Japanese animation—the globally acclaimed, family-friendly theatrical features are the exception rather than the rule for a TV-oriented industry that has been pushed into late-night slots in an era of fragmented audiences. When only three titles among fifty might turn a profit, topping the charts is hardly an overambitious aim. Yet as three women, a producer, a director, and an animator, survive in a business infamous for its murderous schedules, demoralizing compromises, and incorrigible men, moments of uplift emerge against all odds—and how. More than just a window into an entertainment niche, here’s a kickass ode to work.
Mizuki Tsujimura made her debut by winning the Mephisto Prize, in 2004, with a massive novel that she started writing in high school and kept at throughout college. Best known as an author of dark mysteries, she won the Naoki in 2012. A Japan Booksellers’ Award nominee, Anime Supremacy! is her first work to be published in English.
Japanese animation—the globally acclaimed, family-friendly theatrical features are the exception rather than the rule for a TV-oriented industry that has been pushed into late-night slots in an era of fragmented audiences. When only three titles among fifty might turn a profit, topping the charts is hardly an overambitious aim. Yet as three women, a producer, a director, and an animator, survive in a business infamous for its murderous schedules, demoralizing compromises, and incorrigible men, moments of uplift emerge against all odds—and how. More than just a window into an entertainment niche, here’s a kickass ode to work.
Creators
Mizuki Tsujimura made her debut by winning the Mephisto Prize, in 2004, with a massive novel that she started writing in high school and kept at throughout college. Best known as an author of dark mysteries, she won the Naoki in 2012. A Japan Booksellers’ Award nominee, Anime Supremacy! is her first work to be published in English.
