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The Amazing Spider-Man

Part of Penguin Classics Marvel Collection

Author Stan Lee, Steve Ditko
Foreword by Jason Reynolds
Introduction by Ben Saunders
Series edited by Ben Saunders
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Paperback
$28.00 US
Penguin Adult HC/TR | Penguin Classics
7.06"W x 9.85"H x 0.98"D   | 31 oz | 16 per carton
On sale Jun 14, 2022 | 384 Pages | 9780143135739
FOC Mar 7, 2022 | Catalog January 2022
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The Penguin Classics Marvel Collection presents the origin stories, seminal tales, and characters of the Marvel Universe to explore Marvel’s transformative and timeless influence on an entire genre of fantasy.
 
A Penguin Classics Marvel Collection Edition
 
Collects “Spider-Man!” from Amazing Fantasy #15 (1962); The Amazing Spider-Man #1-4, #9, #10, #13, #14, #17-19 (1963-1964); “Goodbye to Linda Brown” from Strange Tales #97 (1962); “How Stan Lee and Steve Ditko Create Spider-Man!” from The Amazing Spider-Man Annual #1 (1964). It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as metaphors for the experience of difference and otherness; as meditations on the fluid nature of identity; and as high-water marks in the artistic tradition of American cartooning, to name a few.
 
This anthology contains twelve key stories from the first two years of Spider-Man’s publication history (from 1962 to 1964). These influential adventures not only transformed the super hero fantasy into an allegory for the pain of adolescence but also brought a new ethical complexity to the genre—by insisting that with great power there must also come great responsibility.
 
A foreword by Jason Reynolds and scholarly introductions and apparatus by Ben Saunders offer further insight into the enduring significance of The Amazing Spider-Man and classic Marvel comics.
 
The Penguin Classics black spine paperback features full-color art throughout.
© Ten Speed Press
Stan Lee is the co-creator of the most beloved characters in the history of comics, including Spider-Man, the Fantastic Four, the Hulk, and many others. He is also the author of Stan Lee's Riftworld: Odyssey, and the editor of The Ultimate Spider-Man, The Ultimate Super-Villains, The Ultimate Silver Surfer, and The Ultimate X-Men, all from Boulevard. View titles by Stan Lee
Steve Ditko is an award-winning American comic book artist and writer known for cocreating the Marvel characters Superman and Doctor Strange with Stan Lee. He was inducted into the Jack Kirby Hall of Fame in 1990 and into the Will Eisner Award Hall of Fame in 1994. Ditko lives in New York City. View titles by Steve Ditko
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additional book photo
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“A groundbreaking example of comics representation in literature.”
—Publishers Weekly

“Penguin provides introductory essays; superb analyses by the series editor, Ben Saunders; and extensive bibliographies.”
—Michael Dirda, The Washington Post

“Stories become classics when generations of readers sort through them, talk about them, imitate them, and recommend them. In this case, baby boomers read them when they débuted, Gen X-ers grew up with their sequels, and millennials encountered them through Marvel movies. Each generation of fans—initially fanboys, increasingly fangirls, and these days nonbinary fans, too—found new ways not just to read the comics but to use them. That’s how canons form. Amateurs and professionals, over decades, come to something like consensus about which books matter and why—or else they love to argue about it, and we get to follow the arguments. Canons rise and fall, gain works and lose others, when one generation of people with the power to publish, teach, and edit diverges from the one before ... A top-flight comic by Kirby—or his successor on “Captain America,” Jim Steranko—barely needed words. You could follow the story just by watching the characters act and react. Thankfully, Penguin volumes do justice to these images. They reproduce sixties comics in bright, flat, colorful inks on thick white paper—unlike the dot-based process used on old newsprint, but perhaps truer to their bold, thrill-chasing spirit.”
—Stephanie Burt, The New Yorker

Educator Guide for The Amazing Spider-Man

Classroom-based guides appropriate for schools and colleges provide pre-reading and classroom activities, discussion questions connected to the curriculum, further reading, and resources.

(Please note: the guide displayed here is the most recently uploaded version; while unlikely, any page citation discrepancies between the guide and book is likely due to pagination differences between a book’s different formats.)

Read More

About

The Penguin Classics Marvel Collection presents the origin stories, seminal tales, and characters of the Marvel Universe to explore Marvel’s transformative and timeless influence on an entire genre of fantasy.
 
A Penguin Classics Marvel Collection Edition
 
Collects “Spider-Man!” from Amazing Fantasy #15 (1962); The Amazing Spider-Man #1-4, #9, #10, #13, #14, #17-19 (1963-1964); “Goodbye to Linda Brown” from Strange Tales #97 (1962); “How Stan Lee and Steve Ditko Create Spider-Man!” from The Amazing Spider-Man Annual #1 (1964). It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as metaphors for the experience of difference and otherness; as meditations on the fluid nature of identity; and as high-water marks in the artistic tradition of American cartooning, to name a few.
 
This anthology contains twelve key stories from the first two years of Spider-Man’s publication history (from 1962 to 1964). These influential adventures not only transformed the super hero fantasy into an allegory for the pain of adolescence but also brought a new ethical complexity to the genre—by insisting that with great power there must also come great responsibility.
 
A foreword by Jason Reynolds and scholarly introductions and apparatus by Ben Saunders offer further insight into the enduring significance of The Amazing Spider-Man and classic Marvel comics.
 
The Penguin Classics black spine paperback features full-color art throughout.

Creators

© Ten Speed Press
Stan Lee is the co-creator of the most beloved characters in the history of comics, including Spider-Man, the Fantastic Four, the Hulk, and many others. He is also the author of Stan Lee's Riftworld: Odyssey, and the editor of The Ultimate Spider-Man, The Ultimate Super-Villains, The Ultimate Silver Surfer, and The Ultimate X-Men, all from Boulevard. View titles by Stan Lee
Steve Ditko is an award-winning American comic book artist and writer known for cocreating the Marvel characters Superman and Doctor Strange with Stan Lee. He was inducted into the Jack Kirby Hall of Fame in 1990 and into the Will Eisner Award Hall of Fame in 1994. Ditko lives in New York City. View titles by Steve Ditko

Photos

additional book photo
additional book photo
additional book photo

Praise

“A groundbreaking example of comics representation in literature.”
—Publishers Weekly

“Penguin provides introductory essays; superb analyses by the series editor, Ben Saunders; and extensive bibliographies.”
—Michael Dirda, The Washington Post

“Stories become classics when generations of readers sort through them, talk about them, imitate them, and recommend them. In this case, baby boomers read them when they débuted, Gen X-ers grew up with their sequels, and millennials encountered them through Marvel movies. Each generation of fans—initially fanboys, increasingly fangirls, and these days nonbinary fans, too—found new ways not just to read the comics but to use them. That’s how canons form. Amateurs and professionals, over decades, come to something like consensus about which books matter and why—or else they love to argue about it, and we get to follow the arguments. Canons rise and fall, gain works and lose others, when one generation of people with the power to publish, teach, and edit diverges from the one before ... A top-flight comic by Kirby—or his successor on “Captain America,” Jim Steranko—barely needed words. You could follow the story just by watching the characters act and react. Thankfully, Penguin volumes do justice to these images. They reproduce sixties comics in bright, flat, colorful inks on thick white paper—unlike the dot-based process used on old newsprint, but perhaps truer to their bold, thrill-chasing spirit.”
—Stephanie Burt, The New Yorker

Teacher Guides

Educator Guide for The Amazing Spider-Man

Classroom-based guides appropriate for schools and colleges provide pre-reading and classroom activities, discussion questions connected to the curriculum, further reading, and resources.

(Please note: the guide displayed here is the most recently uploaded version; while unlikely, any page citation discrepancies between the guide and book is likely due to pagination differences between a book’s different formats.)

Read More

Additional formats

Other books in this series

Other Books by this Author

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