Close Modal

The Apprentice Tourist

Introduction by Flora Thomson-DeVeaux
Translated by Flora Thomson-DeVeaux
Look inside
Paperback
5.01"W x 7.7"H x 0.6"D   | 6 oz | 24 per carton
On sale Apr 04, 2023 | 224 Pages | 9780143137351

A Brazilian masterpiece, now in English for the first time: a playfully profound chronicle of an urban sophisticate’s misadventures in the Amazon

A Penguin Classic


“My life’s done a somersault,” wrote Mário de Andrade in a letter, on the verge of taking a leap. After years of dreaming about Amazonia, and almost fifty years before Bruce Chatwin ventured into one of the most remote regions of South America in In Patagonia, Andrade, the queer mixed-race “pope” of Brazilian modernism and author of the epic novel Macunaíma, finally embarks on a three-month steamboat voyage up the great river and into one of the most dangerous and breathtakingly beautiful corners of the world. Rife with shrewd observations and sparkling wit, and featuring more than a dozen photographs, The Apprentice Tourist not only offers an awed and awe-inspiring fish-out-of-water account of the Indigenous peoples and now-endangered landscapes of Brazil that he encounters (and, comically, sometimes fails to reach), but also traces his internal metamorphosis: The trip prompts him to rethink his ingrained Eurocentrism, challenges his received narratives about the Amazon, and alters the way he understands his motherland and the vast diversity of cultures found within it.

For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Mário de Andrade (1893–1945) was a Brazilian modernist from São Paulo. A polymath of his era, he was trained as a musician but became equally influential in fiction, poetry, photography, and art criticism. He served as the founding director of São Paulo's Department of Culture and helped organize and participated in the Semana de Arte Moderna (“Week of Modern Art”) in 1922, an event that would be regarded as the birth of modernism in Brazil. View titles by Mário de Andrade
Available for sale exclusive:
•     Afghanistan
•     Aland Islands
•     Albania
•     Algeria
•     Andorra
•     Angola
•     Anguilla
•     Antarctica
•     Antigua/Barbuda
•     Argentina
•     Armenia
•     Aruba
•     Australia
•     Austria
•     Azerbaijan
•     Bahamas
•     Bahrain
•     Bangladesh
•     Barbados
•     Belarus
•     Belgium
•     Belize
•     Benin
•     Bermuda
•     Bhutan
•     Bolivia
•     Bonaire, Saba
•     Bosnia Herzeg.
•     Botswana
•     Bouvet Island
•     Brazil
•     Brit.Ind.Oc.Ter
•     Brit.Virgin Is.
•     Brunei
•     Bulgaria
•     Burkina Faso
•     Burundi
•     Cambodia
•     Cameroon
•     Canada
•     Cape Verde
•     Cayman Islands
•     Centr.Afr.Rep.
•     Chad
•     Chile
•     China
•     Christmas Islnd
•     Cocos Islands
•     Colombia
•     Comoro Is.
•     Congo
•     Cook Islands
•     Costa Rica
•     Croatia
•     Cuba
•     Curacao
•     Cyprus
•     Czech Republic
•     Dem. Rep. Congo
•     Denmark
•     Djibouti
•     Dominica
•     Dominican Rep.
•     Ecuador
•     Egypt
•     El Salvador
•     Equatorial Gui.
•     Eritrea
•     Estonia
•     Ethiopia
•     Falkland Islnds
•     Faroe Islands
•     Fiji
•     Finland
•     France
•     Fren.Polynesia
•     French Guinea
•     Gabon
•     Gambia
•     Georgia
•     Germany
•     Ghana
•     Gibraltar
•     Greece
•     Greenland
•     Grenada
•     Guadeloupe
•     Guam
•     Guatemala
•     Guernsey
•     Guinea Republic
•     Guinea-Bissau
•     Guyana
•     Haiti
•     Heard/McDon.Isl
•     Honduras
•     Hong Kong
•     Hungary
•     Iceland
•     India
•     Indonesia
•     Iran
•     Iraq
•     Ireland
•     Isle of Man
•     Israel
•     Italy
•     Ivory Coast
•     Jamaica
•     Japan
•     Jersey
•     Jordan
•     Kazakhstan
•     Kenya
•     Kiribati
•     Kuwait
•     Kyrgyzstan
•     Laos
•     Latvia
•     Lebanon
•     Lesotho
•     Liberia
•     Libya
•     Liechtenstein
•     Lithuania
•     Luxembourg
•     Macau
•     Macedonia
•     Madagascar
•     Malawi
•     Malaysia
•     Maldives
•     Mali
•     Malta
•     Marshall island
•     Martinique
•     Mauritania
•     Mauritius
•     Mayotte
•     Mexico
•     Micronesia
•     Minor Outl.Ins.
•     Moldavia
•     Monaco
•     Mongolia
•     Montenegro
•     Montserrat
•     Morocco
•     Mozambique
•     Myanmar
•     Namibia
•     Nauru
•     Nepal
•     Netherlands
•     New Caledonia
•     New Zealand
•     Nicaragua
•     Niger
•     Nigeria
•     Niue
•     Norfolk Island
•     North Korea
•     North Mariana
•     Norway
•     Oman
•     Pakistan
•     Palau
•     Palestinian Ter
•     Panama
•     PapuaNewGuinea
•     Paraguay
•     Peru
•     Philippines
•     Pitcairn Islnds
•     Poland
•     Portugal
•     Puerto Rico
•     Qatar
•     Reunion Island
•     Romania
•     Russian Fed.
•     Rwanda
•     S. Sandwich Ins
•     Saint Martin
•     Samoa,American
•     San Marino
•     SaoTome Princip
•     Saudi Arabia
•     Senegal
•     Serbia
•     Seychelles
•     Sierra Leone
•     Singapore
•     Sint Maarten
•     Slovakia
•     Slovenia
•     Solomon Islands
•     Somalia
•     South Africa
•     South Korea
•     South Sudan
•     Spain
•     Sri Lanka
•     St Barthelemy
•     St. Helena
•     St. Lucia
•     St. Vincent
•     St.Chr.,Nevis
•     St.Pier,Miquel.
•     Sth Terr. Franc
•     Sudan
•     Suriname
•     Svalbard
•     Swaziland
•     Sweden
•     Switzerland
•     Syria
•     Tadschikistan
•     Taiwan
•     Tanzania
•     Thailand
•     Timor-Leste
•     Togo
•     Tokelau Islands
•     Tonga
•     Trinidad,Tobago
•     Tunisia
•     Turkey
•     Turkmenistan
•     Turks&Caicos Is
•     Tuvalu
•     US Virgin Is.
•     USA
•     Uganda
•     Ukraine
•     Unit.Arab Emir.
•     United Kingdom
•     Uruguay
•     Uzbekistan
•     Vanuatu
•     Vatican City
•     Venezuela
•     Vietnam
•     Wallis,Futuna
•     West Saharan
•     Western Samoa
•     Yemen
•     Zambia
•     Zimbabwe

The Apprentice Tourist shows Andrade’s fascination with Amazonian cultures—and his utter boredom with the government officials and elites who welcomed the group of travelers along the way. . . . [It] offer[s] an important corrective in bringing canonical Brazilian works into English.” —The New York Times

“A playful romp . . . The translator ha[s] done remarkable work, approaching the unruly text with joy and scholarship . . . fascination and care.” —Joy Williams, Book Post

“Farce from start to finish . . . Andrade . . . relay[s] details, with wide-eyed credulity, of his extraordinary encounters with indigenous communities, some partially real and others completely falsified, yet always well and truly beyond belief. . . . These as well as other outlandish events . . . Andrade recounts with the straightest of faces. . . . It was in the process of mythmaking that the country of Andrade’s imagination became more vivid, more alive.” —Prospect magazine

About

A Brazilian masterpiece, now in English for the first time: a playfully profound chronicle of an urban sophisticate’s misadventures in the Amazon

A Penguin Classic


“My life’s done a somersault,” wrote Mário de Andrade in a letter, on the verge of taking a leap. After years of dreaming about Amazonia, and almost fifty years before Bruce Chatwin ventured into one of the most remote regions of South America in In Patagonia, Andrade, the queer mixed-race “pope” of Brazilian modernism and author of the epic novel Macunaíma, finally embarks on a three-month steamboat voyage up the great river and into one of the most dangerous and breathtakingly beautiful corners of the world. Rife with shrewd observations and sparkling wit, and featuring more than a dozen photographs, The Apprentice Tourist not only offers an awed and awe-inspiring fish-out-of-water account of the Indigenous peoples and now-endangered landscapes of Brazil that he encounters (and, comically, sometimes fails to reach), but also traces his internal metamorphosis: The trip prompts him to rethink his ingrained Eurocentrism, challenges his received narratives about the Amazon, and alters the way he understands his motherland and the vast diversity of cultures found within it.

For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Creators

Mário de Andrade (1893–1945) was a Brazilian modernist from São Paulo. A polymath of his era, he was trained as a musician but became equally influential in fiction, poetry, photography, and art criticism. He served as the founding director of São Paulo's Department of Culture and helped organize and participated in the Semana de Arte Moderna (“Week of Modern Art”) in 1922, an event that would be regarded as the birth of modernism in Brazil. View titles by Mário de Andrade

Praise

The Apprentice Tourist shows Andrade’s fascination with Amazonian cultures—and his utter boredom with the government officials and elites who welcomed the group of travelers along the way. . . . [It] offer[s] an important corrective in bringing canonical Brazilian works into English.” —The New York Times

“A playful romp . . . The translator ha[s] done remarkable work, approaching the unruly text with joy and scholarship . . . fascination and care.” —Joy Williams, Book Post

“Farce from start to finish . . . Andrade . . . relay[s] details, with wide-eyed credulity, of his extraordinary encounters with indigenous communities, some partially real and others completely falsified, yet always well and truly beyond belief. . . . These as well as other outlandish events . . . Andrade recounts with the straightest of faces. . . . It was in the process of mythmaking that the country of Andrade’s imagination became more vivid, more alive.” —Prospect magazine
Penguin Random House Comics Retail