Amazing Spider-Man Epic Collection: Maximum Clonage

Writer Todd Dezago began his career on X-Factor. He then penned several Clone Saga-era Spider-books, including a lengthy Spectacular Spider-Man run. Dezago soon moved to Sensational Spider-Man, where he teamed with artist Mike Wieringo. For DC Comics, Dezago co-created Young Justice, wrote the JLA: World Without Grown-Ups miniseries and penned an acclaimed run on Impulse. In 1999, Dezago and Wieringo re-teamed to create the Image Comics fantasy series Tellos, and he co-created the Perhapanauts with artist Craig Rousseau in 2003. Dezago has written several stories for Marvel’s all-ages titles, including Marvel Age Spider-Man and Super Hero Squad.

A native New Yorker, writer J.M. DeMatteis has been one of comics’ most respected writers for nearly three decades. Ranging from the introspective psychological drama of Moonshadow to the offbeat comedy of Justice League to the autobiographical Brooklyn Dreams, he’s written from nearly every perspective in graphic storytelling. His long list of credits includes Captain America, Defenders, Justice League International, the groundbreaking Spider-Man storyline “Kraven’s Last Hunt," Spectre and more. His recent work includes the acclaimed children's novel Imaginalis and the popular comics-prose hybrid Abadazad books.

Howard Mackie got his start at Marvel during the late 1980s as an editor and then a writer. One of his first series as full-time scribe was 1990’s massively popular Ghost Rider, which introduced the alter ego Danny Ketch to the mythos of the Spirit of Vengeance. He also wrote prolifically in the Spider-Man and X-Men titles of the ’90s.

Tom DeFalco’s earliest comic-book scripts were for Archie and DC; he soon moved to Marvel, where he wrote Avengers, Machine Man and other titles, also launching Dazzler, a hit series of the early ’80s. In addition to writing long and well-received runs on Amazing Spider-Man and Thor, DeFalco edited many titles, eventually becoming editor in chief. During the 1980s, he headed the creative team that provided fictional biographies for G.I. Joe members, originally included with Hasbro’s toys and later used as the basis for multiple storylines on the animated series. Perhaps his best-known work is multi-title character Spider-Girl, whom he introduced in 1998. DeFalco has authored multiple books, including Ultimate Guides for Avengers, Fantastic Four, Hulk and Spider-Man.

After beginning his writing career on DC horror titles, David Michelinie moved to Marvel. He and co-writer/inker Bob Layton established Iron Man’s battle with alcoholism, use of specialized armor variants and vendetta against Doctor Doom, as well as other aspects of the character that endure to this day. Michelinie’s unique blend of action, suspense and humor distinguished not only Iron Man, but also Amazing Spider-Man. With artist Todd McFarlane, he introduced the vicious vigilante Venom; he also wrote the first Venom limited series, Lethal Protector. Michelinie’s run as Amazing writer was second in length only to that of Stan Lee himself, while he also authored tie-in titles Spectacular Spider-Man, Web of Spider-Man and Spider-Man. He moved from Marvel’s flagship character to DC’s with a stint on Superman’s Action Comics, later returning to the world of Tony Stark for writing collaborations with Bob Layton on Iron Man: Legacy of Doom and Iron Man: The End.

Writer, editor and colorist Evan Skolnick worked on an array of Marvel Comics titles, with his most prominent assignment as a scribe being his lengthy run on New Warriors. He also wrote Doctor Strange, Sorcerer Supreme and 2099 Unlimited, among others. Now a prominent video-game writer, his credits include Mafia III and Star Wars: Battlefront.

Hired on the strength of his Official Marvel Tryout penciling submission, Mark Bagley rose to prominence as the artist of 1990s sleeper hit New Warriors. Following an acclaimed run on Amazing Spider-Man, he worked with writer Kurt Busiek on Thunderbolts. When Marvel launched its Ultimate line, Bagley and Brian Michael Bendis led the way with Ultimate Spider-Man, whose years of success made the pair the longest-running creative team in Marvel history. Bendis and Bagley have also collaborated on Avengers Assemble and the creator-owned Brilliant. His subsequent credits include Fantastic Four, Cataclysm: The Ultimates’ Last Stand, Hulk, All-New X-Men and Venom.

For over 20 years, few if any projects have diagramed super-hero costumes and technology without input from professional engineer Eliot R. Brown. Iron Man's armor, Moon Knight's helicopters, the Punisher's guns, Avengers Mansion, the Guardians of the Galaxy's spaceship, all have had their secrets revealed by Brown's expert penciling. He is also known for his work with photographic art. 

After establishing himself on Eternity’s Ex-Mutants and First’s Badger, Ron Lim went cosmic with a six-year penciling run on Silver Surfer, followed by a collaboration with Jim Starlin on the Warlock/Thanos Infinity multi-miniseries saga. With writer Tom DeFalco, he helped create the look and characters of the MC2 universe, while he explored a different Marvel future during a 35-issue run on X-Men 2099. Lim’s other Marvel credits include Captain America, Spider-Man Unlimited and Venom: Lethal Protector.

After a start as inker to his older brother John, Sal Buscema penciled Captain America, Defenders, Incredible Hulk and more. Famed for his ability to meet tight deadlines, he spread his talents across multiple genres. His 1970s work ranged from Ms. Marvel and Nova to Sub-Mariner and Spider-Woman’s first appearance in Marvel Spotlight. He was the uninterrupted artist on Spectacular Spider-Man for more than a hundred issues and penciled the web-slinger’s adventures in Marvel Team-Up, in which he and writer Bill Mantlo introduced Captain Jean DeWolff. After handling more team-ups in the Thing’s Marvel Two-in-One, he reunited with brother John on Steve Englehart’s Fantastic Four. He later provided inks for Tom DeFalco’s Spider-Girl titles and Thunderstrike miniseries.
Patrick “Patch” Zircher got his start illustrating RPG-based comics for Eclipse and 3D comics for Blackthorne during the late 1980s, and drew Now Comics’ Green Hornet. He has been an artist in demand ever since. His notable Marvel credits across the decades include New Warriors, Venom: Along Came a Spider, Star Trek: Early Voyages, Iron Man: The Iron Age, Thunderbolts, Cable & Deadpool, Iron Man, Hulk, Mystery Men and Savage Avengers.

Well regarded as a modern master of the macabre, artist Kyle Hotz is best known for his uniquely creepy art style. Hotz first gained notice during the 1990s with extensive credentials on a long list of horror comics. Since then, he has gone on to illustrate Incredible Hulk, Ghost Rider and Venom for Marvel Comics, as well as The Hood in collaboration with writer Brian K. Vaughan. Hotz thrilled fans of the “living dead” genre with Zombie, a four-part limited series modernizing the classic ’70s-era Marvel horror character, and its sequel, The Zombie: Simon Garth.

Artist Darick Robertson illustrated all sixty issues of Transmetropolitan with writer Warren Ellis. In the Fury limited series for Marvel, Robertson and Garth Ennis presented a graphically realistic vision of what it means to be the leader of the world’s biggest spy organization. He and Ennis next collaborated on the Marvel Knights Punisher series and later launched the controversial creator-owned series The Boys, now a smash-hit streaming series. In addition to his lengthy run on New Warriors, Robertson’s other Marvel credits include Wolverine, Nightcrawler and Toxin.