful . . . All through the talk I had the strangest feeling that he wants me to be happy—not because he wants to share in my life, but also not because he wants me settled so he can forget about me and I won’t bother him. No, because he feels tender towards me . . . But what comes now? Do I go on being in love with him?

November 2: [A department meeting about developing a more rigorous version of English 105] Bill Gifford sits there looking wounded—as Lynn Bartlett says, he sees his whole life being undone. He wants to keep the touchie-feely version of the course he’s taught for 20 years, the one in which the students talk about how literature relates to their deepest feelings. . . .

November 5: I’m gradually bringing a lot of stuff that I won’t have room for in the apartment over [to my office]. And it makes me wonder if some of the “senior members,” as we always call them, won’t be thinking that he’s making himself at home a bit prematurely.

November 7: . . . Lunch with Barbara and Bob in the Retreat. Charlie Beye will, on the basis of a story Bob tells, forever be known as The Man Who Came to Dinner at the Maces’. It seems he was there last night . . . The predictable unbearability of such a gathering was heightened by Dean’s wispy moans about the decline of standards here and there, and a few choice anti-Semitic remarks just to spice things up. Charlie was so disgusted and disbelieving that when Dean at one point lamented how awful all the young people in the English department are, Charlie turned to him and said, “Well, with an old queen like you in the department they must be pretty miserable.” Dean—who is more than a queen; he’s more like Empress of India—responded in a little whisper: “You’re very sophisticated.”

November 8: The students continue to be crazy about Updike. I told one of them in office hours I was surprised they were so enthusiastic about [Rabbit Redux], and explained to me: “It’s all the sex.” . . . Today was Election Day. Nothing much on the ballot except the transportation bond issue, which, with the self-interest of a new commuter, I voted for.

November 9: The composition class went very well. We did the sonnet, & as I was mentally comparing Walker Gaffney to a summer’s day, the students were catching on nicely.

November 11: I’m writing this sitting on my sleeping bag on the floor of #4A, 151 E. 43rd St. I got here late this afternoon and got the keys next door.

As soon as I put the suitcases on the floor I went out for a walk. The lights were coming on up and down Fifth Ave.

I live here now.

November 12: A boy in a fish store was pouring clams over ice in the window; near it was another fish store—hobby fish. After Poughkeepsie one’s eyes suffer a sort of mercantile overload. One can’t quite believe all of these stores are just outside one’s door. All at once I feel very much at home and very much a rube.

November 13: [Moving my things from Poughkeepsie] What should have been an ordeal turned into an idyll. Oliver [my Irish brother-in-law] arrived with his two Salvadoran helpers (one of them escaped on the floor of a truck and has been here only a month) and we loaded up in about an hour . . . [Once in Manhattan] We double-parked the truck and made dozens of trips up the stairs—and finally got the couch up four flights . . . I don’t think I’ll ever forget the twilit moment when I waved good-bye to them. We were all laughing and our eyes kept darting from the Chrysler Building to Grand Central to “Naciones Unitas!”

And there we were—three different kinds of immigrants, each dreaming the different phases of the same dream. . . .
"Illuminating, heartbreaking, hilarious, romantic, terrifying, thrilling, baffling, joyous—such is life! And such are the diaries of our great writer Thomas Mallon, who has preserved in The Very Heart of It one precious moment in time told in his inestimable style. I found myself reading addictively. A world opens up in these pages. What a book!" —Andrew Sean Greer, Pulitzer Prize–winning author of Less and Less Is Lost

"While reading The Very Heart of It, I tried to discipline myself, but suddenly it was 4 AM. Thomas Mallon’s diaries, focusing on the 1980s through the early 90s, depict that era with heartbreaking accuracy, from the dread of an AIDS test to the glory of living, on cobbled-together funds, in the social and cultural capitol of New York City. His portraits of the rancorous literary scene, political ferment and his hectic love life are witty, original and sinfully entertaining (it’s a rare work that travels from Robert Mapplethorpe to Dan Quayle). Upon reaching the final page all I wanted was more." —Paul Rudnick, author of What is Wrong with You?

"Thomas Mallon’s The Very Heart of It is a big-hearted account of his life from 1983 to 1994, as he was becoming the distinguished American man of letters and man-about-town that he manifestly is now. It’s also a modern-day, Defoe-esque diary of the plague years, when AIDS swept through the country, scything its grim swath through the artist community. It’s fittingly ironic that Mallon, arguably our best living historical novelist, made his first splash with a non-fictional book about famous diarists. With this book, he joins those ranks." —Christopher Buckley, author of Losing Mum and Pup: A Memoir

“‘We’ve all been exposed, we’re all living under the sword.’ Among many forlorn entries, this sentence is one that perhaps best encapsulates The Very Heart of It, Thomas Mallon’s moving epistolary memoir chronicling a coming-of-age during the AIDS crisis. . . . The journals, with both candor and levity, reveal a city at once inhibited by Reagan-era conservatism and emboldened by passionate social justice. Mallon’s diaries are a powerful and palpable historical record, sure to remind many of the injustices faced by so many LGBTQ folk only a few decades ago.” —Nathan Smith, The Observer

“Merging a young gay man’s keenly observed coming of age, a lively tour of a bygone literary New York, and a devastating portrait of the city during the height of the AIDS crisis, the diaries capture the creative energy and lasting sorrow of a remarkable era.” The New Yorker

“[Mallon’s] diaries capture the atmosphere of a city and community reeling from the AIDS crisis amid the material optimism of Reagan-era America. His writing stands out for its honesty and authenticity, offering a vivid, personal chronicle of a transformative era.” —Bethanne Patrick, Los Angeles Times

“Throughout a career spanning seven works of nonfiction and 11 novels . . . Mallon has managed to capture the all of it: the tragic and mundane, the petty and comically absurd lurking in even the weightiest moments of the past. Turns out that all along in his diaries, Mallon was simultaneously doing the same for his own life and times. . . . In addition to being a real-time threnody to AIDS and its victims, as well as a love letter to a New York where the Runyonesque waitress in the local coffee shop will call him "Cookie" and a walk can include sightings of Greta Garbo and Jackie Kennedy, The Very Heart of It is also a portrait of an artist trying to break free of his day job. . . . Mallon is well aware he's one of the lucky ones and his life's great luck is also ours, his readers.” —Maureen Corrigan, on NPR's "Fresh Air"

“[Mallon’s] diaries capture the youthful mood of a certain period in New York City. . . . He’s new in Manhattan, a gay man bending toward neoconservatism, relatively virginal and unsure in this pre-dating-app era how to meet anyone except in sketchy bars. This is early in the AIDS crisis, and confusion and terror are omnipresent. . . . The Very Heart of It functions as a Woody Allen-like ode to New York City. Mallon feels lucky, nearly every day, to be here, what with the Frick, the Carlyle and ‘the Chrysler Building twinkling across the street like the world’s ultimate Christmas tree.’” —Dwight Garner, The New York Times Book Review

“What makes the book sing is the voice: smart, attuned to the specific, delightfully and relentlessly snide. . . . A kind of sketchbook of . . . literary life in New York City during the AIDS crisis, and Condé Nast in its last golden age. Mallon is a keen observer of not just himself but of his contemporaries, stray encounters on the street or in late-night bars, and the political scene.” —Thomas Beller, Air Mail

“While the diaries contained in The Very Heart of It do offer the reader one person’s experience of a great event—i.e., the AIDS crisis—they’re also an account of ambition, love, and work, offering a glimpse of a now mostly vanished literary milieu in New York City. What is fascinating about Mallon’s life as he tells it is the tension it holds. . . . Some entries capture the fleeting moments of everyday life so adeptly that they almost read like poetry. . . . What is unique about Mallon’s diary is that, in his reckoning as a gay man with the darkest days of the AIDS crisis, he never saw himself as either a victim or a capital-S survivor. Nor did he view his sexual identity as something incompatible with his politics or religion.” —Sheila McClear, The Nation

“What's great about this book is it tells you so much about gay life in the 80s and 90s in New York, the heartbreak of AIDS, but also . . . there's a fun amount of literary gossip in here, and it's just as hilarious as it is heartbreaking.” —Bill Goldstein on “Weekend Today in New York”

“In novels including Henry and Clara and Fellow Travelers, Thomas Mallon has used American history to help tell unforgettable stories of characters whose lives feel real as they play out against true events. Here, the award-winning writer ditches the fiction without losing his knack for depicting times and places; his own diaries from a young-adult life in New York City in the 1980s and ’90s reveal a coming of age in a dangerous, exciting, and unprecedented era and share how one of American literature’s great writers tells his own tale.” Town and Country

A useful addition to the literature documenting an extraordinary, excruciatingly difficult time for gay men as well as the sensibilities of a serious literary talent.” —H.N. Hirsch, Gay & Lesbian Review

His writing is appealing and incisive. . . . This book’s greatest strength is its honesty.” Washington Independent Review of Books

The Very Heart of It . . . is a gutsy move on Mallon’s part, sharing these diaries filled with roller coaster events and emotions, given the significance of the period in queer history.” —Gregg Shapiro, Bay Area Reporter

"A novelist and literary critic, Mallon writes like a weatherman reporting from the scene of a hurricane, where the hurricane is himself. Lots of books get written in the present tense so that the reader experiences them more intensely, but Mallon's hilarious diary is in the real, earned present tense. The possibility that he might contract, or already have, HIV/AIDS terrorizes him, forces him to confront death, and also, miraculously, enhances his awareness of being alive." —Lauren Hakimi, The Provincetown Independent

“Like all good diarists, Mallon has a persona: He emerges in these pages as hard-working, opinionated, angry, pessimistic, and laugh-out-loud funny. So it’s not as though this book is valuable only as a historical document. But it’s fascinating as history too.” —Ron Capshaw, Reason.com

“Moving [and] bittersweet. . . . The many human moments (funny, sad, witty, horrible, and beautiful) populating Mallon’s diaries collectively (and vicariously) illuminate a supremely resilient community that soldiered on (and kept dancing) despite insurmountable loss and pain. An exquisitely evocative glimpse into an unparalleled era in queer history steeped in joy, sex, and death.” Kirkus (starred review)

“Compulsively browsable. . . . Mallon’s diaries paint an arresting panorama of Reagan-era New York City, full of droll character studies. . . . [Mallon’s] prose conveys deep emotion with clear-eyed, matter-of-fact detail. It amounts to an engrossing evocation of an artist and a city in transition.” Publishers Weekly

About

A NEW YORKER BEST BOOK OF THE YEAR • ONE OF NPR’S “BOOKS WE LOVE” • From the renowned novelist and critic, an exquisite collection of journal entries from the 1980s and ’90s, tracking a young, gay author’s literary coming-of-age in New York during the AIDS crisis

In 1983, Thomas Mallon was still unknown. A literature professor at Vassar College, he spent his days traveling from Manhattan to campus, reviewing books to make ends meet and searching the city for his own purpose and fulfillment. The AIDS epidemic was beginning to surge in New York City, the ever-bustling epicenter of literary culture and gay life, alive with parties, art, and sex.

Though he didn’t know it, everything would soon change for Mallon. Riding the success of his debut, A Book of One’s Own, he became a fixture within the city’s literary scene, crossing paths with cultural giants and becoming an editor at GQ. He captured it all in his daily journals. But in some ways it was the worst possible time for a gay coming-of-age in the city. One of his lovers succumbed to AIDS, and the illness of others was both a heartbreaking reality and a constant reminder of his own exposure.

Tracing his own life day by day, Mallon evokes all that those years encompassed: the hookups, intensifying politics, personal tragedies, as well as his own blossoming success and eventual romantic happiness. The Very Heart of It is a brilliant and bewitching look into the daily life of one of our most important literary figures, and a keepsake from a bygone era.

Creators

© William Bodenschatz
THOMAS MALLON is the author of twelve novels, including Henry and Clara, Dewey Defeats Truman, Fellow Travelers, Watergate, Landfall, and Up With the Sun. He is a frequent contributor to The New Yorker, The New York Times Book Review, and other publications. In  2011 he received the American Academy of Arts and Letters' Harold D. Vursell Memorial Award for prose style. He has been the literary editor of GQ and the deputy chairman of the National Endowment for the Humanities. He lives in Washington, D.C.



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Excerpt

1983

October 7: Sometime around 6:00 this morning there was an earthquake. I slept through it. You were supposed to be able to feel it from Canada to (yes) Baltimore. Well, Tommy, my rumble [in Poughkeepsie] is your rumble; at [least] we’re tremored together. But a phone call would be too much. Rachel came into my office in the morning (while I was reading more of the Donaldson biography [of F. Scott Fitzgerald]). She tells me that another part of Tom’s conversation last Sunday involved his horror of AIDS. I thought this might have abated by now, but it hasn’t. So he will be hiding in his house. In an awful perverse way does this make me think: ok, at least he isn’t with anyone else? Maybe he’ll come back to me?

. . .

A nice breezy Friday night. Fall is here. It seemed criminal, walking around in the twilight, not to have someone to share it with. O mysterious reader, if 3 months from tonight I am not gone from this town, read no more. There would be no point to it. For nothing will happen between that page and the grave.

October 9: The October 10 issue of New York magazine reports that the vacancy rate below 96th St. is less than 1% and that the whole housing situation is likely to get even worse. I will not let this deter me. I am getting out of this place over Christmas.

October 11: I taught Heaney in the morning; they really don’t know Northern Ireland from northern New Jersey, but they were attentive enough. (They all showed up, all 19, but since that effort is sufficiently heroic some of them reserved the right to shamble in 10 minutes late.)

October 12: Drinks at Ann’s . . . My plans to move to New York came up—and Barbara responded with stony silence. Suspected disloyalty to the old plantation?

October 13: Matthew Bruccoli—the Fitzgerald biographical industry—lectured to a sparse crowd in Rocky 300 at 7:00 . . . He says the real tools of the biographer are jet planes and widows and Xerox machines. If it ain’t published, it ain’t scholarship, he said—responding to charges that he bursts into print too often.

October 17: The October break—which lasts until Wednesday—has begun. The students go off to places like California & London; the faculty may get as far as Vermont. How lonely I feel this time. The sense of emptiness in this apartment is fairly splitting me in two—as if that’s the only way to get somebody else into it. Me and me.

October 17: There was an ad on Friday & Sat. in the NYT for a place on E. 43rd St. (151, #4A) for the absurdly low price of $508 a month. [Went to] the office on 2nd Ave., between 52nd & 53rd. The broker (a very cute boy named Jamie Niblock, whom I’m thinking of asking out for a drink) said I should get down there right away, since other brokers in the firm would be free to send people down too. “I strongly suggest you take a taxi,” he said.

I raced to the street, found a cab, cursed the traffic and arrived at the place just as 2 girls from Barnard did. An agent brought all 3 of us in together. I took a very fast look. It’s small, but it’s livable—and only a block from Grand Central. (It’s between Lexington & 3rd. You look right coming out of it & you see the station. You look left & you see the U.N.) I knew I had to get back to the broker before the girls did, so putting self-interest ahead of gallantry I raced to the street and got a cab back to 2nd & 53rd. I beat them by about a minute and a half.

And now it’s mine . . . My heart raced. Will I be able to manage it? . . . My instincts keep telling me I will. I’ll review books like crazy on the train to help pay the bills. In fact, one of the first things I did was call Newsday and sign on for two more.

October 18: Number 151 is framed by two small yellow door lights—very inviting & O. Henryish. It’s above a Xerox store & there’s a super named Pat McCormack who lives on the premises. It occurs to me that my generation is desperately trying to pay large sums of money to live in the same apartments their parents fled for the suburbs . . .

October 21: I’ve done one of the stupidest things I’ve ever done. My only consolation is that he’s done one of the stupidest things he’s ever done. That may be the only thing that saves me from reaping the whirlwind.

Barbara gave a great boozy bash to celebrate Dixie’s 40th birthday. Among the many present was [HPS ], who was looking handsome and more than relaxed. He was flying a bit. Well, he was drunk and I was drunk & when we sat on the couch he started pouring out his troubles to me. I made the mistake of listening, and before I knew it we were upstairs & sort of groping one another. It didn’t get very far; I was too drunk to worry about it, and I thought it was over. But it was still very much on his mind. He rode me home & I invited him in for a cup of tea because I could see he was still feeling nervous & agitated. He was talking a mile a minute—his position, his past loves, his lover, etc. It didn’t make much sense, but neither did I. In any case, I wound up turning the water off before it boiled . . . It wasn’t much more than a drunken fumble, but when he left he seemed to be alternating between overwhelming regret & apprehension—& the feeling that this might be the start of something big. How he has been interested in me for years, how he could do this a thousand times, etc. I was already deep into oh-my-God-what-have-I-done thoughts, & wondering if I was going to be sick.

October 22: Ann tells me this will all blow over & that if there’s any impropriety it’s more his than mine. But I somehow keep thinking there’s going to be trouble out of it. At least in my head.

October 24: I’m infinitely relieved. I saw [HPS] at about 5:30 in his office. He was so nervous he appeared stricken by some sorcerer for a moment. But we quickly saw it was going to be fine. We tripped over ourselves to say that we’d both been drunk, that there was nothing to be ashamed of, that we weren’t always like this, and that it would of course be wrong to go on with it. We both seemed to exhale at once. And then we wound up wanting to talk college business—to get away from it.

Until he came back to it in a delicate way. He said—all these things almost as asides—that he had “enjoyed it” (not just that there was nothing to be embarrassed about); that I was sweet; that he found me easy to talk to (not that we were both just drunk). He said that there was a quality of innocence on both sides that he liked about it. He lamented how he had no one to talk to here because of his position, and how he wished he could see someone away from here: as it is, whenever he travels it’s always on some sort of college business. (I’d mentioned the New York apartment to him.)

October 25: [Paul Fussell] is a Californian, but you wouldn’t know it. He looks a lot like Russell Baker and even sounds a little like him. His lecture (about a bogus WW2 diary) was clever & well delivered. (Beth sat next to me & drove me creepy-crazy; she was all set to emote over the discovery of another Anne Frank before P.F. got to the kicker.)

. . . At last I settled down to write my letter to Tom. To make it friendly, almost detached, funny. I have no idea whether he’ll respond to it. Enfeebled as he is, he doesn’t need me. And I still need him. I told him that Byron said friendship was love without wings & that that wasn’t such a bad idea.

But there are still better ones.

October 27: I watched Reagan’s speech on Grenada & Lebanon (he had more to talk about than he had time for). More and more the mission is beginning to look as if it was not such an outrageous idea after all. And then there was Jeane Kirkpatrick’s speech to watch—much tougher & more entertaining than Hill Street Blues.

October 29: I’ve started to pack. Some of the picture frames have four years of dust on top. Specks accumulating through . . . the thousands of papers graded; the nearly two thousand risings and sleepings; all the words thought and written in this same place. I’m ready to go.

November 1: Tommy called. And we talked for an hour. Everything so different, so peculiar, in many ways so fine.

He is better. Several weeks ago things were so bad that he was telling his chairman he wasn’t sure he could finish out the semester. Since then he’s been given a pill—some sort of antidepressant he takes 3 times a day while seeing the shrink. The result: he is looking for jobs, writing his book, waking up in the morning amazed he’s not feeling awful . . . All through the talk I had the strangest feeling that he wants me to be happy—not because he wants to share in my life, but also not because he wants me settled so he can forget about me and I won’t bother him. No, because he feels tender towards me . . . But what comes now? Do I go on being in love with him?

November 2: [A department meeting about developing a more rigorous version of English 105] Bill Gifford sits there looking wounded—as Lynn Bartlett says, he sees his whole life being undone. He wants to keep the touchie-feely version of the course he’s taught for 20 years, the one in which the students talk about how literature relates to their deepest feelings. . . .

November 5: I’m gradually bringing a lot of stuff that I won’t have room for in the apartment over [to my office]. And it makes me wonder if some of the “senior members,” as we always call them, won’t be thinking that he’s making himself at home a bit prematurely.

November 7: . . . Lunch with Barbara and Bob in the Retreat. Charlie Beye will, on the basis of a story Bob tells, forever be known as The Man Who Came to Dinner at the Maces’. It seems he was there last night . . . The predictable unbearability of such a gathering was heightened by Dean’s wispy moans about the decline of standards here and there, and a few choice anti-Semitic remarks just to spice things up. Charlie was so disgusted and disbelieving that when Dean at one point lamented how awful all the young people in the English department are, Charlie turned to him and said, “Well, with an old queen like you in the department they must be pretty miserable.” Dean—who is more than a queen; he’s more like Empress of India—responded in a little whisper: “You’re very sophisticated.”

November 8: The students continue to be crazy about Updike. I told one of them in office hours I was surprised they were so enthusiastic about [Rabbit Redux], and explained to me: “It’s all the sex.” . . . Today was Election Day. Nothing much on the ballot except the transportation bond issue, which, with the self-interest of a new commuter, I voted for.

November 9: The composition class went very well. We did the sonnet, & as I was mentally comparing Walker Gaffney to a summer’s day, the students were catching on nicely.

November 11: I’m writing this sitting on my sleeping bag on the floor of #4A, 151 E. 43rd St. I got here late this afternoon and got the keys next door.

As soon as I put the suitcases on the floor I went out for a walk. The lights were coming on up and down Fifth Ave.

I live here now.

November 12: A boy in a fish store was pouring clams over ice in the window; near it was another fish store—hobby fish. After Poughkeepsie one’s eyes suffer a sort of mercantile overload. One can’t quite believe all of these stores are just outside one’s door. All at once I feel very much at home and very much a rube.

November 13: [Moving my things from Poughkeepsie] What should have been an ordeal turned into an idyll. Oliver [my Irish brother-in-law] arrived with his two Salvadoran helpers (one of them escaped on the floor of a truck and has been here only a month) and we loaded up in about an hour . . . [Once in Manhattan] We double-parked the truck and made dozens of trips up the stairs—and finally got the couch up four flights . . . I don’t think I’ll ever forget the twilit moment when I waved good-bye to them. We were all laughing and our eyes kept darting from the Chrysler Building to Grand Central to “Naciones Unitas!”

And there we were—three different kinds of immigrants, each dreaming the different phases of the same dream. . . .

Praise

"Illuminating, heartbreaking, hilarious, romantic, terrifying, thrilling, baffling, joyous—such is life! And such are the diaries of our great writer Thomas Mallon, who has preserved in The Very Heart of It one precious moment in time told in his inestimable style. I found myself reading addictively. A world opens up in these pages. What a book!" —Andrew Sean Greer, Pulitzer Prize–winning author of Less and Less Is Lost

"While reading The Very Heart of It, I tried to discipline myself, but suddenly it was 4 AM. Thomas Mallon’s diaries, focusing on the 1980s through the early 90s, depict that era with heartbreaking accuracy, from the dread of an AIDS test to the glory of living, on cobbled-together funds, in the social and cultural capitol of New York City. His portraits of the rancorous literary scene, political ferment and his hectic love life are witty, original and sinfully entertaining (it’s a rare work that travels from Robert Mapplethorpe to Dan Quayle). Upon reaching the final page all I wanted was more." —Paul Rudnick, author of What is Wrong with You?

"Thomas Mallon’s The Very Heart of It is a big-hearted account of his life from 1983 to 1994, as he was becoming the distinguished American man of letters and man-about-town that he manifestly is now. It’s also a modern-day, Defoe-esque diary of the plague years, when AIDS swept through the country, scything its grim swath through the artist community. It’s fittingly ironic that Mallon, arguably our best living historical novelist, made his first splash with a non-fictional book about famous diarists. With this book, he joins those ranks." —Christopher Buckley, author of Losing Mum and Pup: A Memoir

“‘We’ve all been exposed, we’re all living under the sword.’ Among many forlorn entries, this sentence is one that perhaps best encapsulates The Very Heart of It, Thomas Mallon’s moving epistolary memoir chronicling a coming-of-age during the AIDS crisis. . . . The journals, with both candor and levity, reveal a city at once inhibited by Reagan-era conservatism and emboldened by passionate social justice. Mallon’s diaries are a powerful and palpable historical record, sure to remind many of the injustices faced by so many LGBTQ folk only a few decades ago.” —Nathan Smith, The Observer

“Merging a young gay man’s keenly observed coming of age, a lively tour of a bygone literary New York, and a devastating portrait of the city during the height of the AIDS crisis, the diaries capture the creative energy and lasting sorrow of a remarkable era.” The New Yorker

“[Mallon’s] diaries capture the atmosphere of a city and community reeling from the AIDS crisis amid the material optimism of Reagan-era America. His writing stands out for its honesty and authenticity, offering a vivid, personal chronicle of a transformative era.” —Bethanne Patrick, Los Angeles Times

“Throughout a career spanning seven works of nonfiction and 11 novels . . . Mallon has managed to capture the all of it: the tragic and mundane, the petty and comically absurd lurking in even the weightiest moments of the past. Turns out that all along in his diaries, Mallon was simultaneously doing the same for his own life and times. . . . In addition to being a real-time threnody to AIDS and its victims, as well as a love letter to a New York where the Runyonesque waitress in the local coffee shop will call him "Cookie" and a walk can include sightings of Greta Garbo and Jackie Kennedy, The Very Heart of It is also a portrait of an artist trying to break free of his day job. . . . Mallon is well aware he's one of the lucky ones and his life's great luck is also ours, his readers.” —Maureen Corrigan, on NPR's "Fresh Air"

“[Mallon’s] diaries capture the youthful mood of a certain period in New York City. . . . He’s new in Manhattan, a gay man bending toward neoconservatism, relatively virginal and unsure in this pre-dating-app era how to meet anyone except in sketchy bars. This is early in the AIDS crisis, and confusion and terror are omnipresent. . . . The Very Heart of It functions as a Woody Allen-like ode to New York City. Mallon feels lucky, nearly every day, to be here, what with the Frick, the Carlyle and ‘the Chrysler Building twinkling across the street like the world’s ultimate Christmas tree.’” —Dwight Garner, The New York Times Book Review

“What makes the book sing is the voice: smart, attuned to the specific, delightfully and relentlessly snide. . . . A kind of sketchbook of . . . literary life in New York City during the AIDS crisis, and Condé Nast in its last golden age. Mallon is a keen observer of not just himself but of his contemporaries, stray encounters on the street or in late-night bars, and the political scene.” —Thomas Beller, Air Mail

“While the diaries contained in The Very Heart of It do offer the reader one person’s experience of a great event—i.e., the AIDS crisis—they’re also an account of ambition, love, and work, offering a glimpse of a now mostly vanished literary milieu in New York City. What is fascinating about Mallon’s life as he tells it is the tension it holds. . . . Some entries capture the fleeting moments of everyday life so adeptly that they almost read like poetry. . . . What is unique about Mallon’s diary is that, in his reckoning as a gay man with the darkest days of the AIDS crisis, he never saw himself as either a victim or a capital-S survivor. Nor did he view his sexual identity as something incompatible with his politics or religion.” —Sheila McClear, The Nation

“What's great about this book is it tells you so much about gay life in the 80s and 90s in New York, the heartbreak of AIDS, but also . . . there's a fun amount of literary gossip in here, and it's just as hilarious as it is heartbreaking.” —Bill Goldstein on “Weekend Today in New York”

“In novels including Henry and Clara and Fellow Travelers, Thomas Mallon has used American history to help tell unforgettable stories of characters whose lives feel real as they play out against true events. Here, the award-winning writer ditches the fiction without losing his knack for depicting times and places; his own diaries from a young-adult life in New York City in the 1980s and ’90s reveal a coming of age in a dangerous, exciting, and unprecedented era and share how one of American literature’s great writers tells his own tale.” Town and Country

A useful addition to the literature documenting an extraordinary, excruciatingly difficult time for gay men as well as the sensibilities of a serious literary talent.” —H.N. Hirsch, Gay & Lesbian Review

His writing is appealing and incisive. . . . This book’s greatest strength is its honesty.” Washington Independent Review of Books

The Very Heart of It . . . is a gutsy move on Mallon’s part, sharing these diaries filled with roller coaster events and emotions, given the significance of the period in queer history.” —Gregg Shapiro, Bay Area Reporter

"A novelist and literary critic, Mallon writes like a weatherman reporting from the scene of a hurricane, where the hurricane is himself. Lots of books get written in the present tense so that the reader experiences them more intensely, but Mallon's hilarious diary is in the real, earned present tense. The possibility that he might contract, or already have, HIV/AIDS terrorizes him, forces him to confront death, and also, miraculously, enhances his awareness of being alive." —Lauren Hakimi, The Provincetown Independent

“Like all good diarists, Mallon has a persona: He emerges in these pages as hard-working, opinionated, angry, pessimistic, and laugh-out-loud funny. So it’s not as though this book is valuable only as a historical document. But it’s fascinating as history too.” —Ron Capshaw, Reason.com

“Moving [and] bittersweet. . . . The many human moments (funny, sad, witty, horrible, and beautiful) populating Mallon’s diaries collectively (and vicariously) illuminate a supremely resilient community that soldiered on (and kept dancing) despite insurmountable loss and pain. An exquisitely evocative glimpse into an unparalleled era in queer history steeped in joy, sex, and death.” Kirkus (starred review)

“Compulsively browsable. . . . Mallon’s diaries paint an arresting panorama of Reagan-era New York City, full of droll character studies. . . . [Mallon’s] prose conveys deep emotion with clear-eyed, matter-of-fact detail. It amounts to an engrossing evocation of an artist and a city in transition.” Publishers Weekly
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