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Rapunzel

Illustrated by Paul O. Zelinsky
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Hardcover
9.38"W x 12.25"H x 0.37"D   | 18 oz | 24 per carton
On sale Oct 01, 1997 | 48 Pages | 9780525456070
Age 5-8 years
Reading Level: Lexile AD700L
Surely among the most original and gifted of children's book illustrators, Paul O. Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.

Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.

As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

Jacob Grimm (1785–1863) and Wilhelm Grimm (1786–1859) were born in Hanau, Germany. They both studied at Marburg, and from 1808 to 1829 mainly worked in Kassel as state-appointed librarians. Both brothers had been professors at Göttingen for several years when, in 1837, they became two of the seven leading Göttingen academics dismissed from their posts by the new king of Hanover for their liberal political views. In 1840, they were invited by King Frederick William IV of Prussia to settle in Berlin as members of the Academy of Sciences, and here they remained until their deaths. Jacob, one of Germany’s greatest scholars, is justly regarded as the founder of the scientific study of the German language and medieval German literature. His most monumental achievements were the Deutsche Grammatik (1819–1837) and, with his brother's assistance, the initiation of the great Deutsches Wörterbuch, the many volumes of which were not completed by later scholars until 1961, and which has become the equivalent of the Oxford English Dictionary. Between them, and often in collaboration, the Grimms were reponsible for pioneering work on medieval texts, the heroic epic, legends, and mythology; as well as for many other contributions to the study of ancient German culture. One of their most remarkable publications was the Kinder- und Hausmärchen (1812, with many subsequent editions), which remains to this day the most famous collection of folktales in the world. View titles by Brothers Grimm
© Paul O. Zelinsky
Paul O. Zelinsky was born in Evanston, Illinois. He attended Yale University, where he took a course with Maurice Sendak, which later inspired him to pursue a career in children's books. He went on to receive a graduate degree in painting from Tyler School of Art, in Philadelphia and Rome. His first book was published in 1978. Among many other awards and prizes, he received the 1998 Caldecott Medal for his illustrated retelling of Rapunzel, as well as Caldecott Honors for three of his books: Hansel and Gretel (1985), Rumpelstiltskin (1987), and Swamp Angel (1995). Paul Zelinsky lives in New York with his wife, Deborah. View titles by Paul O. Zelinsky
  • WINNER
    Caldecott Medal Winner
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Award winning author/adapter/illustrator Paul O. Zelinsky's Caldecott Medal Winning book! Perfect for readers of all fairy tales.

"A breathtaking interpretation gives the fairy tale new art-historical roots, with illustrations that daringly-and effectively-mimic the masters of Italian Renaissance painting."--Publishers Weekly

Trapped in a tower with no door, Rapunzel is allowed to see no one but the sorceress who has imprisoned her-until the day a young prince hears her singing to the forest birds. . . . The timeless tale of Rapunzel is vividly and magnificently brought to life through Paul O. Zelinsky's powerful sense of narrative and his stunning oil paintings.

"Simply put, this is a gorgeous book; it demonstrates respect for the traditions of painting and the fairy tale while at the same time adhering to a singular, wholly original, artistic vision." (The Horn Book, starred review)

About

Surely among the most original and gifted of children's book illustrators, Paul O. Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.

Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.

As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

Creators

Jacob Grimm (1785–1863) and Wilhelm Grimm (1786–1859) were born in Hanau, Germany. They both studied at Marburg, and from 1808 to 1829 mainly worked in Kassel as state-appointed librarians. Both brothers had been professors at Göttingen for several years when, in 1837, they became two of the seven leading Göttingen academics dismissed from their posts by the new king of Hanover for their liberal political views. In 1840, they were invited by King Frederick William IV of Prussia to settle in Berlin as members of the Academy of Sciences, and here they remained until their deaths. Jacob, one of Germany’s greatest scholars, is justly regarded as the founder of the scientific study of the German language and medieval German literature. His most monumental achievements were the Deutsche Grammatik (1819–1837) and, with his brother's assistance, the initiation of the great Deutsches Wörterbuch, the many volumes of which were not completed by later scholars until 1961, and which has become the equivalent of the Oxford English Dictionary. Between them, and often in collaboration, the Grimms were reponsible for pioneering work on medieval texts, the heroic epic, legends, and mythology; as well as for many other contributions to the study of ancient German culture. One of their most remarkable publications was the Kinder- und Hausmärchen (1812, with many subsequent editions), which remains to this day the most famous collection of folktales in the world. View titles by Brothers Grimm
© Paul O. Zelinsky
Paul O. Zelinsky was born in Evanston, Illinois. He attended Yale University, where he took a course with Maurice Sendak, which later inspired him to pursue a career in children's books. He went on to receive a graduate degree in painting from Tyler School of Art, in Philadelphia and Rome. His first book was published in 1978. Among many other awards and prizes, he received the 1998 Caldecott Medal for his illustrated retelling of Rapunzel, as well as Caldecott Honors for three of his books: Hansel and Gretel (1985), Rumpelstiltskin (1987), and Swamp Angel (1995). Paul Zelinsky lives in New York with his wife, Deborah. View titles by Paul O. Zelinsky

Awards

  • WINNER
    Caldecott Medal Winner

Excerpt

Award winning author/adapter/illustrator Paul O. Zelinsky's Caldecott Medal Winning book! Perfect for readers of all fairy tales.

"A breathtaking interpretation gives the fairy tale new art-historical roots, with illustrations that daringly-and effectively-mimic the masters of Italian Renaissance painting."--Publishers Weekly

Trapped in a tower with no door, Rapunzel is allowed to see no one but the sorceress who has imprisoned her-until the day a young prince hears her singing to the forest birds. . . . The timeless tale of Rapunzel is vividly and magnificently brought to life through Paul O. Zelinsky's powerful sense of narrative and his stunning oil paintings.

"Simply put, this is a gorgeous book; it demonstrates respect for the traditions of painting and the fairy tale while at the same time adhering to a singular, wholly original, artistic vision." (The Horn Book, starred review)
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