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Howards End

Author E. M. Forster
Introduction by David Lodge
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Paperback
$14.00 US
Penguin Adult HC/TR | Penguin Classics
5.11"W x 7.72"H x 0.58"D   | 8 oz | 56 per carton
On sale Apr 01, 2000 | 336 Pages | 9780141182131
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E. M. Forster's meticulously observed drama of class warfare exploring the conflict inherent within English society—the inspiration for the award-winning two-part play The Inheritance, now on Broadway

"Only connect..." A chance acquaintance brings together the preposterous bourgeois Wilcox family and the clever, cultured and idealistic Schlegel sisters. As clear-eyed Margaret develops a friendship with Mrs Wilcox, the impetuous Helen brings into their midst a young bank clerk named Leonard Bast, who lives at the edge of poverty and ruin. When Mrs Wilcox dies, her family discovers that she wants to leave her country home, Howards End, to Margaret. Thus as Forster sets in motion a chain of events that will entangle three different families, he brilliantly portrays their aspirations to personal and social harmony. David Lodge's introduction provides an absorbing and eloquent overture to the 1910 novel that established Forster's reputation as an important writer, and that he himself later referred to as "my best novel." This edition also contains a note on the text, suggestions for further reading, and explanatory notes.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
E. M. Forster (1879–1970) was born Edward Morgan Forster in London. He attended Tonbridge School as a day boy and went on to King's College, Cambridge, in 1897. With King's he had a lifelong connection and was elected to an Honorary Fellowship in 1946. Forster wrote six novels, four of which appeared before World War I: Where Angels Fear to Tread (1905), The Longest Journey (1907), A Room with a View (1908), and Howard's End (1910).   An interval of fourteen years elapsed before he published A Passage to India. It won both the Prix Femina Vie Heureuse and the James Tait Black Memorial Prize. Finished in 1914, his novel on homosexual themes, Maurice, was published in posthumously in 1971.   He also published two volumes of short stories; two collections of essays; a critical work, Aspects of the Novel; The Hill of Devi, a fascinating record of two visits Forster made to the Indian state of Dewas Senior; two biographies; two books about Alexandria (where he worked for the Red Cross during World War I); and, with Eric Crozier, the libretto for Benjamin Britten's opera Billy Budd. The Times called him "one of the most esteemed English novelists of his time." View titles by E. M. Forster
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With a new Introduction by James Ivory
Commentary by Virginia Woolf, Lionel Trilling, Malcolm Bradbury, and Joseph Epstein

"Howards End is a classic English novel . . . superb and wholly cherishable . . . one that admirers have no trouble reading over and over again," said Alfred Kazin.

First published in 1910, Howards End is the novel that earned E. M. Forster recognition as a major writer. At its heart lie two families—the wealthy and business-minded Wilcoxes and the cultured and idealistic Schlegels. When the beautiful and independent Helen Schlegel begins an impetuous affair with the ardent Paul Wilcox, a series of events is sparked—some very funny, some very tragic—that results in a dispute over who will inherit Howards End, the Wilcoxes' charming country home. As much about the clash between individual wills as the clash between the sexes and the classes, Howards End is a novel whose central tenet, "Only connect," remains a powerful prescription for modern life.

"Howards End is undoubtedly Forster's masterpiece; it develops to their full the themes and attitudes of [his] early books and throws back upon them a new and enhancing light," wrote the critic Lionel Trilling.

About

E. M. Forster's meticulously observed drama of class warfare exploring the conflict inherent within English society—the inspiration for the award-winning two-part play The Inheritance, now on Broadway

"Only connect..." A chance acquaintance brings together the preposterous bourgeois Wilcox family and the clever, cultured and idealistic Schlegel sisters. As clear-eyed Margaret develops a friendship with Mrs Wilcox, the impetuous Helen brings into their midst a young bank clerk named Leonard Bast, who lives at the edge of poverty and ruin. When Mrs Wilcox dies, her family discovers that she wants to leave her country home, Howards End, to Margaret. Thus as Forster sets in motion a chain of events that will entangle three different families, he brilliantly portrays their aspirations to personal and social harmony. David Lodge's introduction provides an absorbing and eloquent overture to the 1910 novel that established Forster's reputation as an important writer, and that he himself later referred to as "my best novel." This edition also contains a note on the text, suggestions for further reading, and explanatory notes.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Creators

E. M. Forster (1879–1970) was born Edward Morgan Forster in London. He attended Tonbridge School as a day boy and went on to King's College, Cambridge, in 1897. With King's he had a lifelong connection and was elected to an Honorary Fellowship in 1946. Forster wrote six novels, four of which appeared before World War I: Where Angels Fear to Tread (1905), The Longest Journey (1907), A Room with a View (1908), and Howard's End (1910).   An interval of fourteen years elapsed before he published A Passage to India. It won both the Prix Femina Vie Heureuse and the James Tait Black Memorial Prize. Finished in 1914, his novel on homosexual themes, Maurice, was published in posthumously in 1971.   He also published two volumes of short stories; two collections of essays; a critical work, Aspects of the Novel; The Hill of Devi, a fascinating record of two visits Forster made to the Indian state of Dewas Senior; two biographies; two books about Alexandria (where he worked for the Red Cross during World War I); and, with Eric Crozier, the libretto for Benjamin Britten's opera Billy Budd. The Times called him "one of the most esteemed English novelists of his time." View titles by E. M. Forster

Praise

With a new Introduction by James Ivory
Commentary by Virginia Woolf, Lionel Trilling, Malcolm Bradbury, and Joseph Epstein

"Howards End is a classic English novel . . . superb and wholly cherishable . . . one that admirers have no trouble reading over and over again," said Alfred Kazin.

First published in 1910, Howards End is the novel that earned E. M. Forster recognition as a major writer. At its heart lie two families—the wealthy and business-minded Wilcoxes and the cultured and idealistic Schlegels. When the beautiful and independent Helen Schlegel begins an impetuous affair with the ardent Paul Wilcox, a series of events is sparked—some very funny, some very tragic—that results in a dispute over who will inherit Howards End, the Wilcoxes' charming country home. As much about the clash between individual wills as the clash between the sexes and the classes, Howards End is a novel whose central tenet, "Only connect," remains a powerful prescription for modern life.

"Howards End is undoubtedly Forster's masterpiece; it develops to their full the themes and attitudes of [his] early books and throws back upon them a new and enhancing light," wrote the critic Lionel Trilling.

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