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The Crossroads

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Paperback
5.25"W x 7.63"H x 1"D   | 10 oz | 48 per carton
On sale May 12, 2009 | 352 Pages | 9780375846984
Age 8-12 years
Reading Level: Lexile 620L | Fountas & Pinnell Z
Perfect for Halloween! From the New York Times bestselling author of Escape From Mr. Lemoncello's Library and coauthor of I Funny and Treasure Hunters, comes a series of spine-tingling mysteries to keep you up long after the lights go out.

Zack, his dad, and new stepmother have just moved back to his father’s hometown, not knowing that their new house has a dark history. Fifty years ago, a crazed killer caused an accident at the nearby crossroads that took 40 innocent lives. He died when his car hit a tree in a fiery crash, and his malevolent spirit has inhabited the tree ever since. During a huge storm, lightning hits the tree, releasing the spirit, who decides his evil spree isn’t over . . . and Zack is directly in his sights.

Award-winning thriller author Chris Grabenstein fills his first book for younger readers with the same humorous and spine-tingling storytelling that has made him a fast favorite with adults.

★ “A rip-roaring ghost story.”—Booklist, Starred
© Elena Seibert

When I talk to kids about my new book THE ISLAND OF DR. LIBRIS, I torture them with a tale of electronics deprivation.
     "My main character, Billy Gillfoyle," I say, "is spending the summer in a cabin on a lake.  There is no cable, no TV, no DVR, no X-Box, no PlayStation 3.  There isn't even an old-fashioned VCR."
     By this point, the kids' gasps become audible.
     "On his first day at the cabin," I continue, "Billy drops his iPhone and it shatters.  The nearest Apple store is several hundred miles away."
     Jaws drop.  The kids are practically weeping – just like my hero, Billy Gillfoyle.  He mopes around the cabin after the demise of his iPhone and ends up in this scene with his mother:
    
  "Billy, what do you think kids did back before video games or TV or even electricity?"
  "I don't know.  Cried a lot?"  He plopped down dramatically on the couch.
  "No, Billy. They read books.  They made up stories and games.  They took nothing and turned it into something."
 
     And that's what happens to Billy in this book:  He learns to start using and trusting his own imagination.
     Characters from books that he reads in Dr. Libris' study start coming to life out on the island in the middle of the lake.   In no time, Hercules, the monster Antaeus, Robin Hood, Maid Marian, The Three Musketeers, D'Artagnan, Pollyanna, and Tom Sawyer are all bumping into each other's stories.  It's up to Billy, with the help of his new friend Walter, and a bookcase filled with classic literature, to "imagine" a scenario that will bring all the conflicts to a tidy resolution. 
     Yep.  In THE ISLAND OF DR. LIBRIS, Billy Gillfoyle is learning how to become a writer.  He puts his characters into situations and conflicts that will, ultimately, take him to the happy ending he, and everybody else, is looking for.
     When all seems lost, he is on the island with his new friends Robin Hood, Maid Marian, and Hercules, despairing that he's not heroic enough to rescue his asthmatic friend Walter from the clutches of the evil Space Lizard (yes, hideous creatures from video games and fairy tales eventually come to life on the island, too.) 
 
  "Ho, lads and lassie!" said Robin Hood.  "All is not lost!  Look you, Sir William – I remember a time when Sir Guy of Gisbourne held me captive in his tower.  Did my band of merry followers let a moat or castle walls stand in their way?"
  "Nay!" said Marian.  "Little John and I didst lead the charge.  Oh, how the arrows did fly that day!"
  "I'm not Little John," Billy said quietly.  "Or you, Maid Marian.  I'm not a hero."  He looked down at Walter's inhaler.  "I'm just a kid who can't even save his own family."
  "Nonsense," said Maid Marian. "Each of us can choose who or what we shall be.  We write our own stories, Sir William.  We write them each and every day."
  "And," added Hercules, "if you write it boldly enough, others will write about you, too."
 
     In my book ESCAPE FROM MR. LEMONCELLO'S LIBRARY, I wanted to make young readers excited about reading and doing research.  I tried to turn a trip to the library into an incredibly fun scavenger hunt, filled with puzzles and surprises.  (In my perpetually twelve-years-old mind, that's what doing research actually is.)
     With THE ISLAND OF DR. LIBRIS, I am hoping to excite young readers about the power and awesomeness of their own imaginations. I want them to take nothing and turn it into something.  To take two old ideas, toss them together, and create something new.
     And, when they write their own stories, maybe some of them will decide they want to become authors, writing stories for the rest of us, too!
     
     
 

View titles by Chris Grabenstein
  • WINNER
    IRA CBC Children's Choice
  • NOMINEE
    Indiana Young Hoosier Award
  • NOMINEE | 2009
    Anthony Award
  • NOMINEE | 2008
    Agatha Award-Best Children's/Young Adult
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Billy O'Claire was doggy-dog tired.
He'd been trying to fix the toilet in the brandnew house for over six hours and the weather outside was extremely hot and muggy, especially for the Friday before Memorial Day.
Billy was sweating up a storm.  Since nobody lived in the new house yet, they hadn't turned on the air-conditioning. His work shirt was a soppy sheet of wet cotton with full-moon stains oozing down below both armpits.
It was nine p.m.
He tightened one last nut, then gave the trip handle on the toilet a flick. Instead of the customary whoosh of water swirling into the bowl, Billy heard a roaring gurgle. The toilet was working backward. He raised the lid and saw a commode burping up chunks of brown gunk. Leaves. Dirt. Twigs.
Nothing else, thank heaven, because nobody had actually used the toilet yet. This woodsy debris had to be seeping in from a cracked sewer line, and Billy realized they might have to rip up the newly sodded lawn to fix a drainpipe ruptured, most likely, by tree roots.
But that was a Monday-morning kind of problem.
Fortunately, it was Friday night and Billy was finished working for the week. He cranked the shutoff valve behind the toilet and went out to the driveway, where he had parked his pickup, the one with O'Claire's Plumbing painted on the door over where it used to say O'Claire's Painting and, before that, O'Claire's Satellite Television Repair.
Billy sat in the cab and drank half a gallon of water out of a glugging plastic jug and aimed two of the truck's air-conditioning vents up at his armpits.
It felt good. Real good.
He yawned and thought about grabbing a quick nap. Instead, he slammed the transmission into reverse and backed out of the driveway, not realizing that something wicked was lurking a little ways down the road--just waiting for the next doggy-dogtired driver to come along.

***

A flashing red stoplight hung suspended over the intersection where County Route 13 crossed Connecticut State Highway 31.
A gigantic oak tree stood near one corner, and its highest branch--as thick around as the trunk of any ordinary tree--suddenly started to move. No wind was blowing. No sports car zooming past had sent up a swirling wake. But the massive limb began to bend and rotate. It sensed an easy target approaching and, longing for a little fun, tore against itself--slowly at first, then with gathering speed. When the final strands ripped free, the bough broke off and fell like a two-ton truck, tearing down the blinking beacon.
Then the tree stopped moving.

***

Billy O'Claire remembered that there used to be a flashing red stoplight hanging over the intersection of 13 and 31. Tonight, however, there wasn't one.
Good.
Billy didn't want to stop.  He needed to find a bathroom. Bad. Chugging half a gallon of water straight from the jug will do that to you. And he preferred a bathroom where the toilet didn't gurgle back at him. He pressed down on the gas pedal.
"How dry I am," he crooned off-key. "How wet I'll be, if I don't find . . ."
Suddenly he saw someone standing in the middle of the road.
A cop.
A motorcycle cop--holding up his hand and commanding Billy to stop.
So Billy slammed on his brakes and the pickup skidded sideways. Tires screeched, the truck swerved, and he almost hooked on to the bumper of a car he hadn't even seen coming. He spun around and wound up on the far side of the intersection--backward and straddling a ditch.
Billy wasn't injured, just totally dazed. He could see the taillights of the car he had nearly hit as it zoomed up the highway. Glancing at his rearview mirror, he saw the cop standing next to his motorbike, which was very weird-looking--it had a moonfaced headlight and chrome fenders swooping up over its tires.
It's from the 1950s, Billy thought. An old Harley Softail. Billy liked old motorcycles. Wished he had one right now so he could hightail it out of here before the cop came over and started hassling him. Then Billy realized: The cop's uniform and hat looked old-fashioned, too.
It looks like he's from some black-and-white movie. One of those old monster movies where the police try to capture Godzilla.
The cop marched slowly toward the truck.  Billy strained to see if it was anybody he knew, thinking this was some kind of practical joke. He tried to see the cop's face.
Only the cop didn't have one.
He had a crew cut and mirrored sunglasses and ears but no face!
Billy jerked up on his door handle hard. When it wouldn't budge, he kicked the door open. He screamed once and scrambled out of the truck and ran as fast as he could up the highway.

***

The police officer didn't care about Billy O'Claire. Didn't chase after him.
His job was done for the night. He had prevented a horrible, possibly fatal, collision.
Something he had tried to do once before.
June 21, 1958.
The day he had died.
Starred review, Booklist, May 1, 2008:
"An absorbing psychological thriller . . . as well as a rip-roaring ghost story."

About

Perfect for Halloween! From the New York Times bestselling author of Escape From Mr. Lemoncello's Library and coauthor of I Funny and Treasure Hunters, comes a series of spine-tingling mysteries to keep you up long after the lights go out.

Zack, his dad, and new stepmother have just moved back to his father’s hometown, not knowing that their new house has a dark history. Fifty years ago, a crazed killer caused an accident at the nearby crossroads that took 40 innocent lives. He died when his car hit a tree in a fiery crash, and his malevolent spirit has inhabited the tree ever since. During a huge storm, lightning hits the tree, releasing the spirit, who decides his evil spree isn’t over . . . and Zack is directly in his sights.

Award-winning thriller author Chris Grabenstein fills his first book for younger readers with the same humorous and spine-tingling storytelling that has made him a fast favorite with adults.

★ “A rip-roaring ghost story.”—Booklist, Starred

Creators

© Elena Seibert

When I talk to kids about my new book THE ISLAND OF DR. LIBRIS, I torture them with a tale of electronics deprivation.
     "My main character, Billy Gillfoyle," I say, "is spending the summer in a cabin on a lake.  There is no cable, no TV, no DVR, no X-Box, no PlayStation 3.  There isn't even an old-fashioned VCR."
     By this point, the kids' gasps become audible.
     "On his first day at the cabin," I continue, "Billy drops his iPhone and it shatters.  The nearest Apple store is several hundred miles away."
     Jaws drop.  The kids are practically weeping – just like my hero, Billy Gillfoyle.  He mopes around the cabin after the demise of his iPhone and ends up in this scene with his mother:
    
  "Billy, what do you think kids did back before video games or TV or even electricity?"
  "I don't know.  Cried a lot?"  He plopped down dramatically on the couch.
  "No, Billy. They read books.  They made up stories and games.  They took nothing and turned it into something."
 
     And that's what happens to Billy in this book:  He learns to start using and trusting his own imagination.
     Characters from books that he reads in Dr. Libris' study start coming to life out on the island in the middle of the lake.   In no time, Hercules, the monster Antaeus, Robin Hood, Maid Marian, The Three Musketeers, D'Artagnan, Pollyanna, and Tom Sawyer are all bumping into each other's stories.  It's up to Billy, with the help of his new friend Walter, and a bookcase filled with classic literature, to "imagine" a scenario that will bring all the conflicts to a tidy resolution. 
     Yep.  In THE ISLAND OF DR. LIBRIS, Billy Gillfoyle is learning how to become a writer.  He puts his characters into situations and conflicts that will, ultimately, take him to the happy ending he, and everybody else, is looking for.
     When all seems lost, he is on the island with his new friends Robin Hood, Maid Marian, and Hercules, despairing that he's not heroic enough to rescue his asthmatic friend Walter from the clutches of the evil Space Lizard (yes, hideous creatures from video games and fairy tales eventually come to life on the island, too.) 
 
  "Ho, lads and lassie!" said Robin Hood.  "All is not lost!  Look you, Sir William – I remember a time when Sir Guy of Gisbourne held me captive in his tower.  Did my band of merry followers let a moat or castle walls stand in their way?"
  "Nay!" said Marian.  "Little John and I didst lead the charge.  Oh, how the arrows did fly that day!"
  "I'm not Little John," Billy said quietly.  "Or you, Maid Marian.  I'm not a hero."  He looked down at Walter's inhaler.  "I'm just a kid who can't even save his own family."
  "Nonsense," said Maid Marian. "Each of us can choose who or what we shall be.  We write our own stories, Sir William.  We write them each and every day."
  "And," added Hercules, "if you write it boldly enough, others will write about you, too."
 
     In my book ESCAPE FROM MR. LEMONCELLO'S LIBRARY, I wanted to make young readers excited about reading and doing research.  I tried to turn a trip to the library into an incredibly fun scavenger hunt, filled with puzzles and surprises.  (In my perpetually twelve-years-old mind, that's what doing research actually is.)
     With THE ISLAND OF DR. LIBRIS, I am hoping to excite young readers about the power and awesomeness of their own imaginations. I want them to take nothing and turn it into something.  To take two old ideas, toss them together, and create something new.
     And, when they write their own stories, maybe some of them will decide they want to become authors, writing stories for the rest of us, too!
     
     
 

View titles by Chris Grabenstein

Awards

  • WINNER
    IRA CBC Children's Choice
  • NOMINEE
    Indiana Young Hoosier Award
  • NOMINEE | 2009
    Anthony Award
  • NOMINEE | 2008
    Agatha Award-Best Children's/Young Adult

Excerpt

Billy O'Claire was doggy-dog tired.
He'd been trying to fix the toilet in the brandnew house for over six hours and the weather outside was extremely hot and muggy, especially for the Friday before Memorial Day.
Billy was sweating up a storm.  Since nobody lived in the new house yet, they hadn't turned on the air-conditioning. His work shirt was a soppy sheet of wet cotton with full-moon stains oozing down below both armpits.
It was nine p.m.
He tightened one last nut, then gave the trip handle on the toilet a flick. Instead of the customary whoosh of water swirling into the bowl, Billy heard a roaring gurgle. The toilet was working backward. He raised the lid and saw a commode burping up chunks of brown gunk. Leaves. Dirt. Twigs.
Nothing else, thank heaven, because nobody had actually used the toilet yet. This woodsy debris had to be seeping in from a cracked sewer line, and Billy realized they might have to rip up the newly sodded lawn to fix a drainpipe ruptured, most likely, by tree roots.
But that was a Monday-morning kind of problem.
Fortunately, it was Friday night and Billy was finished working for the week. He cranked the shutoff valve behind the toilet and went out to the driveway, where he had parked his pickup, the one with O'Claire's Plumbing painted on the door over where it used to say O'Claire's Painting and, before that, O'Claire's Satellite Television Repair.
Billy sat in the cab and drank half a gallon of water out of a glugging plastic jug and aimed two of the truck's air-conditioning vents up at his armpits.
It felt good. Real good.
He yawned and thought about grabbing a quick nap. Instead, he slammed the transmission into reverse and backed out of the driveway, not realizing that something wicked was lurking a little ways down the road--just waiting for the next doggy-dogtired driver to come along.

***

A flashing red stoplight hung suspended over the intersection where County Route 13 crossed Connecticut State Highway 31.
A gigantic oak tree stood near one corner, and its highest branch--as thick around as the trunk of any ordinary tree--suddenly started to move. No wind was blowing. No sports car zooming past had sent up a swirling wake. But the massive limb began to bend and rotate. It sensed an easy target approaching and, longing for a little fun, tore against itself--slowly at first, then with gathering speed. When the final strands ripped free, the bough broke off and fell like a two-ton truck, tearing down the blinking beacon.
Then the tree stopped moving.

***

Billy O'Claire remembered that there used to be a flashing red stoplight hanging over the intersection of 13 and 31. Tonight, however, there wasn't one.
Good.
Billy didn't want to stop.  He needed to find a bathroom. Bad. Chugging half a gallon of water straight from the jug will do that to you. And he preferred a bathroom where the toilet didn't gurgle back at him. He pressed down on the gas pedal.
"How dry I am," he crooned off-key. "How wet I'll be, if I don't find . . ."
Suddenly he saw someone standing in the middle of the road.
A cop.
A motorcycle cop--holding up his hand and commanding Billy to stop.
So Billy slammed on his brakes and the pickup skidded sideways. Tires screeched, the truck swerved, and he almost hooked on to the bumper of a car he hadn't even seen coming. He spun around and wound up on the far side of the intersection--backward and straddling a ditch.
Billy wasn't injured, just totally dazed. He could see the taillights of the car he had nearly hit as it zoomed up the highway. Glancing at his rearview mirror, he saw the cop standing next to his motorbike, which was very weird-looking--it had a moonfaced headlight and chrome fenders swooping up over its tires.
It's from the 1950s, Billy thought. An old Harley Softail. Billy liked old motorcycles. Wished he had one right now so he could hightail it out of here before the cop came over and started hassling him. Then Billy realized: The cop's uniform and hat looked old-fashioned, too.
It looks like he's from some black-and-white movie. One of those old monster movies where the police try to capture Godzilla.
The cop marched slowly toward the truck.  Billy strained to see if it was anybody he knew, thinking this was some kind of practical joke. He tried to see the cop's face.
Only the cop didn't have one.
He had a crew cut and mirrored sunglasses and ears but no face!
Billy jerked up on his door handle hard. When it wouldn't budge, he kicked the door open. He screamed once and scrambled out of the truck and ran as fast as he could up the highway.

***

The police officer didn't care about Billy O'Claire. Didn't chase after him.
His job was done for the night. He had prevented a horrible, possibly fatal, collision.
Something he had tried to do once before.
June 21, 1958.
The day he had died.

Praise

Starred review, Booklist, May 1, 2008:
"An absorbing psychological thriller . . . as well as a rip-roaring ghost story."
Penguin Random House Comics Retail