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A Room of One's Own

Author Virginia Woolf
Introduction by Xochitl Gonzalez
Edited by Michèle Barrett
Notes by Michèle Barrett
Paperback
$17.00 US
Penguin Adult HC/TR | Penguin Classics
5-1/16"W x 7-3/4"H | 4 oz | 24 per carton
On sale Jun 03, 2025 | 128 Pages | 9780143138907
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Virginia Woolf’s pioneering work of feminism, “probably the most influential piece of non-fictional writing by a woman in [the twentieth] century” (Hermione Lee), featuring a new introduction by Xochitl Gonzalez, Pulitzer Prize finalist and New York Times bestselling author of Olga Dies Dreaming and Anita de Monte Laughs Last

A Penguin Classic

In October 1928, Virginia Woolf delivered a series of lectures to the two women’s colleges at Cambridge University, and the result was thus: A Room of One’s Own, an extended essay that outlines the limitations on women throughout history and in her own time. Through a series of metaphors, scenarios, and analysis of her literary predecessors—which includes a powerful thought experiment about a fictional sister of William Shakespeare and musings on female writers such as the Bronte sisters—Woolf argues that women need a literal and figurative personal space to make their mark on a society dominated by men. In doing so, she urges us to consider the ways in which we continue to be constrained by our material and societal circumstances today, at a time when these discrepancies are recognized as even more multifaceted than in Woolf’s era.
VIRGINIA WOOLF (1882-1941) was born in London. A pioneer in the narrative use of stream of consciousness, she published her first novel, The Voyage Out, in 1915. This was followed by literary criticism and essays, most notably A Room of One’s Own, and other acclaimed novels, including Mrs. Dalloway, To the Lighthouse, and Orlando. View titles by Virginia Woolf
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“Brilliant, incandescent . . . Woolf makes an impossibly elegant argument about the myriad ways that women’s voices have been silenced, suppressed, and otherwise forgotten. . . . Do not let this volume sit on your shelves unread. Make this beautiful Penguin Classics edition more than a totem to your values, or a lovely marker of how far we all have come. It is so much more: It is an active, breathing rallying cry. It is an enduring font for dialogue, discussion, and debate. And it holds in its pages the soul of a woman who demanded, and inspires us to demand, our full liberation.” —Xochitl Gonzalez, from the Introduction

About

Virginia Woolf’s pioneering work of feminism, “probably the most influential piece of non-fictional writing by a woman in [the twentieth] century” (Hermione Lee), featuring a new introduction by Xochitl Gonzalez, Pulitzer Prize finalist and New York Times bestselling author of Olga Dies Dreaming and Anita de Monte Laughs Last

A Penguin Classic

In October 1928, Virginia Woolf delivered a series of lectures to the two women’s colleges at Cambridge University, and the result was thus: A Room of One’s Own, an extended essay that outlines the limitations on women throughout history and in her own time. Through a series of metaphors, scenarios, and analysis of her literary predecessors—which includes a powerful thought experiment about a fictional sister of William Shakespeare and musings on female writers such as the Bronte sisters—Woolf argues that women need a literal and figurative personal space to make their mark on a society dominated by men. In doing so, she urges us to consider the ways in which we continue to be constrained by our material and societal circumstances today, at a time when these discrepancies are recognized as even more multifaceted than in Woolf’s era.

Creators

VIRGINIA WOOLF (1882-1941) was born in London. A pioneer in the narrative use of stream of consciousness, she published her first novel, The Voyage Out, in 1915. This was followed by literary criticism and essays, most notably A Room of One’s Own, and other acclaimed novels, including Mrs. Dalloway, To the Lighthouse, and Orlando. View titles by Virginia Woolf

Praise

“Brilliant, incandescent . . . Woolf makes an impossibly elegant argument about the myriad ways that women’s voices have been silenced, suppressed, and otherwise forgotten. . . . Do not let this volume sit on your shelves unread. Make this beautiful Penguin Classics edition more than a totem to your values, or a lovely marker of how far we all have come. It is so much more: It is an active, breathing rallying cry. It is an enduring font for dialogue, discussion, and debate. And it holds in its pages the soul of a woman who demanded, and inspires us to demand, our full liberation.” —Xochitl Gonzalez, from the Introduction

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