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David Golder, The Ball, Snow in Autumn, The Courilof Affair

Introduction by Claire Messud

Introduction by Claire Messud
Translated by Sandra Smith
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Hardcover
5.25"W x 8.29"H x 1.08"D   | 18 oz | 12 per carton
On sale Jan 15, 2008 | 408 Pages | 9780307267085

Readers everywhere were introduced to the work of Irène Némirovsky through the publication of her long-lost masterpiece, Suite Française. But Suite Française was only the coda to the brief yet remarkably prolific career of this nearly forgotten, magnificent novelist. Here in one volume are four of Némirovsky’s other novels–all of them newly translated by the award-winning Sandra Smith, and all, except DAVID GOLDER, available in English for the first time.

DAVID GOLDER is the novel that established Néirovsky’s reputation in France in 1929 when she was twenty-six. It is a novel about greed and lonliness, the story of a self-made business man, once wealthy, now suffering a breakdown as he nears the lonely end of his life. THE COURILOF AFFAIR tells the story of a Russian revolutionary living out his last days–and his recollections of his first infamous assassination. Also included are two short, gemlike novels: THE BALL, a pointed exploration of adolescence and the obsession with status among the bourgeoisie; and SNOW IN AUTUMN, an evocative tale of White Russian émigrés in Paris after the Russian Revolution.

Introduced by celebrated novelist Claire Messud, this collection of four spellbinding novels offers the same storytelling mastery, powerful clarity of language, and empathic grasp of human behavior that would give shape to Suite Française.

Irène Némirovsky was born in Kiev in 1903 into a successful banking family. Trapped in Moscow by the Russian Revolution, she and her family fled first to a village in Finland, and eventually to France, where she attended the Sorbonne.

Irène Némirovsky achieved early success as a writer: her first novel, David Golder, published when she was twenty-six, was a sensation. By 1937 she had published nine further books and David Golder had been made into a film; she and her husband Michel Epstein, a bank executive, moved in fashionable social circles.

When the Germans occupied France in 1940, she moved with her husband and two small daughters, aged 5 and 13, from Paris to the comparative safety of Issy-L’Evêque. It was there that she secretly began writing Suite Française. Though her family had converted to Catholicism, she was arrested on 13 July, 1942, and interned in the concentration camp at Pithiviers. She died in Auschwitz in August of that year.

View titles by Irene Nemirovsky
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“Stunning . . . [Némirovsky] wrote, for all to read at last, some of the greatest, most humane and incisive fiction that conflict has produced.”
New York Times Book Review

“Némirovsky’s scope is like that of Tolstoy: she sees the fullness of humanity and its tenuous arrangements and manages to put them together with a tone that is affectionate, patient, and relentlessly honest.”
O, The Oprah Magazine

“Extraordinary . . . Némirovsky achieve[s] her penetrating insights with Flaubertian objectivity.”
The Washington Post Book World

“Brilliant . . . [Némirovsky wrote] with supreme lucidity [and] expressed with great emotional precision her understanding of the country that betrayed her.”
The Nation

[Némirovsky had] an alert eye for self-deceit, a tender regard for the natural world, and a forlorn gift for describing the crumbling, sliding descent of an entire society into catastrophic disorder.”
London Review of Books

“Transcendent, astonishing . . . Like Anne Frank, Irène Némirovsky was unaware . . . that she might not survive. And still, she writes to us.”
Pittsburgh Post-Gazette

“A novelist of the very first order, perceptive and sly in her emotional restraint.”
Evening Standard (London)

About

Readers everywhere were introduced to the work of Irène Némirovsky through the publication of her long-lost masterpiece, Suite Française. But Suite Française was only the coda to the brief yet remarkably prolific career of this nearly forgotten, magnificent novelist. Here in one volume are four of Némirovsky’s other novels–all of them newly translated by the award-winning Sandra Smith, and all, except DAVID GOLDER, available in English for the first time.

DAVID GOLDER is the novel that established Néirovsky’s reputation in France in 1929 when she was twenty-six. It is a novel about greed and lonliness, the story of a self-made business man, once wealthy, now suffering a breakdown as he nears the lonely end of his life. THE COURILOF AFFAIR tells the story of a Russian revolutionary living out his last days–and his recollections of his first infamous assassination. Also included are two short, gemlike novels: THE BALL, a pointed exploration of adolescence and the obsession with status among the bourgeoisie; and SNOW IN AUTUMN, an evocative tale of White Russian émigrés in Paris after the Russian Revolution.

Introduced by celebrated novelist Claire Messud, this collection of four spellbinding novels offers the same storytelling mastery, powerful clarity of language, and empathic grasp of human behavior that would give shape to Suite Française.

Creators

Irène Némirovsky was born in Kiev in 1903 into a successful banking family. Trapped in Moscow by the Russian Revolution, she and her family fled first to a village in Finland, and eventually to France, where she attended the Sorbonne.

Irène Némirovsky achieved early success as a writer: her first novel, David Golder, published when she was twenty-six, was a sensation. By 1937 she had published nine further books and David Golder had been made into a film; she and her husband Michel Epstein, a bank executive, moved in fashionable social circles.

When the Germans occupied France in 1940, she moved with her husband and two small daughters, aged 5 and 13, from Paris to the comparative safety of Issy-L’Evêque. It was there that she secretly began writing Suite Française. Though her family had converted to Catholicism, she was arrested on 13 July, 1942, and interned in the concentration camp at Pithiviers. She died in Auschwitz in August of that year.

View titles by Irene Nemirovsky

Praise

“Stunning . . . [Némirovsky] wrote, for all to read at last, some of the greatest, most humane and incisive fiction that conflict has produced.”
New York Times Book Review

“Némirovsky’s scope is like that of Tolstoy: she sees the fullness of humanity and its tenuous arrangements and manages to put them together with a tone that is affectionate, patient, and relentlessly honest.”
O, The Oprah Magazine

“Extraordinary . . . Némirovsky achieve[s] her penetrating insights with Flaubertian objectivity.”
The Washington Post Book World

“Brilliant . . . [Némirovsky wrote] with supreme lucidity [and] expressed with great emotional precision her understanding of the country that betrayed her.”
The Nation

[Némirovsky had] an alert eye for self-deceit, a tender regard for the natural world, and a forlorn gift for describing the crumbling, sliding descent of an entire society into catastrophic disorder.”
London Review of Books

“Transcendent, astonishing . . . Like Anne Frank, Irène Némirovsky was unaware . . . that she might not survive. And still, she writes to us.”
Pittsburgh Post-Gazette

“A novelist of the very first order, perceptive and sly in her emotional restraint.”
Evening Standard (London)
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